Hugh Crichton's Romance. Coleridge Christabel Rose

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СКАЧАТЬ Here, the apron is ready; tie it on. Oh, my darling, do not look so frightened; you will spoil it all!”

      Violante crept close to her sister and took her hand; her bosom heaved, her mouth trembled. Manifestly either the result of the inspection was of supreme importance, or she greatly feared the inspector.

      Rosa kissed her, and, with an encouraging pat on the shoulder, put her away, and Violante stood with her gay fantastic dress, a strange contrast to the timid, uneasy face of the wearer.

      “Ah ha, Mademoiselle Mattei! So; very pretty, very pretty. But no; this is fit for a drawing-room. She might go and drink tea with Madame Tollemache at the Consulate; she might wear it on a Sunday to church.”

      “Oh, father, I am sure I could not!” cried Violante, scandalised.

      Signor Mattei stood with his head on one side, contemplating her with critical attention, and stroking his long grizzled beard the while. “She will be effaced by the footlights and the distance! More ribbons, Rosa; more braid, more chains, more gilding. A knot there, a bow there; here a streamer, here some – some effect!”

      “But, father, Zerlina was only a peasant girl,” said Violante, timidly.

      “Tut-tut, what do you know about it?” he said, shortly. “A peasant girl! She is the sublimated essence of the coquetry and the charm of a thousand peasant girls; and till you see that, you silly child, you will never be her worthy representative!”

      “I understand, father,” interposed Rosa, hastily. “It is soon done. Will you go and take the dress off, Violante?”

      But as Violante moved, there was the sound of another arrival, and Maddalena announced “Il signor Inglese.”

      “Stay, child,” cried Signor Mattei, as Violante was escaping in haste. She paused with a start which might have been caused by the sudden sound of her father’s voice, for he let his sentences fall much as if he were cracking a nut. “Stop! I have no objection to give the world a tiny sip of the future cup of joy! What, how will you face the public on Tuesday, if you are afraid of one Englishman, uneducated, a child in Art?”

      The little cantatrice of seventeen stood flushing and quivering as if only one atom of that terrible public were enough to fill her with dread. But perhaps her father’s eye was more terrible than the stranger’s, for she stood still, a spot of gaudy colour in the centre of the great bare room, yet shrinking like a little wild animal in the strange new cage, where it looks in vain for its safe shady hole amid cool ferns and moss.

      Rosa came forward and shook hands with the new comer, saying, in English, “How do you do, Mr Crichton? You find us very busy.”

      “I hope I am not in the way. I came for one moment to ask if I might bring my brother to the singing-class to-morrow. He is very fond of music.”

      The speaker had a pleasant voice and accent, spite of a slight formality of address, and although he carried himself with what Signor Mattei called “English stiffness,” there was also an English air of health and strength about his tall figure. The lack of colour and vivacity in his fair grave features prevented their regularity of form from striking a casual observer, just as a want of variety in their expression caused people to say that Hugh Spencer Crichton had no expression at all. But spite of all detractors, he looked handsome, sensible, and well bred, and none of his present companions had ever had reason to say that he was grave because their society bored him, formal because he was too proud to be familiar, or silent because he was too unsympathetic to have anything to say. Such remarks had sometimes been made upon him, but it is always well to see people for the first time under favourable circumstances, and so we first see Hugh Crichton in the old Italian palace, enjoying a private view of the future prima donna in her stage dress.

      “We shall be delighted to see your brother, signor,” said the musician, “as your brother, and, I understand, as a distinguished patron of our beloved art.”

      “He would much enjoy being so considered,” said Hugh, with a half smile; and then, to Violante, “Is that the great dress, signorina?”

      “It is only a rehearsal for it,” said Rosa, as Violante only answered by a blush.

      “No doubt it is all it should be,” said Hugh.

      It was not a very complimentary speech, and Hugh offered no opinion as to the details of the dress. It were hard to say if he admired it. But Violante looked up at him and spoke.

      “They don’t think it fine enough,” she said.

      Hugh gave here a quick sudden glance, and a smile as if in sympathy either with the words or the tremulous voice that uttered them. Then he said something both commonplace and extravagant about painting the lily, which satisfied Signor Mattei, and astonished Rosa, who thought him a sensible young man, and, saying he was bound to meet his brother, he rather hastily took his leave.

      Violante went into her own room and gladly took off Zerlina’s dress, for it was hot and heavy, and her shabby old muslin was far more comfortable. She pulled her soft hair out of the two long plaits into which Rosa had arranged it, and let it fall about her shoulders, and then she went to the window and looked out at the deep dazzling blue. She could see little else from the high casement but the carving of the little balcony round it, a long wreath of rich naturalistic foliage among which nestled a dove, with one of its wings broken. Violante’s pet creepers twined their green tendrils in and out among their marble likenesses, a crimson passion flower lay close to its white image, and sometimes a real pigeon lighted on the balcony and caressed the broken one with its wings. Violante encouraged the pigeons with crumbs and sweet noises, and trained her creepers round her own dove, making stories for it in a fanciful childish fashion, she would go and sing her songs to it, and treat it like a favourite doll. But she took no heed of it now, she gazed past it at the sky as if she saw a vision. She was not thinking of the brilliant dreaded future that lay before her, not consciously thinking of the scene just past. She was only feeling to her very finger tips the spell of one glance and smile. Poor Violante!

      Part 1, Chapter III

      Mr Spencer Crichton

      “Just in time to be too late.”

      Hugh Crichton walked away from the musician’s apartments towards the railway station, where he had promised to meet his brother. His tweed suit and large white umbrella were objects as incongruous with the picturesque scene around him as the somewhat similar figure often introduced into the foreground of photographs of buildings or mountains; but his thoughts, possibly, were less unworthy of the soft and lovely land in which he found himself, were less taken up with the home news which he expected to receive than perhaps they should have been.

      Hugh was scarcely eight and twenty, but the responsibilities of more advanced life had early descended on him, and he owed his present long holiday to a fall from his horse, from the effects of which, truth to tell, he had some time since entirely recovered. But busy men do not often reach Italy, and his friend, the English consul, was about to leave Civita Bella for a more lucrative appointment, and why should not Hugh see as much as possible, when he would never have another chance? “Never have another chance.” Those words echoed in Hugh’s ears and bore for him more than one meaning.

      Some thirty years before, the Bank of Oxley, a large town not very far from London, with the old red-brick house belonging to it, had descended to a young James Spencer, who thenceforth held one of the best positions in the neighbourhood. For Oxley was a town of considerable importance, and the Spencers had been bankers there for generations, and had intermarried with half the families round. Nevertheless, when Miss Crichton, СКАЧАТЬ