When Men Grew Tall, or The Story Of Andrew Jackson. Lewis Alfred Henry

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СКАЧАТЬ Indeed, he has conceived a vast respect, almost an affection, for his youthful adversary, and will not only apologize, but declares that, for purposes of litigation, he shall hereafter regard the horse-faced Andy as a being of mature years. All this says Colonel Waight-still, under the respectful spell of that flying lead; and if not in these phrases, then in words to the same effect.

      The horse-faced Andy shakes hands with Colonel Waightstill, and they return to the log courthouse, where the rum-and-quinine jurist is pleasantly awaiting them. The trial is again called, and the horse-faced Andy secures a verdict. What is of more consequence, he secures the respect of bench and bar; hereafter no one will so much as dream of disputing his word, should he lay claim to the years of Methuselah. That careful grazing shot at Colonel Waightstill, ages the horse-faced Andy wondrously in Cumberland estimation.

      Good fortune is not yet done with Andy of the horse face. Within hours after the meeting in that convenient ravine, he is given new opportunity to fix himself in the good regard of folk.

      It is on the verge of midnight. A gentleman, unsteady with his cups, seeks temporary repose on the grassy litter which surrounds the tavern haystack. Being comfortable, and safe against a fall, he of the too many cups refreshes himself with his pipe. Pipe going, he falls into thought; and next, in the midst of his preoccupation, he sets the hay afire. It burns like tinder, and the flames, wind-flaunted, catch the thatched roof of the stable.

      The settlement is threatened; the wild cry of “Fire!” is raised; from tavern and dwelling, men, women and children come trooping forth, clad in little besides looks of terror. The scene is one of confusion and misdirection; no one knows what to do. Meanwhile, the flames leap from the stable to the tavern itself.

      It is Andy the horse-faced who brings order out of chaos. Born for leadership, command comes easy to him. He calls for buckets, and with military quickness forms a double line of men between the river and the flames. The full buckets chase each other along one line, while the empties are returned by the second to be refilled. When the lines are working in watery concord, he organizes the balance of the community into a wet-blanket force. By his orders, coverlets, tablecloths, blankets, anything, everything that will serve, are dipped in the river and spread on exposed roofs. In an encouragingly short space, the fire is checked and the settlement saved.

      While the excitement is at its height, that pipe incendiary, who started the conflagration, breaks through the double line of water passers, and begins to give orders. He is as wild as was Nero at the burning of Rome. Finding this person disturbing the effective march of events, the horse-faced Andy – who is nothing if not executive – knocks him down with a bucket. The Cumberland Nero falls into the river, and the ducking, acting in happy conjunction with the stunning thump, brings him to the shore a changed and sobered man. That bucket promptitude, wherewith he deposed Nero, becomes one of those several immediate arguments which make mightily for the communal advancement of Andy the horse-faced.

      CHAPTER V – THE WINNING OF A WIFE

      ALL these energetic matters happen at aforesaid, is dancing attendance upon the court. The fame of them travels to Nashville in advance of his return, and works a respectful change toward him in the attitude of the public. Hereafter he is to be called “Andrew” by ones who know him well; while others, less acquainted, will on military occasions hail him as “Cap’n” and on civil ones as “Square.” On every hand, reference to him as “horse-faced” is to be dropped; wherefore this history, the effort of which is to follow close in the wake of the actual, will from this point profit by that polite example.

      The household at the widow Donelson’s learns of the Jonesboro valor and executive promptitude of the young State’s Attorney. The blooming Rachel rejoices, while her Jonesboro, where the horse-faced one, in the interests of the creditor class drunken spouse turns sullen. His jealousy of Andrew is multiplied, as that young gentleman’s fame increases. The fame, however, is of a sort that seriously mislikes the drunken Robards, who is at heart a hare. Wherefore, while his jealousy grows, he no longer makes it the tavern talk, as was his sottish wont.

      Affairs run briskly prosperous with Andrew, and he finds himself engaged in half the litigation of the Cumberland. There is little money, but the region owns a currency of its own. Some wise man has said that the circulating medium of Europe is gold, of Africa men, of Asia women, of America land. The client’s of Andrew reward his labors with land, and many a “six-forty,” by which the slang of the Cumberland identifies a section of land, becomes his. Finally he owns such an array of wilderness square miles, polka-dotted about between the Cumberland and the Mississippi, that the aggregate acreage swells into the thousands. Those acres, however, are hardly more valuable than are the brown leaves wherewith each autumn carpets them.

      While the ardent Andrew is pushing his way at the bar, and accumulating “six-forties,” he continues to board at the widow Donelson’s.

      The blooming Rachel delights in his society – so polished, so splendidly different from that of the drunkard Robards! Once or twice, too, when Andrew, in his saddlebag excursions from court to court, has a powder-burning brush with Indians and saves his sandy scalp by a narrowish margin, the red cheek of Rachel is seen to whiten. That is to say, the drunkard Robards sees it whiten; the purblind Andrew never once observes that mark of tender concern. The pistol repute of the decisive Andrew serves when he is by to stifle remark on the lip of the recreant Robards. But there come hours when the latter has the blooming Rachel to himself, at which time he raves like one demon-possessed. He avers that the unconscious Andrew is the lover of the blooming Rachel, and in so doing lies like an Ananias. However, the drunken one has the excuse of jealousy; which emotion is not only green-eyed but cross-eyed, and of all things – as history shows – most apt to mislead the accurate vision of folk.

      Andrew overflows of sentiment, and often in moments of loneliness turns homesick. This is the more marvelous, since never from his very cradle days has he had a home. Being homesick – one may as well call it that, for want of a better word – he goes out to the orchard fence, a lonely spot, cut off from view by intercepting bushes, and devotes himself to melancholy. This melancholy, as often happens with high-strung, vanity-bitten young gentlemen, is for the greater part nothing more than the fomentations of his egotism and conceit. But Andrew does not know this truth, and wears a fine tragic air as one beset of what poets term “a nameless grief.”

      One day the blooming Rachel discovers the melancholy Andrew, dreamily mournful by the orchard fence. She watches him unperceived, and her gentle bosom yearns over him. The blooming Rachel is not wanting in that taint of romanticism to which all border folk are born; and now, to see this Hector! – this lion among men! – so bent in sadness, moves her tenderly. At that it is only a kind of maternal tenderness; for the blooming Rachel has a wealth of mother love, and no children upon whom to lavish it. She stands looking at the melancholy one, and would give worlds if she might only take his head to her sympathetic bosom and cherish it.

      The blooming Rachel approaches, and cheerily greets the gloomy one. She seeks to uplift his spirits. Under the sweet spell of her, he tells how wholly alone he is. He speaks of his mother and how her very grave is lost. He relates how the Revolution swallowed up the lives of his two brothers.

      “And your father?”

      “He was buried the week before I was born.”

      The two stay by the orchard fence a long while, and talk on many things; but never once on love.

      The drunken Robards, fiend-guided, gets a green-eyed glimpse of them. With that his jealousy receives added edge, and – the better to decide upon a course – he hurries to a grog-gery to pour down rum by the cup. Either he drinks beyond his wont, or that rum is of sterner impulse than common; for he becomes pot-valorous, and with curses vows the death of Andrew.

      The drunken Robards, filled with rum to the brim, issues forth to СКАЧАТЬ