Название: Out of the Hurly-Burly: or, Life in an Odd Corner
Автор: Clark Charles Heber
Издательство: Public Domain
Жанр: Зарубежная классика
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"How does that strike you, Mrs. Adeler?"
She said that it struck her as being particularly nonsensical. She hoped I wouldn't put such stuff as that in the paper.
"Certainly not, Mrs. A. If I did, we should cause a general immigration of the domestics of the country to New Castle. We will not precipitate such a disaster."
The insertion of a less extended advertisement, couched in the usual terms, secured a reply from a young woman named Catherine. And when Catherine's objections to the size of the family, to the style of the cooking-range, to the dimensions of the weekly wash and to sundry other things had been overcome, she consented to accept the position.
"I hope she will suit," exclaimed Mrs. Adeler, with a sigh and an intonation which implied doubt. "I do hope she will answer, but I am afraid she won't, for according to her own confession she doesn't know how to make bread or to iron shirts or to do anything."
"That is the reason why she demanded such exorbitant wages. Those servants who are entirely ignorant always want the largest pay. If we ever obtain a girl who understands her business in all its departments, I cherish the conviction that she will work for us for nothing. The wages of domestics are usually in inverse ratio to the merit of the recipients. Did you ever reflect upon the difference between the real and the ideal Irish maiden?"
Mrs. A. admitted that she had not considered the subject with any degree of attention.
"The ideal peasant-girl lives only in fiction and upon the stage. We are largely indebted to Mr. Boucicault for her existence, just as we are under obligations to Mr. Fennimore Cooper for a purely sentimental conception of the North American Indian. Have you ever seen the Colleen Bawn?"
"What is that?" inquired Mrs. Adeler, as she bit off a piece of thread from a spool.
"It is a play, a drama, my dear, by Mr. Dion Boucicault."
"You know I never go to theatres."
"Well, in that and in many other of his dramas Mr. Boucicault has drawn a particularly affecting portrait of the imaginary peasant-girl of Ireland. She is, as depicted by him, a lovely young creature, filled with tenderest sensibility, animated by loftiest impulses and inspired perpetually by poetic enthusiasm. The conversation of this fascinating being sparkles with wit; she overflows with generosity; she has unutterable longings for a higher and nobler life; she loves with intense and overpowering passion; she is capable of supreme self-sacrifice; and she always wears clean clothing. If such charming girls really existed in Ireland in large numbers, it would be the most attractive spot in the world. It would be a particularly profitable place for young bachelors to emigrate to. I think I should even go there myself."
Mrs. Adeler said she would certainly accompany me if I did.
"But these persons have no actual existence. We know, from a painful experience, what the peasant-girl of real life is, do we not? We know that her appearance is not prepossessing; we are aware that her lofty impulses do not lift her high enough to enable her to avoid impertinence and to conquer her unnatural fondness for cooking wine. She will withhold starch from the shirt collars and put it in the underclothing; she will hold the baby by the leg, so that it is in perpetual peril of apoplexy, and she will drink the milk. All of her visitors are her cousins; and when they have spent a festive evening with her in the kitchen, is it not curious to remark with what certainty we find low tide in the sugar-box and an absence of symmetry about the cold beef? The only evidence that I can discover of the existence in her soul of a yearning for a higher life is that she nearly always wants Brussels carpet in the kitchen, and this longing is peculiarly intense if, when at the home of her childhood, she was accustomed to live in a mud-cabin and to sleep with a pig."
But I do not regret that Mr. Boucicault has not placed this person upon the stage. It is, indeed, a matter for rejoicing that she is not there. She plays such a part in the drama of domestic life that in contemplation of the virtues of the fabulous being we find intense relief.
CHAPTER III
We have a full view of the river from our chamber window, and it is a magnificent spectacle that greets us as we rise in the morning and fling the shutters wide open. The sun, in this early summer-time, has already crept high above the horizon of the pine-covered shore opposite, and has flooded the unruffled waters with its golden light until they are transformed for us into a sea of flame. There comes a fleet of grimy coal schooners moving upward with the tide, their dingy sails hanging almost listless in the air; now they float, one by one, into the yellow glory of the sunshine which bars the river from shore to shore. Yonder is a tiny tug puffing valorously as it tows the great merchantman – home from what distant land of wonders? – up to the wharves of the great city. And look! there is another tug-boat going down stream, with a score of canal-boats moving in huge mass slowly behind it. They come from far up among the mountains of the Lehigh and the Schuylkill with their burdens of coal, and they are bound for the Chesapeake. Those men lounging lazily about upon the decks while the women are getting breakfast ready spend their lives amid some of the wildest and noblest scenery in the world. I would rather be a canal-boat captain, Mrs. Adeler, and through all my existence float calmly and serenely amid those regions of beauty and delight, without ever knowing what hurry is, than to be the greatest and busiest of statesmen – that is, if one calling were as respectable and lucrative as the other.
That fellow upon the boat at the rear is playing upon his bugle. The canal-boat bugler is not an artist, but he makes wonderful music sometimes when he blows a blast up yonder in the heart of Pennsylvania, and sets the wild echoes flying among the cañons of those mighty hills. And even now it is not indifferent. Listen! The tones come to us mellowed by the distance, and so indistinct that they have lost all but the sweetness which makes them seem so like the sound of
That prosaic tooter floating there upon the river doubtless would be surprised to learn that he is capable of such a suggestion; but he is.
Off there in the distance, emerging from the shadowy mantle of mist that rests still upon the bosom of the stream to the south, comes the steamboat from Salem, with its decks loaded down with rosy and fragrant peaches, and with baskets of tomatoes and apples and potatoes and berries, ready for the hungry thousands of the Quaker City. The schooner lying there at the wharf is getting ready to move away, so that the steamer may come in. You can hear the screech made by the block as the tackle of the sail is drawn swiftly through it. Now she swings out into the stream, and there, right athwart her bows, see that fisherman rowing homeward with his net piled high in tangled meshes in the bow of his boat. He has a hundred or two silver-scaled shiners at his feet, I'll warrant you, and he is thinking rather of the price they will bring than of the fact that his appearance in his rough batteau gives an especially picturesque air to the beauty of that matchless scene. I wish I was a painter. I would pay any price if I could fling upon canvas that background of hazy gray, and place against it the fiery splendor of the sunlit river, with steamer and ship and weather-beaten sloop and fishing-boat drifting to and fro upon the golden tide.
There, СКАЧАТЬ