Mr. Punch's History of Modern England. Volume 4 of 4.—1892-1914. Graves Charles Larcom
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Название: Mr. Punch's History of Modern England. Volume 4 of 4.—1892-1914

Автор: Graves Charles Larcom

Издательство: Public Domain

Жанр: Зарубежная классика

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isbn: http://www.gutenberg.org/ebooks/48405

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СКАЧАТЬ and could not be belittled. By the end of the year, however, Punch's complacency was restored by the advance in our naval gunnery, and Britannia is seen proudly showing the impressive tabulated results of our big gun practice. The Germans are the only modern people who have a single word to express delight in the misfortunes of others —Schadenfreude. It is not a noble sentiment, but a suspicion of it mingles with Punch's comments on Germany's internal troubles. In 1878 he had shown Bismarck squeezing down the Socialist Jack-in-the-Box, and nearly thirty years later repeats the formula at the expense of Count von Bülow; but the Socialist Jack-in-the-Box was now a much more formidable figure: it was "a bigger task for a smaller man."

      The twenty-fifth anniversary of the Triple Alliance fell in 1907, and Punch indicated that Italy's allegiance was already wearing thin. In performing the trio "We are a happy Family," Austria's "We are" is marked piano, and that of Italy dubioso.

      In the domain of high politics, Imperial and International, 1907 was marked by two notable events. The grant of autonomy to the Transvaal undoubtedly contained an element of risk, but the sequel showed that magnanimity was the best policy. General Botha's Premiership proved a symbol of reconciliation destined in time to bear "rare and refreshing fruit," and Punch was fairly entitled to invoke the reluctant testimony of Krüger's shade: "What! Botha Premier? Well, these English do 'stagger humanity'!" Secondly, there was the Hague Conference, over which Punch maintained his attitude of scepticism, on the ground that each Power was unwilling to lead the way in disarmament. In his cartoon of the various nations at the door of the Conference everybody says, "After you, Sir," to everybody else. The Government's extensive programme of legislation for the following session is shown in the picture of "C. – B." at the piano accompanying the Infant Prodigy, 1908. The programme includes the "Twilight of the Lords," "Etudes Pacifiques"; "Danse anti-Bacchanale" and "Irish Rhapsody" with Campobello, McKenna, Asquith and Birrell as soloists. The campaign against the Lords, opened at Edinburgh by "C. – B." in October, 1907, suggested the cartoon of the "Fiery Cross" with the Premier as a kilted warrior shouting, "Doon wi' the Lords!" while the accompanying verses, in the ballad manner of Scott, describe the passing on of the fiery cross by Lord Crewe, John Morley, Mr. Sinclair (now Lord Pentland), Lord Tweedmouth, Mr. Runciman, and "Lloyd McGeorge."

      Naval Misgivings

      The mention of Lord Tweedmouth reminds one that the question of our naval supremacy had entered on a new phase. As Punch put it in his "Charivaria" in November, 1907, "There seems to be a difference of opinion between the Prince of Wales and Sir John Fisher. Some little time ago His Royal Highness, speaking at the Guildhall, cried: 'Wake up, England!' Sir John, speaking in the same place, has now issued the advice: 'Sleep quietly in your beds.'"

      In the spring of 1908 occurred the awkward incident of the Kaiser's letter to Lord Tweedmouth on Naval Retrenchment. Punch, in his "Essence of Parliament," benevolently minimizes the First Lord's indiscretion, which, along with other causes, led to his withdrawal from the Admiralty; at the same time there appeared some highly ironical reflections on the attitude of the advocates of the Two-Power-Standard. In an ingenious adaptation of Tennyson's ballad of "The Revenge," Sir Thomas Howard refuses to fight because he is one ship short of the Two-Power-Standard.

      In early Victorian days the Duke of Wellington was commonly alluded to as "the Duke" par excellence. In the opening years of the present century, in political circles at any rate, when people spoke of "the Duke" they always meant the Duke of Devonshire, and for reasons which are tersely and correctly given in Punch's brief memorial verses when he died in March, 1908: —

      If to have held his way with steadfast will,

      Unspoiled of Fortune, deaf to praise or blame,

      Asking no favour but to follow still

      The patriot's single aim: —

      If, in contempt of other pride of race,

      By honesty that chose the nobler part,

      Careless of fame's reward, to win a place

      Near to the common heart: —

      If these be virtues large, heroic, rare,

      Then is it well with him, the dead, to-day,

      Who leaves a public record clean and fair,

      That Time shall not gainsay.

      The tribute is one which, we think, would have appealed to the dead statesman, a man of few words, but who in the words of another Duke, the Duke of Argyll, was "firm as the rock, and clear as the crystal that adorns the rock."

      A few weeks later Sir Henry Campbell-Bannerman, broken in health, resigned the Premiership, dying so soon afterwards that he virtually died in harness. Punch did not overstate things in describing his death as "a common grief" to Liberals and Unionists, for he had outlived the obloquy of party bitterness and revealed as Premier qualities which his successor, Mr. Asquith, fittingly described when he spoke of him as "our revered and trusted chief." By a strange and happy irony of fate, the statesman who had opposed the Boer war was responsible for the policy of reconciliation which might have been much harder if that war had not been waged.

      Germany loomed large on the political horizon in 1908. This was the year of Mr. Lloyd George's visit to inquire into the working of the scheme of national insurance, a visit which Punch treated with undisguised irony as a belated afterthought. It was also the year of the Kaiser's famous interview, published in the Daily Telegraph, in which he claimed credit for magnanimity to England during the Boer war, with the result of annoying his Chancellor and having to consent to a revision of his conception of the Imperial prerogative. Punch's open letter to "The Great Misunderstood" exhibits considerable scepticism of his friendliness, and a set of verses, in the same spirit, are inspired by the activities of the German Women's Navy League. An English M.P. had been exhibiting a toy model of a German gunboat used by this organization as a collecting box, and it was alleged that these toys were handed about in German schools with the request: "Give us your pence, so that we can thrash the English."

      The Kaiser's Soliloquy

      The Kaiser's fiftieth birthday is commemorated in a "Soliloquy in Berlin," in which the Emperor boasts of having swept aside Bismarck and repressed the "too clamorous people" by police, prison or exile, and defends his impulsive loquacity against his critics. The King must know best, and "while all the discontented loose their tongues and rave against him, shall the King be still?" Moreover, he claims to have kept the world from war: —

      And I have kept the peace. Was that well done?

      I know not, but I know I kept the peace,

      I, whose blood boiled to hear the clash of swords,

      At whose command a million men would spring

      Obedient to the conflict; I, whose soul

      was made for glorious battle, who could lead

      Ten thousand thundering horsemen to the charge,

      Have kept the peace, while others urged to war.

      Simultaneously Punch illustrates the growing patriotic fervour at home. Golfers are becoming shy of being detected on their way to or from the links by men in uniform. And Punch praises An Englishman's Home as a "wonderful play," in which the case for national service is presented "with rare tact, and void of offence even to the most violent anti-militarist." Indeed, he goes so far as to admit that the author's advocacy is impaired by his making the vulgar cheerful young "slacker" delightfully human, while the good young patriot is too stagey and talkative. German aggressiveness is illustrated in the cartoon showing the German sailor adopting our "Jingo" song, the copyright having expired. Editorially, though obliquely, Punch deplores the subservience of vital questions of foreign policy to party questions, and gives special praise to Sir Edward Grey. "Prenderby," who impersonates a detached view, СКАЧАТЬ