Название: The Great Acceptance: The Life Story of F. N. Charrington
Автор: Thorne Guy
Издательство: Public Domain
Жанр: Зарубежная классика
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A great many people will remember the description in chapter four, where the heiress of the brewery is taken over her own possession for the first time in her life.
It is a singularly vivid picture Sir Walter has given us, and one which is substantially true to-day.
"The walk from Stepney Green to Messenger and Marsden's Brewery is not far. You turn to the left if your house is on one side, and to the right if it is on the other; then you pass a little way down one street, and a little way, turning again to the left, up another – a direction which will guide you quite clearly. You then find yourself before a great gateway, the portals of which are closed; beside it is a smaller door, at which, in a little lodge, sits one who guards the entrance.
"Mr. Bunker nodded to the porter, and entered unchallenged. He led the way across a court to a sort of outer office.
"'Here,' he said, 'is the book for the visitors' names. We have them from all countries: great lords and ladies; foreign princes; and all the brewers from Germany and America, who come to get a wrinkle. Write your own name in it too. Something, let me tell you, to have your name in such noble company.'"
"'Ah! it's a shame for such a property to come to a girl – a girl of twenty-one. Thirteen acres it covers – think of that! Seven hundred people it employs, most of them married. Why, if it was only to see her own vats, you'd think she'd get off her luxurious pillows for once, and come here.'
"They entered a great hall, remarkable, at first, for a curious smell, not offensive, but strong and rather pungent. In it stood half-a-dozen enormous vats, closed by wooden slides, like shutters, and fitting tightly. A man standing by opened one of these, and presently Angela was able to make out, through the volumes of steam, something bright going round, and a brown mess going with it.
"'That is hops. Hops for the biggest Brewery, the richest, in all England. And all belonging to a girl, who, likely enough, doesn't drink more than a pint and a half a day.'
"He led the way up-stairs into another great hall, where there was the grinding of machinery, and another smell, sweet and heavy.
"'This is where we crush the malt,' said Mr. Bunker – 'see!' He stopped, and picked out of a box a great handful of the newly-crushed malt. 'I suppose you thought it was roasted. Roasting, young lady,' he added with severity, 'is for Stout, not for Ale.'
"Then he took her to another place, and showed her where the liquor stood to ferment; how it was cooled, how it passed from one vat to another, how it was stored and kept in vats; dwelling perpetually on the magnitude of the business, and the irony of fortune in conferring this great gift upon a girl.
"'I know now,' she interrupted, 'what the place smells like. It is fusel oil.' They were standing on a floor of open iron bars, above a row of long covered vats, within which the liquor was working and fermenting. Every now and then there would be a heaving of the surface, and a quantity of malt would then move suddenly over.
"'We are famous,' said Mr. Bunker, 'I say we, having been the confidential friend and adviser of the late Mr. Messenger, deceased; we are famous for our Stout; also for our Mild; and we are now reviving our Bitter, which we had partially neglected. We use the Artesian Well, which is four hundred feet deep, for our Stout, but the Company's water for our Ales; and our water rate is two thousand pounds a year. The Artesian Well gives the Ale a grey colour, which people don't like. Come into this room now,' – it was another great hall covered with sacks. 'Hops again, Miss Kennedy; now, that little lot is worth ten thousand pounds – ten – thousand – think of that; and it is all spoiled by the rain, and has to be thrown away. We think nothing of losing ten thousand pounds here, nothing at all!' – he snapped his fingers – 'it is a mere trifle to the girl who sits at home and takes the profits.'
"Then they went into more great halls, and up more stairs, and on to the roof, and saw more piles of sacks, more malt, and more hops. When they smelt the hops, it seemed as if their throats were tightened; when they smelt the fermentation, it seemed as if they were smelling fusel oil; when they smelt the plain crushed malt, it seemed as if they were getting swiftly, but sleepily, drunk. Everywhere and always the steam rolled backwards and forwards, and the grinding of the machinery went on, and the roaring of the furnaces; and the men went about to and fro at their work. They did not seem hard worked, nor were they pressed; their movements were leisurely, as if beer was not a thing to hurry; they were all rather pale of cheek, but fat and jolly, as if the beer was good and agreed with them. Some wore brown-paper caps, for it was a pretty draughty place; some went bareheaded, some wore the little round hat in fashion. And they went to another part, where men were rolling barrels about, as if they had been skittles, and here they saw vats holding three thousand barrels; and one thought of giant armies – say two hundred and fifty thousand thirsty Germans – beginning the Loot of London with one of these royal vats. And they went through stables, where hundreds of horses were stalled at nights, each as big as an elephant, and much more useful.
"In one great room, where there was the biggest vat of all, a man brought them beer to taste; it was Messenger's Stout. Angela took her glass and put it to her lips with a strange emotion – she felt as if she would like a quiet place to sit down in and cry. The great place was hers – all hers – and this was the beer with which her mighty fortune had been made.
"'Is it?' she asked, looking at the heavy foam of the frothing stout; 'is this Messenger's Entire?'
"'This is not Entire,' he said. 'You see, there's fashions in beer, same as in clothes; once it was all Cooper, now you never hear of Cooper. Then it was all Half-an'-arf – you never hear of any one ordering Half-an'-arf now. Then it was stout. Nothing would go down but Stout, which I recommend myself, and find it nourishing. Next, Bitter came in, and honest Stout was despised; now, we're all for Mild. As for Entire, why, bless my soul! Entire went out before I was born. Why, it was the Entire that made the fortune of the first Messenger that was – a poor little brewery he had, more than a hundred years ago, in this very place, because it was cheap for rent. In those days they used to brew strong Ale, Old and Strong; Stout, same as now; and Twopenny, which was small beer. And because the Old Ale was too Strong, and the Stout too dear, and the Twopenny too weak, the people used to mix them all three together, and they called them "Three Threads"; and you may fancy the trouble it was for the pot-boys to go to one cask after another, all day long – because they had no beer engines then. Well, what did Mr. Messenger do? He brewed a beer as strong as the Three Threads, and he called it Messenger's Entire Three Threads, meaning that here you had 'em all in one, and that's what made his fortune; and now, young lady, you've seen all I've got to show you, and we will go.'"
To a brewery identical with the one described in almost every respect, owning hundreds of tied public-houses, producing the revenue of a prince for its proprietors, Frederick Nicholas Charrington was heir.
He was born in the Bow Road, in the East End of London, on February 4, 1850, and is now, therefore, in the sixty-second year of his life.
A dear venerable old lady (Mrs. Pratt), still retained under Mr. Charrington's roof, well remembers his mother, a deeply religious woman, driving in a pony and chaise visiting the sick and needy, and relieving them according to their several necessities, for miles round the neighbourhood of the brewery. She always took with her a cordial which was made up in her own home, and for which there was a great СКАЧАТЬ