Geser. The Вuryat heroic epic. Ye. Khundaeva

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СКАЧАТЬ Geser made of the sculls of those heads the seven cups and rose on back of his winged horse to Manzan Gurme-grandmother. They both have the arkhi from those cups. When his grandma got drunk Geser opened the trunk with her keys and took out the fifteen magic treasures and got down to the Earth. The grandma having awakened found out that her treasures disappeared. She was in rage and threw those seven cups after Geser. The cups turned into the seven stars known as the Great Bear.

      Then she got sorry about what she had done in rage and sprinkled with her milk in the same direction. The splashes turned into the Heaven’s stitches, or the Milky Way and Geser’s protective armor. The bator came to Gumen-khan who was still asleep. Abai Geser buried the khan’s wife and instead of her he put a black bitch. When Gumen-khan awoke he threw Geser into the dungeon. Geser cleaned the dungeon and filled it up with the treasures.

      When going home he took with him the Chinese khan’s daughter. But on the way home he told her that they would not be happy together and sent her home. Geser goes to the land of Tebid to shoot through the top of a lonely growing tree that threatened to grow through the eight celestial vaults. He shoots off its top with his Khangai arrow, utters an incantation for the tree to remain as it has been before and not to grow upwards and in breadth.

      Having completed all his deeds on the Earth Geser goes back to the sky to his grandma Manzan Gurme. He says: “I have done away with all those evil and cruel enemies, I have cut short those that grew too high, I narrowed those that grew too wide, I have done away with those with the beaks and fangs. Now we’ll live on having the three lucks each day”.

      The epic shows that Nature is closely connected with the life of man. Nature gives the man strength and vital energy. The co-evolution of man and nature or the principle of the ecological imperative, ecological ethics and ecological responsibility that are believed to be the main contribution of the epic to the common knowledge of the humankind cannot be overestimated.

      The Image of Nature in the Buryat heroic epic

      A good deal of attention is given to the image of the Mother-Earth in the Buryat myths. In the old days they worshipped the Earth that gives everything to the man including life and everything returns back to her. She is the Hostess of the water, she represents the souls of fish, bird, snake, all the beasts and animals. She is taken to be the Great Mother of the Beasts. The image of the Great Goddess in the Buryat epic “Geser” has its parallels in the world folklore. The most ancient image of the Mother – Earth was discovered in Ur, an ancient Sumerian city on the Euphrates. This is a mother holding the son in her hands, both depicted with the snake’s head. The snakes represent the eight kinds of the spirits of the Earth worshipped by the peoples including the Buryats who thought the snake-like sabdaks to be the hosts of the territory or locality. In Sumer she is a dual divinity, in the morning she is the goddess of the battles and heroes, whereas at night she is the goddess of fertility. In a later time in Egypt she was understood as the virgin giving birth to all the worlds. In the Buryat uliger or epic she conceives from the rays of the Sun and the Moon and gives birth to the daughters who continue the lineage of the human beings.

      Yenkhoboi sisters from the Geseriade like the Mother-Earth from Sumer also had the long breasts, they threw them back which symbolized death and forward which symbolized life. The bulls in the epic are understood as the totemic forefathers of the Buryats. The grain is often mentioned in the Buryat uligers. They are of the sacral meaning, Geser when praying throws them around as an offering to the hosts of Nature.

      Understanding of the essence of the physiological phenomena like pregnancy, birth, growing of corn from grains, the appearance of birds out of eggs, the reproduction of fish, insects, worms in the water led to the sacralization of the biological vitality. The water, grain, egg were attributed the magic vital potentiality. Their ritual part in the religious cults was enormous. Those natural elements have a deep symbolical meaning connected with the idea of the vital energies. The larva reminding of the worm is of interest in understanding the phenomenon of the sacralization of Nature.

      One of the main attributes of the shaman is the crown on his head which is connected with the idea of the World Tree. On the crown there are the hangings. The semantics of those objects was not quite clear. The hypothesis put forward by S. V. Alkin enables to solve the problem to some degree. He takes them to be the images of the larvae of the insects. The crown is the image of the World Tree with the souls of the unborn people that are depicted as the larvae. The outward similarity of the human and the animal embryons with the C-like larvae might give rise to the formation of a peculiar cult.

      The epic gives much attention to the chaos, fire, water, air, wind, rain, frost, etc. which all have the special epical names. One of the powerful personages of the “Geser” epic, Gal Durme Khan is the symbol of the Fire. Thus one can say that the prime elements of nature are attached a great significance to in the Buryat tales. The Buryats took note of the fact that their household and everyday life were dependent on the natural phenomena, such as the periodical change of seasons, the climatatic variations, rain and snow, humidity of soil, etc. Alongside with this they mastered the reality in the spiritual sense, they had the ideas of the spiritual relationship of Man and Nature. As a result there emerged quite a few cult rituals.

      There is a custom of hanging from a tree a Khii-morin (air horse), a personal votive flag for well – being and prosperity. This is connected with the honor and respect for horse. The horse is regarded as mediator between the Sky and the Earth. The horse plays one of the most important parts in the Geseriade and in the life of the Buryats, especially in the early ages.

      There are the special rituals when building something. Earlier it was prohibited to dig ground not to damage its upper soil which was taken to be most fertile. It was needed to appease the spirits of the Earth, to calm them down, to ask them for the permisson to erect something. The spirits of the Earth get very angry when people without any reasonable excuse dig the ground, break stones and rocks, fell treеs, contaminate rivers and springs, throw the dirty things into the fire. One has to appease the gods and the spirits making offerings and addressing them with the invocations.

      Before the battle the heroes of the epic complete the special rites. Geser is often shown going onto the top of a high mountain and praying. Before he starts his prayer he unbuttons his coat and takes off his belt.

      Nature played a great role in the life of the Buryats as it is shown in the epical works. It is inseparable from the nomad¢s everyday life. It gives strength to the nomad, the latter receives from Nature his/her life energy. The idea of the cohesion of Man and Nature which is depicted in the Geseriade has been of great importance in all the times because the alternative idea would be non-acceptance of all the laws of Nature. Thus there were the numerous cults connected with Nature.

      Hunting in the taiga had some territorial limitations, the hunters were well aware of the stock of the hunting areas, they had a good idea of how much game they could catch or kill in order to keep in balance the number of the wild animals, i.e. the food stock of the nomads. The latter abstained from hunting the she-animals, especially with the cubs and the young animals with no couple. Thus there was the cult of hunting and the Lord of the thick forest. Before going hunting the Buryats completed the special rites, among them chanting of the “Geser” verses.

      The atmospheric phenomena are presented in the epic in the personages of the tengris. Among the 44 eastern tengris there are the tengris of the summer, autumn, winter mists, the black dirt, the black smoke. Among the 55 western tengris there are the following: the Tengri of the Upper Wind, the Tengri of the Fire, the Tengri of the Sun Warmth, the Tengri of the Rain, the Tengris of the Lightning and the Thunderstorm, the Tengri of the Snow, the Tengri of the White Bottom) СКАЧАТЬ