Letters of Two Brides. Honore de Balzac

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      Behold our family life! We meet at lunch and dinner, though often I am alone with my mother at this latter meal, and I foresee that still oftener I shall take it in my own rooms (following the example of my grandmother) with only Miss Griffith for company, for my mother frequently dines out. I have ceased to wonder at the indifference my family have shown to me. In Paris, my dear, it is a miracle of virtue to love the people who live with you, for you see little enough of them; as for the absent – they do not exist!

      Knowing as this may sound, I have not yet set foot in the streets, and am deplorably ignorant. I must wait till I am less of the country cousin and have brought my dress and deportment into keeping with the society I am about to enter, the whirl of which amazes me even here, where only distant murmurs reach my ear. So far I have not gone beyond the garden; but the Italian opera opens in a few days, and my mother has a box there. I am crazy with delight at the thought of hearing Italian music and seeing French acting.

      Already I begin to drop convent habits for those of society. I spend the evening writing to you till the moment for going to bed arrives. This has been postponed to ten o'clock, the hour at which my mother goes out, if she is not at the theatre. There are twelve theatres in Paris.

      I am grossly ignorant and I read a lot, but quite indiscriminately, one book leading to another. I find the names of fresh books on the cover of the one I am reading; but as I have no one to direct me, I light on some which are fearfully dull. What modern literature I have read all turns upon love, the subject which used to bulk so largely in our thoughts, because it seemed that our fate was determined by man and for man. But how inferior are these authors to two little girls, known as Sweetheart and Darling – otherwise Renee and Louise. Ah! my love, what wretched plots, what ridiculous situations, and what poverty of sentiment! Two books, however, have given me wonderful pleasure —Corinne and Adolphe. Apropos of this, I asked my father one day whether it would be possible for me to see Mme. de Stael. My father, mother, and Alphonse all burst out laughing, and Alphonse said:

      "Where in the world has she sprung from?"

      To which my father replied:

      "What fools we are! She springs from the Carmelites."

      "My child, Mme. de Stael is dead," said my mother gently.

      When I finished Adolphe, I asked Miss Griffith how a woman could be betrayed.

      "Why, of course, when she loves," was her reply.

      Renee, tell me, do you think we could be betrayed by a man?

      Miss Griffith has at last discerned that I am not an utter ignoramus, that I have somewhere a hidden vein of knowledge, the knowledge we learned from each other in our random arguments. She sees that it is only superficial facts of which I am ignorant. The poor thing has opened her heart to me. Her curt reply to my question, when I compare it with all the sorrows I can imagine, makes me feel quite creepy. Once more she urged me not to be dazzled by the glitter of society, to be always on my guard, especially against what most attracted me. This is the sum-total of her wisdom, and I can get nothing more out of her. Her lectures, therefore, become a trifle monotonous, and she might be compared in this respect to the bird which has only one cry.

      III. THE SAME TO THE SAME December

      My Darling, – Here I am ready to make my bow to the world. By way of preparation I have been trying to commit all the follies I could think of before sobering down for my entry. This morning, I have seen myself, after many rehearsals, well and duly equipped – stays, shoes, curls, dress, ornaments, – all in order. Following the example of duelists before a meeting, I tried my arms in the privacy of my chamber. I wanted to see how I would look, and had no difficulty in discovering a certain air of victory and triumph, bound to carry all before it. I mustered all my forces, in accordance with that splendid maxim of antiquity, "Know thyself!" and boundless was my delight in thus making my own acquaintance. Griffith was the sole spectator of this doll's play, in which I was at once doll and child. You think you know me? You are hugely mistaken.

      Here is a portrait, then, Renee, of your sister, formerly disguised as a Carmelite, now brought to life again as a frivolous society girl. She is one of the greatest beauties in France – Provence, of course, excepted. I don't see that I can give a more accurate summary of this interesting topic.

      True, I have my weak points; but were I a man, I should adore them. They arise from what is most promising in me. When you have spent a fortnight admiring the exquisite curves of your mother's arms, and that mother the Duchesse de Chaulieu, it is impossible, my dear, not to deplore your own angular elbows. Yet there is consolation in observing the fineness of the wrist, and a certain grace of line in those hollows, which will yet fill out and show plump, round, and well modeled, under the satiny skin. The somewhat crude outline of the arms is seen again in the shoulders. Strictly speaking, indeed, I have no shoulders, but only two bony blades, standing out in harsh relief. My figure also lacks pliancy; there is a stiffness about the side lines.

      Poof! There's the worst out. But then the contours are bold and delicate, the bright, pure flame of health bites into the vigorous lines, a flood of life and of blue blood pulses under the transparent skin, and the fairest daughter of Eve would seem a Negress beside me! I have the foot of a gazelle! My joints are finely turned, my features of a Greek correctness. It is true, madame, that the flesh tints do not melt into each other; but, at least, they stand out clear and bright. In short, I am a very pretty green fruit, with all the charm of unripeness. I see a great likeness to the face in my aunt's old missal, which rises out of a violet lily.

      There is no silly weakness in the blue of my insolent eyes; the white is pure mother-of-pearl, prettily marked with tiny veins, and the thick, long lashes fall like a silken fringe. My forehead sparkles, and the hair grows deliciously; it ripples into waves of pale gold, growing browner towards the centre, whence escape little rebel locks, which alone would tell that my fairness is not of the insipid and hysterical type. I am a tropical blonde, with plenty of blood in my veins, a blonde more apt to strike than to turn the cheek. What do you think the hairdresser proposed? He wanted, if you please, to smooth my hair into two bands, and place over my forehead a pearl, kept in place by a gold chain! He said it would recall the Middle Ages.

      I told him I was not aged enough to have reached the middle, or to need an ornament to freshen me up!

      The nose is slender, and the well-cut nostrils are separated by a sweet little pink partition – an imperious, mocking nose, with a tip too sensitive ever to grow fat or red. Sweetheart, if this won't find a husband for a dowerless maiden, I'm a donkey. The ears are daintily curled, a pearl hanging from either lobe would show yellow. The neck is long, and has an undulating motion full of dignity. In the shade the white ripens to a golden tinge. Perhaps the mouth is a little large. But how expressive! what a color on the lips! how prettily the teeth laugh!

      Then, dear, there is a harmony running through all. What a gait! what a voice! We have not forgotten how our grandmother's skirts fell into place without a touch. In a word, I am lovely and charming. When the mood comes, I can laugh one of our good old laughs, and no one will think the less of me; the dimples, impressed by Comedy's light fingers on my fair cheeks, will command respect. Or I can let my eyes fall and my heart freeze under my snowy brows. I can pose as a Madonna with melancholy, swan-like neck, and the painters' virgins will be nowhere; my place in heaven would be far above them. A man would be forced to chant when he spoke to me.

      So, you see, my panoply is complete, and I can run the whole gamut of coquetry from deepest bass to shrillest treble. It is a huge advantage not to be all of one piece. Now, my mother is neither playful nor virginal. Her only attitude is an imposing one; when she ceases to be majestic, she is ferocious. It is difficult for her to heal the wounds she makes, whereas I can wound and СКАЧАТЬ