The Duel and Other Stories. Anton Pavlovich Chekhov

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СКАЧАТЬ stopped. Samoylenko selected a small meadow round which there were scattered stones convenient for sitting on, and a fallen tree blown down by the storm with roots overgrown by moss and dry yellow needles. Here there was a fragile wooden bridge over the stream, and just opposite on the other bank there was a little barn for drying maize, standing on four low piles, and looking like the hut on hen's legs in the fairy tale; a little ladder sloped from its door.

      The first impression in all was a feeling that they would never get out of that place again. On all sides wherever they looked, the mountains rose up and towered above them, and the shadows of evening were stealing rapidly, rapidly from the duhan and dark cypress, making the narrow winding valley of the Black River narrower and the mountains higher. They could hear the river murmuring and the unceasing chirrup of the grasshoppers.

      "Enchanting!" said Marya Konstantinovna, heaving deep sighs of ecstasy. "Children, look how fine! What peace!"

      "Yes, it really is fine," assented Laevsky, who liked the view, and for some reason felt sad as he looked at the sky and then at the blue smoke rising from the chimney of the duhan. "Yes, it is fine," he repeated.

      "Ivan Andreitch, describe this view," Marya Konstantinovna said tearfully.

      "Why?" asked Laevsky. "The impression is better than any description. The wealth of sights and sounds which every one receives from nature by direct impression is ranted about by authors in a hideous and unrecognisable way."

      "Really?" Von Koren asked coldly, choosing the biggest stone by the side of the water, and trying to clamber up and sit upon it. "Really?" he repeated, looking directly at Laevsky. "What of 'Romeo and Juliet'? Or, for instance, Pushkin's 'Night in the Ukraine'? Nature ought to come and bow down at their feet."

      "Perhaps," said Laevsky, who was too lazy to think and oppose him. "Though what is 'Romeo and Juliet' after all?" he added after a short pause. "The beauty of poetry and holiness of love are simply the roses under which they try to hide its rottenness. Romeo is just the same sort of animal as all the rest of us."

      "Whatever one talks to you about, you always bring it round to

      .." Von Koren glanced round at Katya and broke off.

      "What do I bring it round to?" asked Laevsky.

      "One tells you, for instance, how beautiful a bunch of grapes is, and you answer: 'Yes, but how ugly it is when it is chewed and digested in one's stomach!' Why say that? It's not new, and.. altogether it is a queer habit."

      Laevsky knew that Von Koren did not like him, and so was afraid of him, and felt in his presence as though every one were constrained and some one were standing behind his back. He made no answer and walked away, feeling sorry he had come.

      "Gentlemen, quick march for brushwood for the fire!" commanded

      Samoylenko.

      They all wandered off in different directions, and no one was left but Kirilin, Atchmianov, and Nikodim Alexandritch. Kerbalay brought chairs, spread a rug on the ground, and set a few bottles of wine.

      The police captain, Kirilin, a tall, good-looking man, who in all weathers wore his great-coat over his tunic, with his haughty deportment, stately carriage, and thick, rather hoarse voice, looked like a young provincial chief of police; his expression was mournful and sleepy, as though he had just been waked against his will.

      "What have you brought this for, you brute?" he asked Kerbalay, deliberately articulating each word. "I ordered you to give us kvarel, and what have you brought, you ugly Tatar? Eh? What?"

      "We have plenty of wine of our own, Yegor Alekseitch," Nikodim

      Alexandritch observed, timidly and politely.

      "What? But I want us to have my wine, too; I'm taking part in the picnic and I imagine I have full right to contribute my share. I im-ma-gine so! Bring ten bottles of kvarel."

      "Why so many?" asked Nikodim Alexandritch, in wonder, knowing Kirilin had no money.

      "Twenty bottles! Thirty!" shouted Kirilin.

      "Never mind, let him," Atchmianov whispered to Nikodim Alexandritch;

      "I'll pay."

      Nadyezhda Fyodorovna was in a light-hearted, mischievous mood; she wanted to skip and jump, to laugh, to shout, to tease, to flirt. In her cheap cotton dress with blue pansies on it, in her red shoes and the same straw hat, she seemed to herself, little, simple, light, ethereal as a butterfly. She ran over the rickety bridge and looked for a minute into the water, in order to feel giddy; then, shrieking and laughing, ran to the other side to the drying-shed, and she fancied that all the men were admiring her, even Kerbalay. When in the rapidly falling darkness the trees began to melt into the mountains and the horses into the carriages, and a light gleamed in the windows of the duhan, she climbed up the mountain by the little path which zigzagged between stones and thorn-bushes and sat on a stone. Down below, the camp-fire was burning. Near the fire, with his sleeves tucked up, the deacon was moving to and fro, and his long black shadow kept describing a circle round it; he put on wood, and with a spoon tied to a long stick he stirred the cauldron. Samoylenko, with a copper-red face, was fussing round the fire just as though he were in his own kitchen, shouting furiously:

      "Where's the salt, gentlemen? I bet you've forgotten it. Why are you all sitting about like lords while I do the work?"

      Laevsky and Nikodim Alexandritch were sitting side by side on the fallen tree looking pensively at the fire. Marya Konstantinovna, Katya, and Kostya were taking the cups, saucers, and plates out of the baskets. Von Koren, with his arms folded and one foot on a stone, was standing on a bank at the very edge of the water, thinking about something. Patches of red light from the fire moved together with the shadows over the ground near the dark human figures, and quivered on the mountain, on the trees, on the bridge, on the drying-shed; on the other side the steep, scooped-out bank was all lighted up and glimmering in the stream, and the rushing turbid water broke its reflection into little bits.

      The deacon went for the fish which Kerbalay was cleaning and washing on the bank, but he stood still half-way and looked about him.

      "My God, how nice it is!" he thought. "People, rocks, the fire, the twilight, a monstrous tree – nothing more, and yet how fine it is!"

      On the further bank some unknown persons made their appearance near the drying-shed. The flickering light and the smoke from the camp-fire puffing in that direction made it impossible to get a full view of them all at once, but glimpses were caught now of a shaggy hat and a grey beard, now of a blue shirt, now of a figure, ragged from shoulder to knee, with a dagger across the body; then a swarthy young face with black eyebrows, as thick and bold as though they had been drawn in charcoal. Five of them sat in a circle on the ground, and the other five went into the drying-shed. One was standing at the door with his back to the fire, and with his hands behind his back was telling something, which must have been very interesting, for when Samoylenko threw on twigs and the fire flared up, and scattered sparks and threw a glaring light on the shed, two calm countenances with an expression on them of deep attention could be seen, looking out of the door, while those who were sitting in a circle turned round and began listening to the speaker. Soon after, those sitting in a circle began softly singing something slow and melodious, that sounded like Lenten Church music… Listening to them, the deacon imagined how it would be with him in ten years' time, when he would come back from the expedition: he would be a young priest and monk, an author with a name and a splendid past; he would be consecrated an archimandrite, then a bishop; and he would serve mass in the cathedral; in a golden mitre he would come out into the body of the church with the ikon on his breast, and blessing the mass СКАЧАТЬ