Mary Louise Solves a Mystery. Baum Lyman Frank

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СКАЧАТЬ don't believe it," she rejoined. "You're cutting coupons every month or so, and you may thank your stars I don't demand a statement of your income. But I know you, Jason Jones, and you can't hoodwink me, try as you may. You hid yourself in this hole and thought I wouldn't know where to find you, but you'll soon learn that you can't escape my eagle eye. So take your medicine like a man, and thank your lucky stars that you're no longer a struggling, starving, unrecognized artist. Good-bye until I call again."

      "You're not to call again!" he objected.

      "Well, we'll see. Just for the present I'm in no mood to quarrel with you, and you'd better not quarrel with me, Jason Jones. Good-bye."

      She tucked the check into her purse and ambled out of the room after a supercilious nod to Alora, who failed to return the salutation. Jason Jones stood in his place, still frowning, until Janet's high-heeled shoes had clattered down the two flights of stairs. Alora went to the window and looking down saw that a handsome automobile stood before the house, with a chauffeur and footman in livery. Janet entered this automobile and was driven away.

      Alora turned to look at her father. He was filing his pipe and scowling more darkly than ever.

      CHAPTER VI

      FLITTING

      Once more they moved suddenly, and the second flitting came about in this way:

      Alora stood beside the easel one morning, watching her father work on his picture. Not that she was especially interested in him or the picture, but there was nothing else for her to do. She stood with her slim legs apart, her hands clasped behind her, staring rather vacantly, when he looked up and noted her presence.

      "Well, what do you think of it?" he asked rather sharply.

      "Of the picture?" said Lory.

      "Of course."

      "I don't like it," she asserted, with childish frankness.

      "Eh? You don't like it? Why not, girl?"

      "Well," she replied, her eyes narrowing critically, "that cow's horn isn't on straight – the red cow's left horn. And it's the same size, all the way up."

      He laid down his palette and brush and gazed at his picture for a long time. The scowl came on his face again. Usually his face was stolid and expressionless, but Alora had begun to observe that whenever anything irritated or disturbed him he scowled, and the measure of the scowl indicated to what extent he was annoyed. When he scowled at his own unfinished picture Lory decided he was honest enough to agree with her criticism of it.

      Finally the artist took a claspknife from his pocket, opened the blade and deliberately slashed the picture from top to bottom, this way and that, until it was a mere mass of shreds. Then he kicked the stretcher into a corner and brought out another picture, which he placed on the easel.

      "Well, how about that?" he asked, looking hard at it himself.

      Alora was somewhat frightened at having caused the destruction of the cow picture. So she hesitated before replying: "I – I'd rather not say."

      "How funny!" he said musingly, "but until now I never realized how stiff and unreal the daub is. Shall I finish it, Alora?"

      "I think so, sir," she answered.

      Again the knife slashed through the canvas and the remains joined the scrap-heap in the corner.

      Jason Jones was not scowling any more. Instead, there was a hint of a humorous expression on his usually dull features. Only pausing to light his pipe, he brought out one after another of his canvases and after a critical look destroyed each and every one.

      Lory was perplexed at the mad act, for although her judgment told her they were not worth keeping, she realized that her father must have passed many laborious hours on them. But now that it had dawned on him how utterly inartistic his work was, in humiliation and disgust he had wiped it out of existence. With this thought in mind, the girl was honestly sorry him.

      But Jason Jones did not seem sorry. When the last ruined canvas had been contemptuously flung into the corner he turned to the child and said to her in a voice so cheerful that it positively startled her:

      "Get your hat and let's take a walk. An artist's studio is no place for us, Lory. Doesn't it seem deadly dull in here? And outside the sun is shining!"

      The rest of the day he behaved much like a human being. He took the girl to the park to see the zoo, and bought her popcorn and peanuts – a wild extravagance, for him. Later in the day they went to a picture show and finally entered a down-town restaurant, quite different from and altogether better than the one where they had always before eaten, and enjoyed a really good dinner. When they left the restaurant he was still in the restless and reckless mood that had dominated him and said:

      "Suppose we go to a theatre? Won't you like that better than you would returning to our poky rooms?"

      "Yes, indeed," responded Alora.

      They had seats in the gallery, but could see very well. Just before the curtain rose Alora noticed a party being seated in one of the boxes. The lady nearest the rail, dressed in an elaborate evening gown, was Janet Orme. There was another lady with her, conspicuous for blonde hair and much jewelry, and the two gentlemen who accompanied them kept in the background, as if not too proud of their company.

      Alora glanced at her father's face and saw the scowl there, for he, too, had noted the box-party. But neither of the two made any remark and soon the child was fully absorbed in the play.

      As they left the theatre Janet's party was entering an automobile, laughing and chatting gaily. Both father and daughter silently watched them depart, and then they took a street car and went home.

      "Get to bed, girl," said Jason Jones, when they had mounted the stairs. "I'll smoke another pipe, I guess."

      When she came out of her room next morning she heard her father stirring in the studio. She went to him and was surprised to find him packing his trunk, which he had drawn into the middle of the room.

      "Now that you're up," said he in quite a cheerful tone, "we'll go to breakfast, and then I'll help you pack your own duds. Only one trunk, though, girl, for the other must go into storage and you may see it again, some time, and you may not."

      "Are we going away?" she inquired, hoping it might be true.

      "We are. We're going a long way, my girl. Do you care?"

      "Of course," said she, amazed at the question, for he had never considered her in the least. "I'm glad. I don't like your studio."

      He laughed, and the laugh shocked her. She could not remember ever to have heard Jason Jones laugh before.

      "I don't like the place, either, girl, and that's why I'm leaving it. For good, this time. I was a fool to return here. In trying to economise, I proved extravagant."

      Alora did not reply to that. She was eager to begin packing and hurried through her breakfast. All the things she might need on a journey she put into one trunk. She was not quite sure what she ought to take, and her father was still more ignorant concerning a little girl's wardrobe, but finally both trunks were packed and locked and then Mr. Jones called a wagon and carted away the extra trunk of Alora's and several boxes of his own to be deposited in a storage warehouse.

      She sat in the bare studio and waited for his return. The monotony СКАЧАТЬ