Rise and Fall of Cesar Birotteau. Honore de Balzac

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СКАЧАТЬ swains, wholesale wine-merchants, rich proprietors of cafes, and others who made soft eyes at her. The lover was backed up in his suit by the guardian of Constance, Monsieur Claude-Joseph Pillerault, at that time an ironmonger on the Quai de la Ferraille, whom the young man had finally discovered by devoting himself to the subterraneous spying which distinguishes a genuine love.

      The rapidity of this narrative compels us to pass over in silence the joys of Parisian love tasted with innocence, the prodigalities peculiar to clerkdom, such as melons in their earliest prime, choice dinners at Venua’s followed by the theatre, Sunday jaunts to the country in hackney-coaches. Without being handsome, there was nothing in Cesar’s person which made it difficult to love him. The life of Paris and his sojourn in a dark shop had dulled the brightness of his peasant complexion. His abundant black hair, his solid neck and shoulders like those of a Norman horse, his sturdy limbs, his honest and straightforward manner, all contributed to predispose others in his favor. The uncle Pillerault, whose duty it was to watch over the happiness of his brother’s daughter, made inquiries which resulted in his sanctioning the wishes of the young Tourangian. In the year 1800, and in the pretty month of May, Mademoiselle Pillerault consented to marry Cesar Birotteau, who fainted with joy at the moment when, under a linden at Sceaux, Constance-Barbe-Josephine Pillerault accepted him as her husband.

      “My little girl,” said Monsieur Pillerault, “you have won a good husband. He has a warm heart and honorable feelings; he is true as gold, and as good as an infant Jesus, – in fact, a king of men.”

      Constance frankly abdicated the more brilliant destiny to which, like all shop-girls, she may at times have aspired. She wished to be an honest woman, a good mother of a family, and looked at life according to the religious programme of the middle classes. Such a career suited her own ideas far better than the dangerous vanities which seduce so many youthful Parisian imaginations. Constance, with her narrow intelligence, was a type of the petty bourgeoisie whose labors are not performed without grumbling; who begin by refusing what they desire, and end by getting angry when taken at their word; whose restless activity is carried into the kitchen and into the counting-room, into the gravest matters of business, and into the invisible darns of the household linen; who love while scolding, who conceive no ideas but the simplest (the small change of the mind); who argue about everything, fear everything, calculate everything, and fret perpetually over the future. Her cold but ingenuous beauty, her touching expression, her freshness and purity, prevented Birotteau from thinking of her defects, which moreover were more than compensated by a delicate sense of honor natural to women, by an excessive love of order, by a fanaticism for work, and by her genius as a saleswoman. Constance was eighteen years old, and possessed eleven thousand francs of her own. Cesar, inspired by his love with an excessive ambition, bought the business of “The Queen of Roses” and removed it to a handsome building near the Place Vendome. At the early age of twenty-one, married to a woman he adored, the proprietor of an establishment for which he had paid three quarters of the price down, he had the right to view, and did view, the future in glowing colors; all the more when he measured the path which led from his original point of departure. Roguin, notary of Ragon, who had drawn up the marriage contract, gave the new perfumer some sound advice, and prevented him from paying the whole purchase money down with the fortune of his wife.

      “Keep the means of undertaking some good enterprise, my lad,” he had said to him.

      Birotteau looked up to the notary with admiration, fell into the habit of consulting him, and made him his friend. Like Ragon and Pillerault, he had so much faith in the profession that he gave himself up to Roguin without allowing himself a suspicion. Thanks to this advice, Cesar, supplied with the eleven thousand francs of his wife for his start in business, would have scorned to exchange his possessions for those of the First Consul, brilliant as the prospects of Napoleon might seem. At first the Birotteaus kept only a cook, and lived in the entresol above the shop, – a sort of den tolerably well decorated by an upholsterer, where the bride and bridegroom began a honeymoon that was never to end. Madame Cesar appeared to advantage behind the counter. Her celebrated beauty had an enormous influence upon the sales, and the beautiful Madame Birotteau became a topic among the fashionable young men of the Empire. If Cesar was sometimes accused of royalism, the world did justice to his honesty; if a few neighboring shopkeepers envied his happiness, every one at least thought him worthy of it. The bullet which struck him on the steps of Saint-Roch gave him the reputation of being mixed up with political secrets, and also of being a courageous man, – though he had no military courage in his heart, and not the smallest political idea in his brain. Upon these grounds the worthy people of the arrondissement made him captain of the National Guard; but he was cashiered by Napoleon, who, according to Birotteau, owed him a grudge for their encounter on the 13th Vendemiaire. Cesar thus obtained at a cheap rate a varnish of persecution, which made him interesting in the eyes of the opposition, and gave him a certain importance.

      Such was the history of this household, lastingly happy through its feeling, and agitated only by commercial anxieties.

      During the first year Cesar instructed his wife about the sales of their merchandise and the details of perfumery, – a business which she understood admirably. She really seemed to have been created and sent into the world to fit on the gloves of customers. At the close of that year the assets staggered our ambitious perfumer; all costs calculated, he would be able in less than twenty years to make a modest capital of one hundred thousand francs, which was the sum at which he estimated their happiness. He then resolved to reach fortune more rapidly, and determined to manufacture articles as well as retail them. Contrary to the advice of his wife, he hired some sheds, with the ground about them, in the Faubourg du Temple, and painted upon them in big letters, “Manufactory of Cesar Birotteau.” He enticed a skilful workman from Grasse, with whom he began, on equal shares, the manufacture of soaps, essences, and eau-de-cologne. His connection with this man lasted only six months, and ended by losses which fell upon him alone. Without allowing himself to be discouraged, Birotteau determined to get better results at any price, solely to avoid being scolded by his wife, – to whom he acknowledged later that in those depressing days his head had boiled like a saucepan, and that several times, if it had not been for his religious sentiments, he should have flung himself into the Seine.

      Harassed by some unprofitable enterprise, he was lounging one day along the boulevard on his way to dinner, – for the Parisian lounger is as often a man filled with despair as an idler, – when among a parcel of books for six sous a-piece, laid out in a hamper on the pavement, his eyes lighted on the following title, yellow with dust: “Abdeker, or the Art of Preserving Beauty.” He picked up the so-called Arab book, a sort of romance written by a physician of the preceding century, and happened on a page which related to perfumes. Leaning against a tree on the boulevard to turn over the leaves at his ease, he read a note by the author which explained the nature of the skin and the cuticle, and showed that a certain soap, or a certain paste, often produced effects quite contrary to those expected of them, if the soap and the paste toned up a skin which needed relaxing, or relaxed a skin which required tones. Birotteau bought the book, in which he saw his fortune. Nevertheless, having little confidence in his own lights, he consulted a celebrated chemist, Vauquelin, from whom he naively inquired how to mix a two-sided cosmetic which should produce effects appropriate to the diversified nature of the human epidermis. Truly scientific men – men who are really great in the sense that they never attain in their lifetime the renown which their immense and unrecognized labors deserve – are nearly always kind, and willing to serve the poor in spirit. Vauquelin accordingly patronized the perfumer, and allowed him to call himself the inventor of a paste to whiten the hands, the composition of which he dictated to him. Birotteau named this cosmetic the “Double Paste of Sultans.” To complete the work, he applied the same recipe to the manufacture of a lotion for the complexion, which he called the “Carminative Balm.” He imitated in his own line the system of the Petit-Matelot, and was the first perfumer to display that redundancy of placards, advertisements, and other methods of publication which are called, perhaps unjustly, charlatanism.

      The Paste of Sultans and the Carminative Balm were ushered into the world of fashion and commerce by colored placards, at the head СКАЧАТЬ