Название: A Man's World
Автор: Edwards Albert
Издательство: Public Domain
Жанр: Зарубежная классика
isbn:
isbn:
BOOK III
I
Not long after this visit to the slums, when I had been in the city a little more than a year, I received a new offer of employment, through the kindness of Professor Meer. The work was to catalogue, and edit a descriptive bibliography of a large collection of early English manuscripts and pamphlets. A rich manufacturer of tin cans had bought them and intended to give them to some college library.
It offered just the escape I was looking for. I wrote at once, in high spirits, to accept it. However some cold water was thrown on my glee by Norman Benson. He was my one friend in the library and I hastened to tell him the good news. But when he read the letter he was far from enthusiastic.
"Are you going to accept it?" he asked coldly.
"Of course," I replied, surprised at his tone. "I hardly hoped for such luck, at least not for many years. It's a great chance."
"This really interests me," he said, laying down the books he was carrying and sitting on my desk. "What earthly good," he went on, "do you think it's going to do anyone to have you diddle about with these old parchments?"
"Why. It – " I began glibly enough, but I was not prepared for the question. And, realizing suddenly that I had not considered this aspect of the case, I left my response unfinished.
"I haven't a bit of the scholastic temperament," he said, after having waited long enough to let me try to find an answer. "It's just one of the many things I don't understand. I wouldn't deny that any bit of scholarship, however 'dry-as-dust,' may be of some use. I don't doubt that a good case of this kind could be made for the study of medieval literature. I don't say it's absolutely useless. But relatively it seems – well – uninteresting to me. It's in the same class as astronomy. You could study the stars till you were black in the face and you wouldn't find anything wrong with them, and if you did you couldn't make it right. Astronomy has been of some practical use to us, at least it helps us regulate our watches. But how in the devil do you expect to wring any usefulness out of Anglo-Saxon? Don't you want to be useful?"
His scorn for my specialty ruffled my temper.
"What would you suggest for me to do? Social-Settlement-ology?" I replied with elaborate irony.
But if he caught the note of anger in my retort, he was too busy with his own ideas to pay any attention to it. He got off the table and paced up and down like a caged beast, as he always did when he was wrestling with a problem. In a moment he came back and sat down.
"You don't answer my question," he said sharply. "You can stand on your dignity and say I have no right to ask it. But that's rot! I'm serious and I give you the credit of thinking you are. Now you propose to turn your back on the world and go into a sort of monastery. This job is just a beginning. You're making your choice between men and books, between human thought that is alive and the kind that's been preserved like mummies. Why? I ask. What is there in these old books which can compare in interest to the life about us. Truth is not only stranger than fiction, it is more dramatic, more comic, more tragic, more beautiful. Even Shelley never wrote a lyric like some you can see with your own eyes, perhaps feel. I like to know what makes people do things. I'd like to know what makes you accept this offer. I assume that you want to be useful to your day and generation. What utility do you hope to serve in tabulating these old books, which nobody but a few savants will ever read?"
I was entirely unprepared to answer his question. And I felt myself sink in his estimation. Why was I reaching out for the life of a bookworm with such eagerness? I understand now. I was a coward. I was still sore from the wounds of my childish endeavor to comprehend God. I was afraid of life. I was afraid of the little child sucking the apple core on Stanton Street. The life about me, of which Benson spoke so enthusiastically, seemed to me threatening. It evidently laid an obligation of warfare on the people who entered it actively. I wanted peace. Books seemed to me a sort of city of refuge.
My new employer, Mr. Perry, the tin-can man, was a strange type. He had grown up in a fruit preserving industry and at thirty-odd he had invented a method of crimping the tops onto cans, without the use of solder. Good luck had given him an honest business partner and the patent had made a fortune for both of them. When the first instalment of royalties had come in, Perry had stopped stirring the kettle of raspberry preserves and had not done a stroke of work since. At forty he had built a "mansion" in the city and had gone in for politics. He bought his way to a seat in the State Senate, only to find that it bored him to extinction. After several other fads had proved uninteresting, he had set his heart on a LL.D. A friend had advised him to donate a valuable collection of books to some college.
He had sent a large check to a London dealer and this heterogeneous mass had been the result. As his interest in the matter had been only momentary he was decidedly penurious about it after the first outlay. That, I suppose, is why I, instead of a recognized authority, was chosen for the work. He had no idea what the catalogue should be like, and his one instruction to me, was to make it "something scholarly."
There was in his monstrous mansion an apartment originally designed for the children's tutor. But there had never been any children. These quarters were given to me. There was a private entrance, a bedroom, bath and study, where my meals were served, and there was a stairway down to the library.
In the three years I worked for him I did not see him ten times. His wife was dead, he lived away a good deal and, to my great satisfaction, he never invited me to his bachelor parties – the reverberations of which sometimes shook me out of sleep. Once every six months or so he would bring an expert to look over my work. As they found no fault and he could not understand it, he was convinced that it was scholarly.
It was a period of great content for me. The rut into which I fell was deep indeed. I saw no one. Almost my only contact with others was by mail. And my letters all related to my specialty. Eight full hours I worked in the library. The architect had not expected Mr. Perry to do much reading and, the windows being few, the room was gloomy. I had often to use artificial light. At five I went for an hour's walk in the park. At least this was my theory. But the least inclemency was an excuse to take some manuscript up to my room, to my shaded lamp and open fire. The daily eight hours on the catalogue was only a beginning. As soon as I had finished my edition of "Ralph Roister-Doister," I began a monograph on Anglo-Saxon Roots. My ambition was to win a fellowship in an English University. By the time my catalogue was finished, I would have enough money put by for a year or more of study in Oxford. My life was mapped out.
II
The darkness came unexpectedly.
Sometimes my eyes had been tired, but I had not taken it seriously. One afternoon, as I laid out a sheet of paper on the desk, the page was suddenly obscured by a dancing spider-web – a dizzying contortion of black and white – growing denser and denser. I clapped my hands over my eyes and felt so sudden a relief I was afraid to take them away again.
I got up slowly and felt my way with my foot to an easy chair. How long I sat there, my hands pressed hard against my eyes, I do not know. I had read somewhere of a man going blind with just such symptoms. It was fear unspeakable, fear that made me laugh. When one feels that the gods are witty it is a bad sign.
I was suddenly calm. It was accepted. I thought for a few minutes, my eyes still shut, and СКАЧАТЬ