Byron: The Last Phase. Edgcumbe Richard
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Название: Byron: The Last Phase
Автор: Edgcumbe Richard
Издательство: Public Domain
Жанр: Биографии и Мемуары
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Lord Byron felt the loss bitterly at first.
‘His conduct towards this child,’ says Countess Guiccioli, ‘was always that of a fond father. He was dreadfully agitated by the first intelligence of her illness; and when afterwards that of her death arrived, I was obliged to fulfil the melancholy task of communicating it to him. The memory of that frightful moment is stamped indelibly on my mind. A mortal paleness spread itself over his face, his strength failed him, and he sank into a seat. His look was fixed, and the expression such that I began to fear for his reason; he did not shed a tear; and his countenance manifested so hopeless, so profound, so sublime a sorrow, that at the moment he appeared a being of a nature superior to humanity. He remained immovable in the same attitude for an hour, and no consolation which I endeavoured to afford him seemed to reach his ears, far less his heart.’
Writing to Shelley on April 23, 1822, Byron says:
‘I do not know that I have anything to reproach in my conduct, and certainly nothing in my feelings and intentions towards the dead. But it is a moment when we are apt to think that, if this or that had been done, such events might have been prevented, though every day and hour shows us that they are the most natural and inevitable. I suppose that Time will do his usual work. Death has done his.’
Whatever may be thought of Byron’s conduct in the matter of Miss Claire Clairmont – conduct which Allegra’s mother invariably painted in the darkest colours – the fact remains as clear as day, that Byron always behaved well and kindly towards the poor little child whose death gave him such intense pain. The evidence of the Hoppners at Venice, of Countess Guiccioli at Ravenna, and of the Shelleys, all point in the same direction; and if any doubt existed, a close study of the wild and wayward character of Claire Clairmont would show where the truth in the matter lay. Byron was pestered by appeals from Allegra’s mother, indirectly on her own behalf, and directly on behalf of the child. Claire never understood that, by reason of Byron’s antipathy to her, the surest way of not getting what she wanted was to ask for it; and, with appalling persistency, she even persuaded Shelley to risk his undoubted influence over Byron by intercessions on her behalf, until Byron’s opinion of Shelley’s judgment was shaken. After making full allowance for the maternal feeling, so strong in all women, it was exceedingly foolish of Claire not to perceive that Byron, by taking upon himself the adoption of the child, had shielded her from scandal; and that, having surrendered Allegra to his care, Claire could not pretend to any claim or responsibility in the matter. It should also be pointed out that, in sending Allegra to the convent at Bagnacavallo, Byron had no intention of leaving her there for any length of time. It was merely a provisional step, and, at Hoppner’s suggestion, Byron thought of sending the child to a good institution in Switzerland. In his will he had bequeathed to the child the sum of £5,000, which was to be paid to her either on her marriage or on her attaining the age of twenty-one years (according as the one or the other should happen first), with the proviso that she should not marry with a native of Great Britain. Byron was anxious to keep her out of England, because he thought that his natural daughter would be under great disadvantage in that country, and would have a far better chance abroad.
CHAPTER III
On April 26, 1822, the Shelleys left Pisa for Lerici, and on May 1 they took up their abode in the Casa Magni, situated near the fishing-village of San Terenzo. Towards the close of May, Byron moved to his new residence at Montenero, near Leghorn.
Leigh Hunt’s arrival, at the end of June, added considerably to Byron’s perplexities. The poet had not seen Hunt since they parted in England six years before, and many things had happened to both of them since then. Byron, never satisfied that his promise to contribute poetry to a joint stock literary periodical was wise, disliked the idea more and more as time went on, and Shelley foresaw considerable difficulties in the way of keeping Byron up to the mark in this respect. Hunt had brought over by sea a sick wife and several children, and opened the ball by asking Byron for a loan of money to meet current expenses. Byron now discovered that Leigh Hunt had ceased to be editor of the Examiner, and, being absolutely without any source of income, had no prospect save the money he hoped to get from a journal not yet in existence. He ought, of course, to have told both Byron and Shelley that in coming to Italy with his family – a wife and six children – he would naturally expect one or both of his friends to provide the necessary funds. This information Hunt withheld, and although both Byron and Shelley knew him to be in pecuniary embarrassment, and had every wish to assist him, they were both under the impression that Hunt had some small income from the Examiner. Byron was astonished to hear that his proposed coadjutor in a literary venture had not enough money in his pockets even for one month’s current expenses. He was not inclined to submit tamely to Hunt’s arrangements for sucking money out of him.
Beginning as he meant to go on, Byron from the first showed Hunt that he had no intention of being imposed upon, and the social intercourse between them was, to say the least of it, somewhat strained. Byron and Shelley between them had furnished the ground-floor of the Palazzo Lanfranchi for the Hunt family, and had Shelley lived he would, presumably, have impoverished himself by disbursements in their favour; but his death placed the Hunts in a false position. Had Shelley lived, his influence over Byron would have diminished the friction between Byron and his tactless guest. The amount of money spent by Byron on the Hunt family was not great, but, considering the comparative cheapness of living in Italy at that time, and the difference in the value of money, Byron’s contribution was not niggardly. After paying for the furniture of their rooms in his palace, and sending £200 for the cost of their voyage to Italy, Byron gave Leigh Hunt £70 while he was at Pisa, defrayed the cost of their journey from Pisa to Genoa, and supplied them with another £30 to enable them to travel to Florence. There was really no occasion for Byron to make Hunt a present of £500, which he seems to have done, except Hunt’s absolute incapacity to make both ends meet, which was his perpetual weakness. From the manner in which Hunt treats his pecuniary transactions with the wide-awake Byron, it is evident that the sum would have risen to thousands if Byron had not turned a deaf ear to the ‘insatiable applicant’ at his elbow.
On the first visit which Trelawny paid to Byron at the Palazzo Lanfranchi after Hunt’s arrival, he found Mrs. Hunt was confined to her room, as she generally was, from bad health. Trelawny says:
‘Hunt, too, was in delicate health – a hypochondriac; and the seven children, untamed, the eldest a little more than ten, and the youngest a yearling, were scattered about playing on the large marble staircase and in the hall. Hunt’s theory and practice were that children should be unrestrained until they were of an age to be reasoned with. If they kept out of his way he was satisfied. On my entering the poet’s study, I said to him, “The Hunts have effected a lodgment in your palace;” and I was thinking how different must have been his emotion on the arrival of the Hunts from that triumphant morning after the publication of “Childe Harold” when he “awoke and found himself famous.”’
Truth told, the Hunts’ lodgment in his palace must have been a terrible infliction to the sensitive Byron. His letters to friends in England at this time are full of allusions to the prevailing discomfort. Trelawny tells us that
‘Byron could not realize, till the actual experiment was tried, the nuisance of having a man with a sick wife and seven disorderly children interrupting his solitude and his ordinary customs – especially as Hunt did not conceal that his estimate of Byron’s poetry was not exalted. At that time Hunt thought highly of his own poetry and underestimated all other. Leigh Hunt thought that Shelley would have made a great poet if he had written on intelligible subjects. Shelley soared too high for him, and Byron flew too near the ground. There was not a single subject on which Byron and Hunt could agree.’
After Shelley and his friend Williams had established the Hunts in Lord Byron’s palace at Pisa, they returned to Leghorn, Shelley ‘in a mournful mood, depressed by a recent interview with Byron,’ says Trelawny.
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