My Unknown Chum: "Aguecheek". Fairbanks Charles Bullard

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      My Unknown Chum: «Aguecheek»

      FOREWORD

      In 1878 a letter of introduction to Mr. S – of Detroit was instrumental in securing for me the close friendship of a man some twenty years my senior – a man of unusual poise of mind and of such superb character that I have ever looked upon him as a perfect type of Newman's ideal gentleman.

      My new friend was fond of all that is best in art and literature. His pet possession, however, was an old book long out of print – "Aguecheek." He spoke to me of its classic charm and of the recurring pleasure he found in reading and rereading the delightful pages of its unknown author, who saw in travel, in art, in literature, in life and humanity, much that other travellers and other writers and scholars had failed to observe – seeing all with a purity of vision, a clearness of intellect, and recording it with a grace and ease of phrase that suggest that he himself had perhaps been taught by the Angelic Doctor referred to in the closing lines of his last essay.

      A proffered loan of the book was eagerly accepted. Though still in my teens, I soon became a convert to all that my cultured friend had said in its praise.

      With the aid of a Murray Street dealer in old books, I was fortunate enough to get a copy for myself. I read it again and again. Obliged to travel much, I was rarely without its companionship; for I knew that if other reading-matter proved uninteresting, I could always find some new conversational charm in the views and words of the World-Conversant Author.

      Fearing that I weighed the merits of the work with a mental scale wanting in balance, I asked others what they thought of it. Much to my surprise, they had never even heard of it. In fact, in these thirty-four years I have found but three persons who knew the book at all. Recently at The Players I asked Mr. Evert Jansen Wendell if he knew "Aguecheek." "Why," said he, "it was in my hands only yesterday. It is in my library – my dramatic library." The late John E. Grote Higgens, President of the St. George Society, knew its interesting pages well; and it is, I am assured, a "prized unit" in the library of His Eminence Cardinal Farley.

      I lent my copy to young and old, to men and women of various professions and to friends in the world of commerce. The opinion of all might be summed up in the appreciation of a well-known Monsignor – himself an observant traveller and an ardent lover of "real" literature. Returning the book, he said, "I have read it with the greatest of pleasure, and have turned to it often. I could read it a hundred times. It is a great book. Its fine humor, its depth, its simplicity and high ideals, commend it to all, especially the highly educated – the scholar."

      Charles B. Fairbanks is the reputed author, but the records show that he died in 1859, when but thirty-two years old – an age that the text repeatedly discredits. Whether written by Mr. Fairbanks or not, the modest author hid his identity in an obscure pen-name that he might thus be free to make his book "his heart in other men's hands."

      Some necessary changes have been made in the text. In offering the book to the public and in reluctantly changing the title, I am but following the insistent advice of friends – critics and scholars – whose judgment is superior to my own. No one seemed to know the meaning of "Aguecheek" (taken, no doubt, from a character in "Twelfth Night"), and few could even spell or pronounce the word; moreover, there is not the remotest connection between title and text. The old book has been the best of comrades, "the joy of my youth, the consolation of my riper years." If the new name lacks dignity as well as euphony, the reader will, I am sure, understand and appreciate the spirit of affection that inspired "My Unknown Chum."

      SKETCHES OF FOREIGN TRAVEL

      A PASSAGE ACROSS THE ATLANTIC

      "To an American visiting Europe for the first time," saith Geoffrey Crayon, "the long voyage which he has to make is an excellent preparative." To the greater proportion of those who revisit the old world, the voyage is only an interval of ennui and impatience. Not such is it to the writer of this sentence. For him the sea has charms which age cannot wither, nor head winds abate. For him the voyage is a retreat from the cares of business, a rest from the pursuit of wealth, and a prolonged reminiscence of his youthful days, when he first trod the same restless pathway, and the glories of England and the Continent rose up resplendent before him, very much as the gorgeous city in the clouds looms up before the young gentleman in one of the late lamented Mr. Cole's pictures. For it is a satisfaction to him to remember that such things were, – even though the performances of life have not by any means equalled the promises of the programme of youth, – though age and the cares of an increasing family have stifled poetry, and the genius of Romance has long since taken his hat.

      The recollections of youthful Mediterranean voyages are a mine of wealth to an old man. They have transformed ancient history into a majestic reality for him, and the pages of his dog's-eared Lemprière become instinct with life as he recalls those halcyon days when he reclined on deck beneath an awning, and gazed on Crete and Lesbos, and the mountains that look on Marathon. Neither age nor misfortune can ever rob him of the joy he feels when he looks back to the cloudless afternoon when he passed from the stormy Atlantic to that blue inland sea, – when he saw where Africa has so long striven to shake hands with Europe, – and thrilled at the thought that the sea then glowing with the hues of sunset was once ploughed by the invincible galleys of the Cæsars, and dashed its angry surges over the shipwrecked Apostle of the Gentiles.

      It is rather a pleasant thing to report one's self on board a fine packet ship on a bright morning in May – the old portmanteau packed again, and thoughts turned seaward. There is a kind of inspiration in the song of the sailors at the windlass, (that is, as many of them as are able to maintain a perpendicular position at that early period of the voyage;) the very clanking of the anchor chains seems to speak of speedy liberation, and the ship sways about as if yearning for the freedom of the open sea. At last the anchor is up, and the ship swings around, and soon is gliding down the channel; and slowly the new gasometer, and Bunker Hill Monument, and the old gasometer (with the dome) on Beacon Hill, begin to diminish in size. (I might introduce a fine misquotation here about growing "small by degrees, and beautifully less," but that I don't like novelties in a correspondence like this.) The embankments of Fort Warren seem brighter and more verdurous than ever, and the dew-drops glitter in the sunbeams, as dear Nellie's tears did, when she said good-by, that very morning. Then, as we get into the bay, the tocsin calls to lunch – and the appetite for lobsters, sardines, ale, and olives makes us all forget how much we fear lest business of immediate importance may prevent an early return to the festive mahogany. And shortly after, the pilot takes his leave, and with him the small knot of friends, who have gone as far as friendship, circumstances, and the tide will allow. And so the voyage commences – the captain takes command – and all feel that the jib-boom points towards Motherland, and begin to calculate the distance, and anticipate the time when the ship shall be boarded by a blue-coated beef-eater, who will take her safely "round 'Oly'ead, and dock 'er." The day wears away, and the sunset finds the passengers well acquainted, and a healthy family feeling growing up among them. The next morning we greet the sea and skies, but not our mother earth. The breeze is light – the weather is fine – so that the breakfast is discussed before a full bench. Every body feels well, but sleepy, and the day is spent in conversation and enjoyment of the novelty of life at sea. The gentle heaving of the ocean is rather agreeable than otherwise, and the young ladies promenade the deck, and flatter themselves that they have (if I might use such an expression) their sea legs on. But the next day the gentle heaving has become a heavy swell, – locomotion is attended with great difficulties, – the process of dressing is a severe practical joke, – and the timorous approach to the breakfast table and precipitous retreat from it, are very interesting studies to a disinterested spectator. The dining-saloon is thinly populated when the bell rings – the gentlemen preferring to lounge about on deck – they have slight headaches – not seasick – of course СКАЧАТЬ