Название: The Book of Susan: A Novel
Автор: Dodd Lee Wilson
Издательство: Public Domain
Жанр: Зарубежная классика
isbn:
isbn:
V
"Never in this (obviously outcast) world!" grumbled Bob Blake, bringing his malletlike fist down on the marble top of the parlor table.
The blow made his half-filled glass jump and clinkle; so he emptied it slowly, then poured in four fingers more, forgetting to add water this time, and sullenly pushed the bottle across to Pearl. But Pearl was fretful. Her watery blue eyes were fixed upon the drumhead of the banjo, where it hung suspended above the melodeon.
"I did so paint them flowers. And well you know it. What's the good of bein' so mean? If you wasn't heeled you'd let me have it my way. Didn't I bring that banjo with me?"
"Hungh! Say you did. What does that prove?"
"I guess it proves somethin', all right."
"Proves you swiped it, likely."
"Me! I ain't that kind, thanks."
"The hell you ain't."
"If you're tryin' to get gay, cut it out!"
"Not me."
"Well, then – quit!"
This was shortly after supper. It was an unusually hot, humid evening; doors and windows stood open to no purpose; and Susan was sitting out on the monolithic door slab, fighting off mosquitoes. She found that this defensive warfare partly distracted her from the witless, interminable bickering within. Moreover, the striated effluvia of whisky, talcum powder, and perspiration had made her head feel a little queer. By comparison, the fetid breath from the exposed mud banks of the salt marsh was almost refreshing.
Possibly it was because her head did feel a little queer that Susan began presently to wonder about things. Between her days at the neighboring public school and her voluntary rounds of housework, Susan had not of late years had much waking time to herself. In younger and less crowded hours, before her father had been informed by the authorities that he must either send his child to school or take the consequences, Susan had put in all her spare moments at wondering. She would see a toad in the back yard, for example, under a plantain leaf, and she would begin to wonder. She would wonder what it felt like to be a toad. And before very long something would happen to her, inside, and she would be a toad. She would have toad thoughts and toad feelings… There would stretch above her a dim, green, balancing canopy – the plantain leaf. All about her were soaring, translucent fronds – the grass. It was cool there under the plantain leaf; but she was enormously fat and ugly, her brain felt like sooty cobwebs, and nobody loved her.
Still, she didn't care much. She could feel her soft gray throat, like a blown-into glove finger, pulsing slowly – which was almost as soothing a sensation as letting the swing die down. It made her feel as if Someone – some great unhappy cloudlike Being – were making up a song, a song about most everything; chanting it sleepily to himself – or was it herself?– somewhere; and as if she were part of this beautiful, unhappy song. But all the time she knew that if that white fluffy restlessness – that moth miller – fluttered only a little nearer among those golden-green fronds, she knew if it reached the cool rim of her plantain shade, she knew, then, that something terrible would happen to her – knew that something swift and blind, that she couldn't help, would coil deep within her like a spring and so launch her forward, open-jawed. It was awful – awful for the moth miller – but she couldn't not do it. She was a toad..
And it was the same with her father. There were things he couldn't not do. She could be – sitting very still in a corner —be her father, when he was angry; and she knew he couldn't help it. It was just a dark slow whirling inside, with red sparks flying swiftly out from it. And it hurt while it lasted. Being her father like that always made her sorry for him. But she wished, and she felt he must often wish, that he couldn't be at all. There were lots of live things that would be happier if they weren't live things; and if they weren't, Susan felt, the great cloudlike Being would be less unhappy too.
Naturally, I am giving you Susan's later interpretations of her pre-schoolday wonderings; and a number of you would gasp a little, knowing what firm, delicate imaginings all Susan Blake's later interpretations were, if I should give you her pen name as well – which I have promised myself not to do. This is not an official study of a young writer of peculiar distinction; it is merely an unpretending book about a little girl I knew and a young married woman I still know – one and the same person. It is what I have named it – that only: The Book of Susan.
Meanwhile, this humid June night – to the sordid accompaniment of Bob and Pearl snarling at each other half-drunkenly within – Susan waits for us on the monolithic door slab; and there is a new wonder in her dizzy little head. I can't do better than let her tell you in her own words what this new wonder was like.
"Ambo, dear" – my name, by the way, is Ambrose Hunt; Captain Hunt, of the American Red Cross, at the present writing, which I could date from a sleepy little village in Southern France – "Ambo, dear, it was the moon, mostly. There was a pink bud of light in the heat mist, way off beyond East Rock, and then the great wild rose of the moon opened slowly through it. Papa, inside, was sounding just like a dog when he's bullying another dog, walking up on the points of his toes, stiff legged, round him. So I tried to escape, tried to be the moon; tried to feel floaty and shining and beautiful, and – and remote. But I couldn't manage it. I never could make myself be anything not alive. I've tried to be stones, but it's no good. It won't work. I can be trees – a little. But usually I have to be animals, or men and women – and of course they're animals too.
"So I began wondering why I liked the moon, why just looking at it made me feel happy. It couldn't talk to me; or love me. All it could do was to be up there, sometimes, and shine. Then I remembered about mythology. Miss Chisholm, in school, was always telling us about gods and goddesses. She said we were children, so we could recreate the gods for ourselves, because they belonged to the child age of the world. She talked like that a lot, in a faded-leaf voice, and none of us ever understood her. The truth is, Ambo, we never paid any attention to her; she smiled too much and too sadly, without meaning it; and her eyelashes were white. All the same, that night somehow I remembered Artemis, the virgin moon goddess, who slipped silently through dark woods at dusk, hunting with a silvery bow. Being a virgin seemed to mean that you didn't care much for boys. But I did always like boys better than girls, so I decided I could never be a virgin. And yet I loved the thought of Artemis from that moment. I began to think about her – oh, intensely! – always keeping off by herself; cool, and shining, and – and detached. And there was one boy she had cared for; I remembered that, too, though I couldn't remember his name. A naked, brown sort of boy, who kept off by himself on blue, distant hills. So Artemis wasn't really a virgin at all. She was just – awfully particular. She liked clean, open places, and the winds, and clear, swift water. What she hated most was stuffiness! That's why I decided then and there, Ambo, that Artemis should be my goddess, my own pet goddess; and I made up a prayer to her. I've never forgotten it. I often say it still..
Dearest, dearest Far-Away,
Can you hear me when I pray?
Can you hear me when I cry?
Would you care if I should die?
No, you wouldn't care at all;
But I love you most of all.
"It СКАЧАТЬ