Six Months in Mexico. Nellie Bly

Чтение книги онлайн.

СКАЧАТЬ far away to be seen well. It was among the curiosities given by Cortes to the Emperor Charles V. He in turn presented it to the Museum of Vienna, where it remained until Maximilian restored it to Mexico.

      One room is devoted to the display of Mexican marbles, stones, ores, etc. Another has petrified snakes, wood, human and animal bones. Cow horns measuring seven feet from tip to tip were excavated somewhere near Mexico. Elephant jaws and tusks which treble the size of those sported by the late lamented Jumbo are also from the historic, mysterious earth of Mexico. Among the many other things were noticed human bones protruding through a rock, and a turtle's shell which, if opened, would make a carpet for a grand salon.

      Snakes, lizards, fish and crabs of all kinds fill one good sized room, divided in the center by stuffed alligators, swordfish, crocodiles and boa constrictors. This opens into another department, and here you meet the Mexican dudes occasionally. There are few collections of birds to equal this. Added to their own numerous beautiful and rare birds are specimens from all parts of the world. The work is especially fine, and the birds and fowls appear as if in life. One thing to be regretted is they have no butterflies. In all the museum they have but one small case, and they are the beauties which come from Brazil. The collection of beetles is somewhat larger, but still is nothing remarkable.

      Monstrosities are quite plenty. One little calf has one head, one large eye in the center of its forehead, and two perfect bodies. Another has one perfect body and two heads. Two pheasants are fastened together like the Siamese twins. Dogs, cats, chickens, and even babies come in for their share of doubling up into all kinds of queer shapes. Monkeys, baboons, gorillas and a dilapidated elephant and giraffe finish this interesting quarter.

      The court of the museum is planted with beautiful flowers and trees. Large idols were once standing there, but they have been moved inside of the building opposite the entrance. The idols can lay no claim to beauty, and are anything but interesting, except to people who have a wonderful amount of faith and a capacity to believe a fellow-creature's wild imagination. Scientific gentlemen with long faces and one eye-glass gaze at the images and translate, or at least pretend to, the hieroglyphics which cover them. We would not think for a moment of putting an opinion against one held by wise men since the time of the Conquest, and we would not like to say Bernal Diaz had an object in making the Indians as black as possible, but we would like to gently hint our little observations.

      The sacrificial stone, where they claim fifty thousand people have been sacrificed, looks little as if intended for that bloody purpose. The stone is perfectly round, between four and six feet across and about two feet in thickness. On the upper side is sculptured the image of the sun or moon and on the sides are groups of men, fifteen in number, and fifteen separate groups. Certain hieroglyphics accompany each group. The work is fine, and must have been done with great care and patience by a master hand. Marring the top is a rudely cut hole with a shallow groove running to the edge. If these people were making a sacrificial stone would they have cut fine figures, requiring care and time, and then spoil them by cutting out a big hole? Would not the basin have been cut out finely and the carvings made to fit? I may be lacking in knowledge and faith, but I have tried to believe, have gazed on the stone with the thought, "History says the blood of fifty thousand human beings has dripped down over that stone," but proofs assert themselves, and the poor scandalized thing seems to hold up every side and the ugly marring of its beauty, and reply, "Now, do I look as if I was made for that purpose?"

      Though believing it was nothing more than an innocent Aztec calendar, we will repeat the sensational legend that covers it with a bloody cloak. There existed an Aztec order which worshiped the sun, and on this stone they sacrificed human beings, calling them the "messenger to the sun." The "messenger," who was always a prisoner, was painted half red and half white. Even his face was divided in this manner. A white plume was glued to his head. In one hand he carried a gaily trimmed walking-stick, and in the other a shield with cotton on it, and on his back was a small bundle of different articles. Music was played as he ascended the stairway to the temple. There he was greeted by some high priest, who commanded him to go to the sun, present the articles he carried and deliver messages they sent. Finally, when he reached the summit, he turned toward the sun and in a loud voice proclaimed what was told him. Then they took away his bundles and cut his throat, drenching the sun on the stone and filling the bowl with his blood. When the blood ceased to flow the heart was cut out and held aloft to the sun until cold. Then the message was delivered.

      It is said the Aztec calendar was carved in 1479, and its inauguration was celebrated with fearful sacrifices, but the conquering Cortes had it pulled down, and it remained buried until lowering the grade of the ancient pavement in 1790, when it was built in the southwestern tower of the cathedral. There it remained until about a year ago, when it was removed to the museum, where it now occupies a prominent position. The Sad Indian, a statue so-called because it was unearthed on a street of that name, is a jolly-looking fellow, and compels one's admiration, despite his broad nose and ugly features. So far I have heard no blood-curdling tales connected with him, but the wiseacre shakes his head solemnly and replies: "Hundreds of human beings were sacrificed on his account, but the history has escaped my memory." Meanwhile, the old fellow sits there with folded hands and a comical expression on his face, thinking, probably, of the duties which he once performed, which were, undoubtedly, holding a lamp or a flag, as the hole through the folded hands and between the feet directly beneath proves.

      It is quite interesting to roam around and examine this broad face and that slim one, from those of mammoth size to ones the size of one's hand. We grow to like the queer objects which certainly formed some part in the lives of those strange people who lived and died centuries before us.

      In one corner locked up in a cell by itself is the coach of Maximilian and Carlotta. It is one of the finest in the world, and is similar in construction and finish to that used on State occasions by the Czar of Russia. The coach was a present to Carlotta from Napoleon II. It is so fine that it is difficult to give a description of it. The royal coat of arms is on every available spot, on the doors and above, wrought in gold, and embroidered in gold on the crimson velvet which covers the driver's seat. The entire coach is gold and crimson except for the inside, which is heavy white silk, cords, fringe and tassels of the same. Gold cherubs the size of a three-month-old baby finish each corner. The carriage was drawn by eight pure white horses or the same number of coal black ones, and as it swept down the grand passes to superb Chapultepec, holding its royal owners, it must have been a sight fit for kings. But it stands to-day a silent memento of a murdered young emperor and a blighted empress. All the men employed at the museum are disabled soldiers, and it speaks well of the government to give them this employment. They seem to rightly belong in among this queer stuff, for it would take half a dozen of them to make a whole man. The museum is open only from ten to twelve, and is free to all.

      But our tourists are even now standing on the outside, wondering if they have not fasted enough to do penance for all the sins ever committed; and if they will get much else than frijoles, rice, and red peppers for dinner – or, more properly speaking, breakfast. We know just what they will visit this afternoon, and if you care to see it also we will try, in our humble way, to show you around.

      CHAPTER X.

      HISTORIC TOMBS AND LONELY GRAVES

      How much I would like to paint the beauties of Mexico in colors so faithful that the people in the States could see what they are losing by not coming here. How I would like to show you the green valley where the heat of summer and blast of winter never dare approach; where every foot of ground recalls wonderful historical events, extinct races of men and animals, and civilization older by far than the pyramids. Then would I take you from the table-land to the mountain, where we descend into deep canons that compare in their strange beauty with any in the world; the queer separation of the earth, not more than 100 feet from edge to edge of precipice, but 400 feet deep. More wonderful still is the sight when the rainy season fills these gorges with a mad, roaring torrent. Then would I lead you to the edge of some bluff that outrivals the Palisades – and let you look down the dizzy heights 500 feet to the СКАЧАТЬ