A History of Inventions, Discoveries, and Origins, Volume I (of 2). Johann Beckmann
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СКАЧАТЬ That this opinion is false, will appear from what follows.

      Among the oldest and principal Florentine families is that known under the name of the Oricellarii or Rucellarii, Ruscellai or Rucellai, several of whom have distinguished themselves as statesmen and men of letters. This family are descended from a German nobleman named Ferro or Frederigo, who lived in the beginning of the twelfth century76. One of his descendants in the year 1300 carried on a great trade in the Levant, by which he acquired considerable riches, and returning at length to Florence with his fortune, first made known in Europe the art of dyeing with archil. It is said that a little before his return from the Levant, happening to make water on a rock covered with this lichen, he observed that the plant, which was there called respio or respo, and in Spain orciglia, acquired by the urine a purple, or, as others say, a red colour. He therefore tried several experiments; and when he had brought to perfection the art of dyeing wool with this plant, he made it known at Florence, where he alone practised it for a considerable time, to the great benefit of the state. From this useful invention the family received the name of Oricellarii, from which at last was formed Rucellai77.

      As several documents, still preserved among the Florentine archives, confirm the above account of the origin of this family name, from the discovery of dyeing with oricello78, we may, in my opinion, consider it as certain that the Europeans, and first the Florentines, were made acquainted with this dye-stuff and its use in the beginning of the fourteenth century. At that time the Italians brought from the East the seeds of many arts and sciences, which, afterwards sown and nurtured in Europe, produced the richest harvests; and nothing is more certain than that the art of dyeing was brought to us from the East by the Italians. I do not believe that the merit of having discovered this dye by the above-mentioned accident is due to that Florentine; but I am of opinion that he learnt the art in the Levant, and on his return taught it to his countrymen, which was doing them no small service79. After that period the Italians long procured archil from the Levant for themselves, and afterwards for all Europe. I say for a long time, because since the discovery of the Canary Islands the greater part of that substance has been procured from them.

      These islands, after being a considerable time lost and forgotten, were again discovered about the end of the fourteenth or the beginning of the fifteenth century, and since that time they have been much frequented by the Europeans. One of the first who endeavoured to obtain an establishment there, was John de Betancourt, a gentleman of Normandy, who in 1400, or, as others say, in 1417, landed on Lancerotta. Amongst the principal commodities which this gentleman and other Europeans brought back with them was archil, which was found there more beautiful and in greater abundance than anywhere else; and Betancourt enjoyed in idea the great profit which he hoped to derive from this article in commerce. Glass is surprised that the Europeans, immediately upon their arrival, sought after this lichen with as much eagerness and skill as they did after gold in America, though they were not so well acquainted with the former as the latter before the discovery of these new lands80. But as this is not true, the wonder will cease.

      According to information procured in the year 1731, the island of Teneriffe produced annually five hundred quintals of this moss; Canary, four hundred; Forteventura, Lancerotta, and Gomera, three hundred each; and Fero, eight hundred; making in all two thousand six hundred quintals. In the islands of Canary, Teneriffe and Palma, the moss belongs to the crown; and in the year 1730 it was let by the king of Spain for one thousand five hundred piastres. The farmers paid then for collecting it from fifteen to twenty rials per hundred weight81. In the rest of the islands it belongs to private proprietors, who cause it to be collected on their own account. In the beginning of the last century a hundred weight, delivered on board at Santa Cruz, the capital of Teneriffe, was worth from only three to four piastres; but since 1725 it has cost labour amounting to ten piastres, because it has been in great request at London, Amsterdam, Marseilles, and throughout all Italy82. In the year 1726 this lichen cost at London eighty pounds sterling per ton, as we are told by Dillenius, and in 1730 it bore the same price.

      Towards the end of the year 1730, the captain of an English vessel, which came from the Cape de Verde islands, brought a bag of archil to Santa Cruz by way of trial. He discovered his secret to some Spanish and Genoese merchants, who, in the month of July 1731, resolved to send a ship to these islands. They landed on that of St. Anthony and St. Vincent, where in a few days they obtained five hundred quintals of this lichen, which they found in such abundance, that it cost them nothing more than a piastre per cent. by way of present to the governor. The archil of the Cape de Verde islands appears larger, richer, and longer than that of the Canaries, and this, perhaps, is owing to its not being collected every year83. Adanson, in 1749, found also the greater part of the rocks in Magdalen island, near Senegal, covered with this lichen. Though the greater part of our archil is at present procured from the Canary and Cape de Verde islands, a considerable quantity is procured also from the Levant, from Sicily, as Glass says, and from the coast of Barbary; and some years ago the English merchants at Leghorn caused this lichen to be collected in the island of Elba, and paid a high price for it84.

      Our dyers do not purchase raw archil, but a paste made of it, which the French call orseille en pâte. The preparation of it was for a long time kept a secret by the Florentines. The person who, as far as I know, made it first known was Rosetti; who, as he himself tells us, carried on the trade of a dyer at Florence. Some information was afterwards published concerning it by Imperati85 and Micheli the botanist86. In later times this art has been much practised in France, England, and Holland. Many druggists, instead of keeping this paste in a moist state with urine, as they ought, suffer it to dry, in order to save a little dirty work. It then has the appearance of a dark violet-coloured earth, with here and there some white spots in it.

      The Dutch, who have found out better methods than other nations of manufacturing many commodities, so as to render them cheaper, and thereby to hurt the trade of their neighbours, are the inventors also of lacmus87, a preparation of archil called orseille en pierre, which has greatly lessened the use of that en pâte, as it is more easily transported and preserved, and fitter for use; and as it is besides, if not cheaper, at least not dearer. This art consists, undoubtedly, in mixing with that commodity some less valuable substance, which either improves or does not much impair its quality, and which at the same time increases its weight88. Thus they pound cinnabar and smalt finer than other nations, and yet sell both these articles cheaper. In like manner they sift cochineal, and sell it at a less price than what is unsifted.

      It was for a long time believed that the Dutch prepared their lacmus from those linen rags which in the south of France are dipped in the juice of the Croton tinctorium89; and this idea appeared the more probable, as most of this tournesol en drapeaux was bought up by the Hollanders: but, as they are the greatest adulterators of wine in Europe, they may perhaps have used these rags to colour Pontack and other wines. It is however not improbable that they at first made lacmus of them, as their dye approaches very near to that of archil. At present it is almost certainly known that orseille en pâte is the principal ingredient in orseille en pierre, that is in lacmus90: and for this curious information we are indebted to Ferber91. But whence arises the smell of the lacmus, which appears to me like that of the Florentine iris? Some of the latter may, perhaps, be mixed with it; for I think I have observed in it small insoluble particles, which may have been pieces of the roots. The addition of this substance can be of no СКАЧАТЬ



<p>76</p>

Other accounts say that he was an Englishman; but the name Frederigo confirms his German extraction.

<p>77</p>

Giornale de’ Letterati d’ Italia, t. xxxiii. parte i. p. 231.

<p>78</p>

These documents from the Florentine records may be found in Dominici Mariæ Manni de Florentinis Inventis Commentarium. Ferrariæ, 1731, p. 37, from which I have extracted the following: – “One of this family resided formerly a long time in the Levant, where he carried on trade, according to the custom of the Florentine nation. Being one day in the fields, and happening to make water on a plant, of which there was great abundance, he observed that it immediately became extraordinarily red. Like a prudent man, therefore, he resolved to make use of this secret of nature, which till that time had lain hid; and having made several experiments on that herb, and finding it proper to dye cloth, he sent some of it to Florence, where, being mixed with human urine and other things, it has always been employed to dye cloth purple. This plant, which is called respo, is in Spain named orciglia, and by botanists commonly corallina. The mixture made with it is called oricello, and has been of great utility and advantage to the woollen manufacture, which is carried on to greater extent in Florence than in any other city. From this circumstance the individuals of that family, by being the inventors of oricello, have been called Oricellai, and have been beloved by the people for having procured to them this particular benefit. Thus has written John di Paolo Rucellai (Manni says that this learned and opulent man wrote in the year 1451); and the same account is still given by dyers in our city, who relate and affirm that their ancestors have for a century exercised the art of dyeing, and that they know the above from tradition.”

This is confirmed by another passage: – “One of this family, on account of the trade carried on faithfully and honestly by the Florentines, travelled to the Levant, and brought thence to Florence the art, or rather secret, of dyeing in oricello.”

<p>79</p>

In the genealogical history of the noble families of Tuscany and Umbria, written by P. D. Eugenio Gamurrini, and published at Florence 1668–1673, 3 vols. in folio, is the following account, vol. i. p. 274, of the origin of this family: – “This family acquired their name from a secret brought by one of them from the Levant, which was that of dyeing in oricello, never before used in this country. On that account they were afterwards called Oricellari, as appears from several records among the archives of Florence, and then by corruption Rucellari and Rucellai. Of their origin many speak, and all agree that they came into Tuscany from Britain.”

<p>80</p>

The History of the Discovery and Conquest of the Canary Islands, by George Glass. London, 1764, 4to.

<p>81</p>

[Dr. Ure copies this information in his Dictionary, but gives it as the return of an official report for the year 1831!]

<p>82</p>

This information is to be found in Hellot’s Art of Dyeing, into which it has been copied, as appears by the Dictionnaire d’Histoire Naturelle, par Valmont de Bomare, from an account written by M. Porlier, who was consul at Teneriffe in 1731.

<p>83</p>

As the archil grows in the African islands, and on the coast of Africa, Glass supposes that the Getulian purple of the ancients was dyed with it; but this opinion is improbable, for Horace praises “Gætula murice tinctas vestes.”

<p>84</p>

Lettres sur l’Histoire Naturelle de l’Isle d’Elbe, par Koestlin. Vienne, 1780, 8vo, p. 100.

<p>85</p>

Lib. xxvii. c. 9.

<p>86</p>

Nova Plantarum Genera. Flor. 1729.

<p>87</p>

Some translate this word lacca musica, musiva.

<p>88</p>

[According to Dr. Ure, the Dutch first reduce the lichen to a fine powder by means of a mill, then mix a certain proportion of potash with it. The mixture is watered with urine and allowed to undergo a species of fermentation. When this has arrived at a certain degree, carbonate of lime in powder is added to give consistence and weight to the paste, which is afterwards reduced into small parallelopipeds, which are carefully dried.]

<p>89</p>

This plant grows in the neighbourhood of Montpelier, and above all, in the flats of Languedoc. In harvest, the time when it is collected, the peasants assemble from the distance of fifteen or twenty leagues around, and each gathers on his own account. It is bruised in a mill, and the juice must be immediately used; some mix with it a thirtieth part of urine. It is poured over pieces of canvas, which they take care to provide, and which they rub between their hands. These rags are dried in the sun, and then exposed, above a stone stove, to the vapour of urine mixed with quick-lime or alum. After they have imbibed the juice of the plant, the same operations are repeated till the pieces of cloth appear of a deep blue colour. They are called in commerce tournesol en drapeaux. Large quantities of them are bought up by the Dutch, who make use of them to colour wines and the rinds of their cheese. – Trans.

<p>90</p>

[Lacmus or litmus is now prepared from Lecanora tartarea, the famous Cudbear, so called after a Mr. Cuthbert, who first brought it into use. It is imported largely from Norway, where it grows more abundantly than with us; yet in the Highland districts many an industrious peasant gets a living by scraping off this lichen with an iron hoop, and sending it to the Glasgow market.]

<p>91</p>

Linn. Mantissa Plantarum, i. p. 132.