Название: English Caricature and Satire on Napoleon I. Volume II (of 2)
Автор: Ashton John
Издательство: Public Domain
Жанр: Зарубежная классика
isbn:
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Now with such fury they push’d on,
Memmengen the French Army won,
And by the treachery of Mack,
Ulm surrendered in a crack —
Soon after the capitulation,
The Austrians with consternation
Laid down their arms, and to their shame,
Napoleon’s prisoners became —
There were no caricatures of the battle of Trafalgar – the victory was purchased at too great a cost; but Gillray executed a serious etching in memory of Nelson, published on December 29, 1805, the funeral of the hero taking place on the subsequent 9th of January.
The following caricature shows the quality of news supplied to our forefathers: —
‘John Bull exchanging News with the Continent’ is by Woodward, December 11, 1805, and represents Napoleon and a French newsboy on a rock called Falsehood, disseminating news the reverse of true. The ‘Journal de l’Empire’ says that Archduke Charles is dead with fatigue; the ‘Journal de Spectacle’ that England is invaded. The ‘Gazette de France’ informs us that the English fleet is dispersed, and the ‘Publicité’ follows it with the news that the combined fleets are sent in pursuit. False bulletins are being scattered broadcast. These, however, have but little effect on John Bull, who, attired as a newsboy, stands on the rock of Truth, flourishing a paper, ‘Trafalgar London Gazette extraordinary,’ and bellowing through his horn, ‘Total defeat of the Combin’d Fleets of France and Spain,’ which is vividly depicted in the background.
‘Tiddy doll, the great French Gingerbread Baker, drawing out a new Batch of Kings – his man Hopping Talley mixing up the Dough,’ is a somewhat elaborate etching by Gillray (January 23, 1806). The celebrated gingerbread maker has, on a ‘peel,’ three kings, duly gilt – Bavaria, Wurtemberg, and Baden – which he is just introducing into the ‘New French Oven for Imperial Gingerbread.’ On a chest of three drawers, relatively labelled Kings and Queens, Crowns and Sceptres, and Suns and Moons, are a quantity of ‘Little Dough Viceroys, intended for the next batch.’ Under the oven is an ‘Ash hole for broken Gingerbread,’ and a broom – ‘the Corsican Besom of Destruction’ – has swept therein La République Française, Italy, Austria, Spain, Netherlands, Switzerland, Holland, and Venice. On the ground is a fool’s cap and bells, which acts as a cornucopia (labelled ‘Hot Spiced Gingerbread, all hot; Come, who dips in my lucky bag’), which disgorges stars and orders, principalities, dukedoms, crowns, sceptres, cardinals’ hats, and bishops’ mitres; and a baker’s basket is full of ‘True Corsican Kinglings for Home Consumption and Exportation.’
Talleyrand – with a mitre on his head, and beads and cross round his waist, to show his ecclesiastical status; with a pen in his mouth, and ink-pot slung to his side, to denote his diplomatic functions – is hard at work at the ‘Political Kneading Trough,’ mixing up Hungary, Poland, Turkey, &c., whilst an eagle (Prussia) is pecking at a piece of dough (Hanover).
To thoroughly understand this caricature, we must first of all know something about Tiddy Doll. He was a seller of gingerbread, and was as famous in his time as was Colly Molly Puff in the time of Steele and Addison. He had a refrain, all his own, like a man well known to dwellers in Brighton and the West End of London – ‘Brandy balls.’ Hone11 gives the best account of him that I know. Discoursing on May fair, he says: ‘Here, too, was Tiddy-doll; this celebrated vendor of gingerbread, from his eccentricity of character and extensive dealings in his way, was always hailed as the king of itinerant tradesmen.12 In his person he was tall, well made, and his features handsome. He affected to dress like a person of rank: white, gold-laced, suit of clothes, laced ruffled shirt, laced hat and feather, white silk stockings, with the addition of a fine white apron. Among his harangues to gain customers, take this as a specimen: “Mary, Mary, where are you now, Mary? I live, when at home, at the second house in little Ball Street, two steps under ground, with a wiscum, riscum, and a why not. Walk in ladies and gentlemen; my shop is on the second floor backwards, with a brass knocker at the door. Here is your nice gingerbread, your spice gingerbread; it will melt in your mouth like a redhot brickbat, and rumble in your inside like Punch and his wheelbarrow.” He always finished his address by singing this fag end of some popular ballad.
Ti – tid – dy, ti – ti ti – tid – dy, ti – ti ti – tid-dy, ti – ti
tid-dy did-dy dol – lol, ti – tiddy, ti – diddy ti – ti, tid-dy, tiddy, dol.’
Pitt died on January 23, 1806, and Fox succeeded him. It is probable that Napoleon reckoned somewhat on Fox’s friendship, and hence the following caricature: —
‘Boney and the Great Secretary’ (Argus, February 1806) gives a good portrait of Fox. Napoleon wishes to be friendly: ‘How do you do, Master Charley, why you are so fine, I scarcely knew ye – don’t you remember me, why I am little Boney the Corsican – him that you came to see at Paris, and very civil I was to you, I’m sure. If you come my way I shall be glad to see you, so will my wife and family. They are a little changed in their dress, as well as you. We shall be very happy to take a little peace soup with you, whenever you are inclined, Master Charley.’ But Fox shakes his fist at him: ‘Why, you little Corsican Reptile! how dare you come so near the person of the Right Honble C – J – F – one of his M – principal Secretaries of State, Member of the P.C. &c., &c., &c., &c., &c., &c., &c., &c. – go to see You!!! Arrogant little Man, Mr. Boney – if you do not instantly vanish from my sight – I’le break every bone in your body – learn to behave yourself in a peaceable manner, nor dare to set your foot on this happy land without My leave.’
Of ‘Pacific Overtures, or a Flight from St. Cloud, “over the Water to Charley,” a new Dramatic Peace now rehearsing’ (Gillray, April 5, 1806), only a portion is given in the accompanying illustration, but quite sufficient to explain the negotiations for peace then in progress.
This caricature is far too elaborate to reproduce the whole, and the allusions therein are extremely intricate and, nowadays, uninteresting. A theatrical stage is represented, with Napoleon descending in clouds, pointing to Terms of Peace, which are being displayed by Talleyrand, and saying, ‘There’s my terms.’ These are as follow: ‘Acknowledge me as Emperor; dismantle your fleet; reduce your army; abandon Malta and Gibraltar; renounce all Continental connexion; your Colonies I will take at a valuation; engage to pay to the Great Nation, for seven years annually, £1,000,000; and place in my hands as hostages, the Princess Charlotte of Wales, with ten of the late administration, whom I shall name.’
King George has stepped from his box on to the stage, and is surveying this vision through his glass, exclaiming: ‘Very amusing terms indeed, and might do vastly well with some of the new made little gingerbread kings13; but we are not in the habit of giving up either “ships, or commerce, or colonies” merely because little Boney is in a pet to have them!!!’
Ansell СКАЧАТЬ
11
12
He was a constant attendant in the crowd on Lord Mayor’s show.
13
On March 31 Joseph Bonaparte was made King of Naples, and Murat Grand Duke of Berg and Cleves. A few months subsequently, Louis Bonaparte was made King of Holland, and the following year Jerome King of Westphalia.