Cameron of Lochiel. Aubert de Gaspé Philippe

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СКАЧАТЬ volume. But, as Nature has made me compassionate, I will give this dear reader a little good advice. He had better throw away the unlucky book without taking the trouble to criticise it, which would be making it much too important, and would be, moreover, but wasted labor for the serious critic; for, unlike that old Archbishop of Granada, so touchy on the subject of his sermons, of whom Gil Blas has told us, I am, for my part, blessed with an easy humor, and, instead of retorting to my critic, "I wish you good luck and very much better taste," I will frankly admit that my book has a thousand faults, of most of which I have a lively consciousness.

      As for the unfriendly critic, his work will be all in vain, debarred as he will be from the privilege of dragging me into a controversy. Let me say beforehand that I grieve to deprive him of his gentle diversion, and to clip his claws so soon. I am old and indolently content, like Figaro of merry memory. Moreover, I have not enough self-conceit to engage in any defense of my literary productions. To record some incidents of a well-loved past, to chronicle some memories of a youth long flown – this is my whole ambition.

      Many of the anecdotes, doubtless, will appear insignificant and childish to some readers. Let these lay the blame upon certain of our best men-of-letters, who besought me to leave out nothing which could illustrate the manners and customs of the early Canadians. "That which will appear insignificant and childish to the eyes of strangers," they urged, "in the records of a septuagenarian, born but twenty-eight years after the conquest of New France, will yet not fail to interest true Canadians."

      This production of mine shall be neither very dull nor surpassingly brilliant. An author should assuredly have too much self-respect to make his appeal exclusively to the commonplace; and if I should make the work too fine, it would be appreciated by none but the beaux esprits. Under a constitutional government, a candidate must concern himself rather with the number than the quality of his votes.

      This work will be Canadian through and through. It is hard for an old fellow of seventy to change his ancient coat for garb of modern pattern.

      I must have also plenty of elbow-room. As for rule and precept – which, by the way, I am well enough acquainted with – I can not submit myself to them in a work like this. Let the purists, the past masters in the art of literature, shocked at my mistakes, dub my book romance, memoir, annals, miscellany, hotch-potch. It is all the same to me.

      Having accomplished my preface, let me make a serious beginning with the following pretty bit of verse, hitherto unpublished, and doubtless now much surprised to find itself in such unworthy company:

QUEBEC, 1757

      An eagle city on her heights austere,

      Taker of tribute from the chainless flood,

      She watches wave above her in the clear

      The whiteness of her banner purged with blood.

      Near her grim citadel the blinding sheen

      Of her cathedral spire triumphant soars,

      Rocked by the Angelus, whose peal serene

      Beats over Beaupré and the Lévis shores.

      Tossed in his light craft on the dancing wave,

      A stranger where he once victorious trod,

      The passing Iroquois, fierce-eyed and grave,

      Frowns on the flag of France, the cross of God.

      Let him who knows this Quebec of ours betake himself, in body or in spirit, to the market of the Upper Town, and consider the changes which the region has undergone since the year of grace 1757, whereat my story opens. There was then the same cathedral, minus its modern tower, which seems to implore the charitable either to raise it to its proper height or to decapitate its lofty and scornful sister.

      The Jesuits' College, at a later date transformed into a barrack, looked much the same as it does to-day; but what has become of the church which stood of old in the place of the present halls? Where is the grove of venerable trees behind the building, which adorned the grounds, now so bare, of this edifice sacred to the education of Canadian youth? Time and the axe, alas! have worked their will. In place of the merry sports, the mirthful sallies of the students, the sober steps of the professors, the high philosophic discourse, we hear now the clatter of arms, the coarse jest of the guard.

      Instead of the market of the present day, some low-built butchers' stalls, perhaps seven or eight in number, occupied a little plot between the cathedral and the college. Between these stalls and the college prattled a brook, which, after descending St. Louis Street and dividing Fabrique, traversed Couillard and the hospital garden, on its way to the river St. Charles. Our fathers were bucolic in their tastes!

      It is the end of April. The brook is overflowing; children are amusing themselves by detaching from its edges cakes of ice, which, shrinking as they go, overleap all barriers, and lose themselves at last in the mighty tide of the St. Lawrence. A poet, who finds "sermons in stones, books in the running brooks," dreaming over the scene, and marking the descent of the ice-cakes, their pausings, their rebuffs, might have compared them to those ambitious men who, after a restless life, come with little wealth or fame to the end of their career, and are swallowed up in eternity.

      The houses neighboring the market-place are, for the most part, of but one story, unlike our modern structures, which tower aloft as if dreading another deluge.

      It is noon. The Angelus rings out from the cathedral belfry. All the city chimes proclaim the greeting of the angel to the Virgin, who is the Canadian's patron saint. The loitering habitants, whose calashes surround the stalls, take off their caps and devoutly murmur the Angelus. All worshiping alike, there is none to deride the pious custom.

      Some of our nineteenth-century Christians seem ashamed to perform before others an act of worship; which is proof, to say the least, of a shrinking or cowardly spirit. The followers of Mohammed, who have the courage of their convictions wherever they may chance to be, will seven times daily make their prayers to Allah under the eyes of the more timid Christians.

      The students of the Jesuits' College, noisy enough on ordinary occasions, move to-day in a serious silence from the church wherein they have been praying. What causes this unusual seriousness? They are on the eve of separation from two beloved fellow-students. The younger of the two, who, being more of their age, was wont to share more often in their boyish sports, was the protector of the feeble against the strong, the impartial arbitrator in all their petty disagreements.

      The great door of the college opens, and two young men in traveling dress join the group of their fellow-students. Two leathern portmanteaus, five feet long, adorned with rings, chains, and padlocks which would seem strong enough for the mooring of a ship, lie at their feet. The younger of the two, slight and delicate-looking, is perhaps eighteen years old. His dark complexion, great black eyes, alert and keen, his abruptness of gesture, proclaim his French blood. His name is Jules D'Haberville. His father is one of the seigneurs, captain of a company in the colonial marine.

      His companion, who is older by two or three years, is much taller and more robust of frame. His fine blue eyes, his chestnut hair, his blonde and ruddy complexion with a few scattered freckles on face and hands, his slightly aggressive chin – all these reveal a foreign origin. This is Archibald Cameron of Lochiel, commonly known as Archie of Lochiel, a young Scotch Highlander who has been studying at the Jesuits' College in Quebec. How is it that he, a stranger, finds himself in this remote French colony? We will let the sequel show.

      The young men are both notably good looking. They are clad alike with hooded overcoat, scarlet leggings edged with green ribbon, blue woolen knitted garters, a broad belt of vivid colors embroidered with glass beads, deer-hide moccasins tied in Iroquois fashion, the insteps embroidered with porcupine-quills, and, finally, caps of beaver-skin fastened over the ears by means of a red silk handkerchief knotted under the chin.

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