1000 Drawings of Genius. Victoria Charles
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Название: 1000 Drawings of Genius
Автор: Victoria Charles
Издательство: Parkstone International Publishing
Жанр: Энциклопедии
Серия: The Book
isbn: 978-1-78310-949-4, 978-1-78310-457-4
isbn:
178. Hans Holbein the Elder, 1460/1465-1524, German, Ambrosius and Hans Holbein, 1511. Silverpoint on white-coated paper, 10.3 × 15.5 cm. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin. Northern Renaissance.
179. Titian (Tiziano Vecellio), 1489/1490-1576, Italian, Portrait of a Young Woman, 1510–1511. Black pencil on paper, 42 × 26.5 cm. Galleria degli Uffizi, Florence. High Renaissance.
180. Titian (Tiziano Vecellio), 1489/1490-1576, Italian, Rider and Fallen Soldier, c. 1537. Chalk on paper. Staatliche Graphische Sammlung, Munich. High Renaissance.
181. Follower of Raphael (1483–1520), Italian, Saint Michael Slaying the Demon, c. 1511–1520. Pen and brown ink, brown wash, black chalk and white heightening, 41.6 × 27.7 cm. Musée du Louvre, Paris. High Renaissance.
182. Hieronymus Bosch, c. 1450–1516, Flemish, A Group of Ten Spectators, 1516. Pen and brown ink on paper, 12.4 × 12.6 cm. The Morgan Library and Museum, New York. Northern Renaissance.
183. Titian (Tiziano Vecellio), 1489/1490-1576, Italian, Studies of Saint Sebastian and the Virgin and Child, c. 1519. Pen and brown ink on paper, 16.2 × 13.6 cm. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin. High Renaissance.
184. Amico Aspertini, c. 1474–1552, Italian, Masculine Nude or A God of the Rivers, date unknown. Chalk and wash on paper. Galleria degli Uffizi, Florence. Mannerism.
185. Niccolò dell’ Abate, 1509–1571, Italian, Landscape, date unknown. Pen and ink on paper. Galleria degli Uffizi, Florence. Mannerism.
186. Antonio da Sangallo the Younger, 1484–1546, Italian, Architecture Study, c. 1513–1517. Pen and brown ink over a sketch in pencil, 33.4 × 48.5 cm. Galleria degli Uffizi, Florence. High Renaissance.
187. Baccio Bandinelli (attributed to), 1488–1560, Italian, An Unidentified Subject, with Figures Kneeling before a Bearded Man, c. 1515. Red chalk, 25.5 × 32.5 cm. British Museum, London. High Renaissance.
188. Titian (Tiziano Vecellio), 1489/1490-1576, Italian, Landscape with a Castle, 1512. Pen and brown ink, 15 × 21.6 cm. Galleria degli Uffizi, Florence. High Renaissance.
189. Niklaus Manuel Deutsch, 1484–1530, Swiss, The Mocking of Christ, 1513–1514. Pen and black ink with white and gold highlights on red-brown prepared paper, 54.1 × 21.7 cm. J. Paul Getty Museum, Los Angeles. Northern Renaissance.
190. Follower of Albrecht Altdorfer (c. 1480–1538), German, The Holy Family with Saint Elizabeth and the Infant Saint John, 1513. Pen and dark brown ink highlighted with brush and opaque white on light brown prepared paper, 21.5 × 14.8 cm.The Metropolitan Museum of Art, New York. Northern Renaissance.
191. Raphael (Raffaello Sanzio), 1483–1520, Italian, Study for The Madonna of the Fish, 1513–1514. Red chalk and black pencil on paper, 26.7 × 26.4 cm. Galleria degli Uffizi, Florence. High Renaissance.
192. Albrecht Dürer, 1471–1528, German, Barbara Dürer (Dürer’s Mother), 1514. Charcoal, 42.2 × 30.6 cm. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin. Northern Renaissance.
193. Albrecht Altdorfer, c. 1480–1538, German, Preparatory Drawing for the Frescoes for the Royal Baths in Regensburg, c. 1515. Pen and ink, wash. Galleria degli Uffizi, Florence. Northern Renaissance.
194. Raphael (Raffaello Sanzio), 1483–1520, Italian, Hebe and Proserpina, 1517. Red chalk on paper, 25.7 × 16.4 cm. Teylers Museum, Haarlem. High Renaissance.
195. Raphael (Raffaello Sanzio), 1483–1520, Italian, Two Masculine Nudes, 1515. Red chalk and metalpoint on paper, 41 × 28 cm. Albertina, Vienna. High Renaissance.
196. Rosso Fiorentino, 1494–1540, Italian, Macabre Allegory, 1517–1518. Pen, ink and wash on paper. Galleria degli Uffizi, Florence. Mannerism.
197. Titian (Tiziano Vecellio), 1489/1490-1576, Italian, Two Satyrs in a Landscape, date unknown. Pen and brown ink, white gouache on fine, off-white laid paper, 21.6 × 15.1 cm. The Metropolitan Museum of Art, New York. High Renaissance.
198. Matthias Grünewald, c. 1475–1528, German, St. Dorothy with the Basket of Flowers, c. 1520. Black chalk and watercolour, heightened with white on paper, 35.8 × 25.6 cm. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin. Northern Renaissance.
199. Parmigianino (Francesco Mazzola), 1503–1540, Italian, Study of a Kanephoros for the decoration of the vault of Santa Maria della Steccata, Parma, c. 1533–1535. Pencil and red chalk, heightened with white, 27.6 × 18.1 cm. Albertina, Vienna. Mannerism.
200. Correggio (Antonio Allegri), 1489?-1534, Italian, The Adoration of the Magi, c. 1517. Red chalk and white gouache on paper, 29.1 × 19.7 cm. The Metropolitan Museum of Art, New York. High Renaissance.
CORREGGIO
(Antonio Allegri)
(Correggio, 1489?-1534)
Correggio founded the Renaissance school in Parma, but little is known of his life. He was born in the small town of Correggio. There he was educated, but in his seventeenth year an outbreak of the plague drove his family to Mantua, where the young painter had the opportunity to study the pictures of Mantegna and the collection of works of art accumulated originally by the Gonzaga family and later by Isabella d’Este. In 1514 he went back to Parma, where his talents found ample recognition; and for some years the story of his life is the record of his work, culminating СКАЧАТЬ