Название: The Code of the Mountains
Автор: Charles Buck
Издательство: Public Domain
Жанр: Зарубежная классика
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But Newt would have known that he was near his destination without the fence, for already, though blurred by the distance into an indistinct and formless spot of brightness and color, he could make out the illumination of the Chinese lanterns and there came to his ears across the softness of the night the merry strains of a band playing a two-step.
The mountain boy made a rapid survey. The house sat deeply back in the woodland, some five hundred yards from the road, but the platform, though almost directly at its front, lay nearer the farther side. The lateral fences of the woodland were lined with locust groves, giving a band of shadow along the edges. He might have crossed the fence at the nearest corner and worked his way back, but time was not an object, and so, before selecting his route, he went along the turnpike to the other side of the place for fuller reconnaissance, and found there even better and more continuous cover. Also, by taking that side, he was further from the driveway and would arrive closer to the platform without leaving the shadow. As Newt crossed into the woodland, he became invisible, thanks to the inky shade of the locusts, just now heavy with fragrance of bloom. The thickets of his own rhododendron and laurel could not have availed him more serviceably. At his left were acres of undulating bluegrass, broken generously with forest trees, and between the trees lay a silver lake of open moonlight, dotted with islands of shadow. But, by following the fence line back, he could invisibly draw near to the platform, and creep still closer under the shelter of a heavy growth of lilac bushes.
Suddenly, the mountain boy's heart began to pound in a strange way. He had never been afraid of anything and he was not afraid now, but as he crept, like a woodland animal, close enough to take in details, he felt as a man might feel who finds himself pursuing an enemy on Mars. He was in a new world and one so strange to him that its very difference brought a sense of misgiving. He had been born and reared in a windowless mountain cabin of one room. His light at night had been that of crackling logs on a stone hearth and a single lamp without a chimney. He had heard hatred of enemies preached before he could talk himself. That his present purpose was righteous, he passionately believed; that one should pay his blood-debt seemed axiomatic. Yet, as he looked out, he could not shake off that sense of strange uneasiness. Something was wrong. Perhaps it was simply the inarticulate realization that the scene was set for merry-making and not for tragedy. At home, it was different. The mountains were sterner and bred sterner emotions. The darkness there seemed grimmer, too. This was not the night or place for a murder.
Criss crossed about the platform and between the trees swayed the vivid color splashes of the lanterns, like magnified and luminous confetti. Sifting and eddying on the swaying floor went the rhythmic whirlpool of dancers. The soft colors of evening gowns, the ivory flashes of girlish shoulders and the floating of filmy scarfs dizzied the boy, who by the iron dictate of heredity and upbringing was a human rattle-snake. The strange sight of men in evening dress, their shirt-fronts gleaming like conspicuous targets, added to his bewilderment.
Between the trees passed strolling couples whose laughter lilted musically, and, as he crept nearer in the shadow of the lilac bushes, he saw a queer little affair which was also new to him, only a few yards away. It was a rustic summer-house, over the timbers of which trailed masses of honey-suckle, and into it, as he lay there peering sharply ahead, went a man and a girl. The man was dutifully wielding a fan after the flush of the dance and talking earnestly in a low tone, and the girl was laughing up into his face with a silvery softness so unlike the nasal voices of his own kind that Newt could make nothing of it. Nowhere was the hint of hardship: the hardship which was in his country life's dominant note. Back at the rear in the moonlight, the whitewashed barns and fences gleamed like structures of ivory.
He lay there on his stomach, his elbows on the ground and his chin in his hands, trying to search the faces of the dancers. But the dancers shifted and sifted in so bewildering a maze that even had they been nearer at hand he could hardly have identified familiar features. Then the music stopped, and he drew a breath of relief, for the platform partly emptied itself, and, as the couples came down and strolled under the lanterns, it was easier to search for the face he wanted to see.
Newt Spooner had been there perhaps an hour while waltz and two-step alternated to set the human mass he was trying to sift into fresh and maddening puzzles of rapid movement and vagueness. At the distance he had decided it was hopeless, and though the summer-house under the honey-suckle seemed a favorite retreat to which couple after couple came for a moment of rest and innocent flirtation, it had not proved a Mecca for his victim, if indeed his victim were there at all. Of this possibility he now felt a diminishing credulity. He would, nevertheless, try to slip closer for a final scrutiny and then go back to town, admitting temporary defeat. Then, as with snake-like movements he was hitching himself forward, he suddenly stopped and crouched closer to the ground and held his intaken breath in his throbbing throat.
A new couple came out of the shadow and strolled across the patch of open moonlight toward the summer-house. The girl was she who had picked him up on the road, and the man was Henry Falkins. Even in evening dress, there was no mistaking the features, and that shirt-front was a target to even an amateur's taste.
The girl wore a filmy gown and about her bare shoulders was thrown some silky thing as iridescent as gossamer. But, unlike those others who had come there, she was not laughing.
Instead, she was looking up with a very direct gaze into the man's face, and her eyes and lips bore a somewhat wistful seriousness.
At the front of the summer-house, her companion stopped and broke a spray of bloom from the vine.
"It always reminds me of you," he told her in a soft voice. "There may be sweeter fragrances, but I doubt it. I guess that's why."
He lifted a drooping branch of leaf and bloom, and she passed under his arm.
Newt Spooner was lying only a few yards away, but he must be closer. The mass of vine obscured his line of vision, and he had no wish to kill the girl. Behind his ambuscade of trellised supports, he could come near enough to reach his hand through and touch his victim if he chose. It was almost too simple – too easy. Yet, after all, it was a bad arrangement, though that he could not remedy. He must announce himself to the man he meant to kill, or defeat the satisfaction of revenge. To let him die without realizing why would rob the punishment of its sting. Then the woman would doubtless make an outcry, and his chance of escape would end. Besides that there was a second objection: the girl had befriended him. He was to some extent "beholden to her." He wished now that he had refused to drive with her; but, when he had accepted her invitation, he had had no idea that his purpose could concern her, and his purpose came first.
Newt Spooner drew very near. He cautiously pulled back a branch of the honey-suckle, and looked through. The girl was sitting with her eyes downcast, and the man standing with one knee on the rough bench. He was leaning forward and his voice, though tense with earnestness, was almost a whisper. Newt might at that moment have been noisy instead of noiseless without danger of distracting the attention of that man and woman.
At home in the mountains, Henry Falkins would have been more wary, but here in the bluegrass he had laid aside all thoughts of danger, as he had laid aside his high-laced boots and corduroys. He was standing at the other side of life's gamut. Enmity, for him, did not exist. The universe was filled, he believed at that moment, to the boundary of the last sentinel star with love. The night breathed it. He was breathing it, the girl's eyes were just then raised to meet his, brimming with a light that set his pulses bounding.
"Back there in the hills," he said, "there is a place high up the mountainside that looks down on such a night as this over an ocean of silver mists in the valley. I have often gone there alone and listened to the nightingale talking about you. After this," he added joyously, "all nights will be moonlight and starlight for me, dear, if – " But there he broke off and became silent.
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