Название: The Boy Grew Older
Автор: Heywood Hale Broun
Издательство: Public Domain
Жанр: Зарубежная классика
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"Unhand me, woman," said Vonnie, but she immediately took his arm again. "I knew you'd come," she said. "It was that look you threw at me over your shoulder when you went out yesterday."
"I haven't come," said Peter. "I just happened to be going by."
"But you are glad to see me?"
"Of course I am."
"And you'll walk home with me to keep me from being unprotected on the streets of a great city at night. It's only about twelve blocks. You don't need to take a taxi."
"Honest, I can't. I wish I could. I'm awful sorry."
Vonnie began to laugh. "I wonder why it is that when they come big they haven't got any sense. 'I knew I could rule you the day we were wed,' she hummed, 'for thick in the middle is thick in the head.'"
"What did I do that was stupid? And I'm not thick in the middle."
"Well, that's a fact. I don't know your name but your figure is grand. I guess you find being so handsome you don't need any sense."
"I have so too got sense. What have I done?"
"Well, you're just so serious I can't go on kidding you. Don't you suppose I knew you were waiting for Maria? And I know a lot more than that. You keep looking at that girl the way you did yesterday afternoon and all of a sudden you'll find rice in your ears."
"All right," said Peter, "I guess I can stand that."
"Here comes the bride – watch your step," and Vonnie went up the street as Maria came around the corner.
"Hello," said Maria, "what was it you talked about to Vonnie?"
"She thinks we're going to get married."
"And what is it you think?"
"I'd like it."
"Because I am the great dancer you think I ought to be the wife. So? It is funny. But it is not so funny. We can talk about it again. Now I am so tired that I just want to hear you say one thing and that is about the dancing and me."
"I think you were just fine," said Peter.
CHAPTER III
Maria was right. They did talk about it again and largely because Peter surprised himself and her with enterprise. It was raining hard that night when she came out into the alley. Peter grown bold was standing not more than two feet away from the stage door at a spot where a projecting fire escape offered some shelter from the rain. A big puddle lay all the way across the alley.
"Here," said Peter, almost casually and he picked Maria up and carried her across.
"Thank God, there's no winding staircase," Vonnie shouted after them.
Still it was an entirely natural and easy thing to keep one arm around Maria when they got into the taxicab. She rested her head against his shoulder. Peter realized then that he ought to kiss her. After all he had known her three weeks. It seemed the conventional thing to do. Besides he wanted to. She said nothing until the second time.
"I like the quiet ones better, Peter, my hermit. It is nice to lean against you. With you the taxi does not jounce so much. Part of my tiredness it goes into your arm."
"Won't you marry me?" asked Peter.
"Because we have kissed? And I have put my head on your shoulder? You would make me the honest woman?"
"I want to marry you."
"First we must have some supper. Maybe it is that you are just hungry. It is not upon an empty stomach to talk about getting married."
Maria would not take the table which the headwaiter offered. "No that other. The little one in the corner."
After they had ordered Maria took up a long bread stick and began breaking it into little pieces in her hand.
"Peter," she said, "I must make you very sad. Maybe I will be a little sad. You do not think I am good?"
Peter stared at her.
"That is too bad. I am not good, not very good. You know what I mean. You have heard the actress in the play say, 'I am a good woman?' Maria is not. I do not know why I tell you but I will. First it was three years ago in Paris. He was married and I knew that. I do not even like him much but I go. It was wrong. It was not so wrong another time because that boy I like a little. Now it was Mr. Casey, our manager, I told you he was a fool. That I could not help. He is such a fool. I try to get the job and he does not say you can dance. He say to me, 'I am a nice man and you are a nice girl.' What is there for me to say except 'yes.' About the dance he does not know anything. What is the use for me to say, 'No, I am not the nice girl, I am the great dancer.' Even if he would watch me dance he would not know. And so for the week-end at Long Beach I was the nice girl. I cannot help it that people are fools. It does not make me sad, but I am sad because now you are unhappy."
But Peter was not exactly unhappy. He knew that by all the rules he should be broken-hearted or raging. He wondered why he had no impulse to shoot Casey. As a matter of fact he could think of nothing more silly. His mind kept turning back to a play he had seen once called "The Second Mrs. Tanqueray." In that the heroine had confessed in the first act to the man she was going to marry. It was thrilling Peter found to have somebody confessing to him. Maria the dancer was romantic, but Maria the adventuress was a whole leap beyond that into the realm of fantasy. He stole a glance around the long room and everywhere he saw men and women talking. Some were laughing and some were earnest. "But," he thought to himself, "probably this is the only table in the room where anybody is making a confession."
And besides all the dramatic values of the situation, he was not quite unconscious of the comic ones. There sat Maria, at least five feet high and looking about ten years old, gravely lifting up one corner of life a little gingerly to spare the feelings of Peter Neale, the best known sporting writer in America. But every other impression was swept away by the sudden feeling that it was extraordinarily honest for Maria to tell him all this. It was more than that. It was like cheering when the Yale captain got up again. It was sportsmanship.
Peter reached across the table and patted her hand. "I'm not sad, Maria. I think it was awfully white of you to tell me. I'm not exactly a good man myself. Anyhow things are different with you. Those things you said are nothing. You know the way I feel is that you're an artist and it's nobody's business what you do. We don't have to talk about that any more. There's something else. You remember what we were saying in the taxicab. You've had two pieces of bread now and a glass of water. Won't you marry me?"
"Yes," said Maria, "I'm going to marry you."
Peter was surprised the day they went down to get the license to discover that Maria was twenty-three. He was only twenty-six himself. Maria had seemed a child. Nineteen would have been his guess.
"Maybe," she said, "you will not want me because I am so old."
"You could be a hundred," Peter answered.
They were to be married the next day but when he met her at the theatre in the evening she told him that Dolly Vance was ill and that Mr. Casey wanted her to take over four of the sick girl's numbers. "I have to come to the theatre at ten o'clock and rehearse all the day."
"Then we'll get married at nine. I'm not going СКАЧАТЬ