A Book o' Nine Tales.. Bates Arlo
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Название: A Book o' Nine Tales.
Автор: Bates Arlo
Издательство: Public Domain
Жанр: Зарубежная классика
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“You must be Mr. Friendleton,” the maiden said, courtesying bewitchingly. “I knew your ship was in.”
“I – I have been minding my luggage,” he stammered, rather irrelevantly, his eyes fastened upon her face.
“Be pleased to enter,” said she, smiling a little at the boldness and unconsciousness of his stare. “Your room has been preserved as you left it at your departure. My aunt, good Mistress Henshaw, as I wrote you, straitly enjoined in her will that everything should be kept for you as you had left it. Her affections were marvellously set upon you.”
That he should be allowed to enter under the same roof with this beautiful creature seemed to John Friendleton the height of bliss, and he had no words to express his delight when he learned that Mistress Rose expected him to take up his abode there as in former times. Her aunt had wished it; had especially spoken of it in her will, and so it was to be.
It would be impossible to pretend that Friendleton struggled much against this proposition, when inclination so strongly pleaded for the carrying out of the wishes of his dead friend; and in this way he became the lodger of young Mistress Rose.
It did not long escape the eye of the young man that his new landlady wore always at her throat a cluster of the white, waxy blossoms of the tuberose. The circumstance was in itself sufficiently curious and unusual to excite his attention, and it recalled to his mind the plant he had given to Mistress Henshaw. He wondered what had been the fate of his gift, and one day he ventured to ask Mistress Rose about it. For reply she led him to the room formerly occupied by her aunt, and showed him the tuberose in a quaint pot. It had grown tall and thrifty, and half a dozen slim stalks upon it stood up stoutly, covered with buds, which showed here and there touches of dull red evolved in their transformation from green to white.
“I marvel how it hath increased,” John said.
“It hath thriven marvellously,” she replied. “Never before hath it been known that the plant would bloom throughout all the year, but this sends out buds continually. I daily wear a blossom, as you may see, and I find its odor wonderfully cheering, although for most it is too powerfully sweet.”
“It is an ornament which becometh you exceedingly well,” he responded, flushing.
“My neighbors,” returned she smiling, “regard it as exceeding frivolous.”
The fragrance of the flower which Mistress Rose wore at her throat floated about John wherever his daily occupations led him, and doubly did the delicious perfume steal through his dreams. He never thought of the maiden without feeling in the air that divinely sweet odor; and a thousand times he secretly compared her to the flower she wore. Nor was the comparison inapt; since her beauty was rendered somewhat unearthly by the strange pallor of her face, while the intense and passionate intoxication it produced might, without great straining of the simile, be directly compared to the exaltation which the delicious and powerful fragrance produces in sensuous and sensitive natures.
The intimacy between the young people was at first hindered by the shyness of Friendleton, who was only too conscious of the fervor and depth of his passion; but as Rose had many of the well-remembered ways of her aunt, and, stranger yet, appeared well versed in his own past history, he soon became more at his ease. In defiance of the proverb which condemns all true lovers to uneven ways and obstructed paths, the wooing of lovely Mistress Rose by John Friendleton ran smoothly and happily on, seeming to have begun with the young man’s first meeting with his lovely landlady. The gossips of Boston town, strangely enough, left the relations of the lovers untouched by any but friendly comment; and in a fashion as natural as the ripening of the year, their love ripened into completeness.
It was early autumn when Rose became Mistress Friendleton. The wedding was quietly celebrated in the old North Church, and never in its century of existence before its timbers went to feed the campfires of British soldiers, did that house shelter a more lovely bride or a more manly and blissful groom. A faint flush softened the pallor of the maiden, the one charm which could add to her beauty. Her only ornament was her usual cluster of tuberoses, and more than one spectator noted how like the flower was the lady. The circumstance was recalled afterward when the slab was placed above her grave in Copp’s Hill burial-ground. There still lingers among certain old gossips of tenacious memory the tradition of a stone which had on it “some sort of a flower.” It was the slab upon which John Friendleton, imaginative at sorest need, had caused to be carved simply a bunch of tuberoses.
If John had been happy in anticipation, he was, if such a thing be possible, no less so in reality. It is as trite to attempt as it is impossible to effect the portraying of the life of two young people who are profoundly happy in each other. Joy may be named, but not painted. Even were it easy to picture their existence, their self-absorption would prevent their being interesting. As I have sometimes passed the old house on Moon Street, standing worn and stained with the storms of two centuries, a picture has risen before me of the young bride and groom sitting together and inhaling the fragrance of a quaint pot of tuberoses, blooming so wonderfully that the whole house was filled with their odor; and the memory brings always the tears to my eyes.
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