Название: The Crooked Stick; Or, Pollie's Probation
Автор: Rolf Boldrewood
Издательство: Public Domain
Жанр: Зарубежная классика
isbn: http://www.gutenberg.org/ebooks/35165
isbn:
And here the wilful damsel, having at first smiled at the alarmed expression of her mother's countenance, abandoned herself to childish merriment at the ludicrous idea of a drowned maiden in a bad season intensifying the bitterness in the minds of economical pastoralists with the reflection that a flock of sheep would probably be deprived thereby of that high-priced luxury in a dry country – a sufficiency of water.
Mr. Charteris laughed heartily for a few minutes, and then, with sudden solemnity, turned upon the young lady. 'You never will be serious, you know. Why can't you take pattern by me? Let us pursue our argument. Pleasure being worth its price, let us pay it cheerfully. I was reading about the Three Hundred, those Greek fellows you know, dressing their hair before Thermopylæ; it gave me the idea, I think. Mine's too short' – here he rubbed his glossy brown pate, canonically cropped. 'But the principle's the same, Miss Pollie, eh?'
'What principle?' echoed Pollie, 'or want of it, do you mean?'
'The principle of dying game, Miss Devereux,' returned Charteris, with a steady eye and heroic pose. 'Surely you can respect that? It all resolves itself into this. I'm going to put down my ace. If the cards go wrong I have played a dashing game. If the season turns up trumps I'll make the odd trick. You'll see who has the cream of the store sheep-market when the drought breaks!'
'I admire bold play, and you have my best wishes, Mr. Charteris. You've explained everything so clearly. Don't you think if you read history a little more it might lead you to still more brilliant combinations?'
'If you'd only encourage me a little,' answered the young man, with a touch of unusual humility.
'Isn't that Jack Charteris?' said a man's voice in the passage. 'I'll swear I heard him talking about his ace. May I come in, or is there a family council or anything?'
'Come in, Harold, and don't be a goose,' said Mrs. Devereux; 'you are not going to stand on ceremony here at this or any other time.'
'I've had a longish ride,' said the voice, 'nothing to eat, half a sunstroke, I believe, and my journey for my pains. I'm late for tea besides, though I rode hard – takes one so long to dress. If I was any one else I believe I should be cross. I think you'd better all leave me, and I'll join you in the verandah when I've fed and found my temper.'
'Nothing of the sort, mother; you take out Mr. Charteris and give him good advice, while I see after Mr. Atherstone, and recommend him to begin with the wild turkey while I get him some Bukkulla. What's the reason you've not been near us lately, sir?'
The new-comer was a very tall man, though he did not at first sight give you the idea of being much above the middle size, but Mr. Charteris, who was by no means short, looked so when they stood together. Then you saw that he was much above the ordinary stature of mankind. His frame was broad and muscular, and there was an air of latent power about his bearing such as gave the impression of perfect confidence, of physical or mental equality to whatever emergency might befall.
Mr. Charteris lingered, and seemed to question the soundness of the arrangement which divided him from the enchantress and reduced him to the placid enjoyment of Mrs. Devereux's always sensible but not exciting conversation.
'Look here, Jack, I can't have you here while I'm dining, you know,' persisted Mr. Atherstone, with a calm decision. 'You've such an energetic, highly organised nature, you know, that calm people like me can't sustain your electric currents. I perceive by the appearance of that turkey that I'm about to dine in comfort. Pollie has gone to bring in a bottle of Bukkulla. "Put it to yourself carefully," as Mr. Jaggers says, that I have had no lunch. She will be quite as much as I can bear during such a delicate period. So out you go. Order him off, Mrs. Devereux, if you've any pity for me.'
'Well, you are the coolest ruffian, I must say,' quoth Mr. Charteris, as Pollie reappeared bearing a dusty bottle of the cool and fragrant Bukkulla. 'Mrs. Devereux, you spoil him. It's very weak of you. You'll have people talking.'
'We don't mind what people say, do we, Harold?' said the widow, as she watched him carefully draw the cork of the bottle, while Pollie sat near and placed a large hock glass before him. 'Leave them alone for half an hour. I'm sure, poor fellow, he's awfully tired and hungry. I know where he's been; it was on an errand of mine; Mr. Gateward couldn't go. Surely you can put up with my company for a little while.'
'Poor Harold!' grumbled Jack, 'he is to be pitied indeed! Mrs. Devereux, you know I always say there's no one talks so charmingly as you do, and I always say what I mean. Now isn't there something I can do for you in Sydney?'
The symposium thus ostentatiously heralded did not take quite so long as might have been expected, and Pollie, making her appearance in the drawing-room apparently before its termination, went to the piano at Mr. Charteris's instigation, and sang two or three of his favourite songs in a fashion which brought any lingering remnants of his passion once more to the surface. Mr. Atherstone was also good enough to express his approval from the dining-room, the door of which was open, and to request that she would reserve her importation from the metropolis until he came in. This exhortation was followed by his personal apparition, when the latest composition of Stephen Adams was selected by him and duly executed.
Among the natural endowments lavished upon this young creature was such a voice as few women possess, few others adequately develop or worthily employ. Rich, flexible, with unusual compass, depth, and power, it combined strangely mingled tones, which carried with them smiles or tears, hate, defiance, love and despair, the child's glee, the woman's passion; all were enwrapped in this wondrous organ, prompt to appear when the magician touched her spirit with his wand. Harold once said that in her ordinary mood all the glories of vocal power seemed imprisoned in her soul, like the tunes that were frozen in the magic horn.
Men were used to sit with heads bent low, lest the faintest note might escape their highly wrought senses. Grizzled war-worn veterans had wept unrestrainedly as she sang the simple ballads that recalled their youth. Women even were deeply affected, and could not find one word of delicatest depreciation that would sound otherwise than sacrilegious. This was one of her good nights, her amiable, well-behaved nights, Harold said. So the men sat and smoked in the verandah, with Mrs. Devereux near them; all in silence or low, murmuring converse, while the stars burnt brightly in the blue eternity of the summer night – the season itself in its unchanging brightness an emblem of the endless procession of creation – while the girl's melodious voice, now low and soft, now wildly appealing, tender or strong, rose and fell, or swelled and died away – 'like an angel's harp,' said Harold to her mother, as she arose and came towards them; 'and it is specially fortunate for us here,' he continued, 'as the season is turning us all into something like the other thing.'
'Hush, Harold, my boy; have faith in God's providence!' replied Mrs. Devereux, placing her hand on his. 'We have been sorely tried at times, but that hope and faith have never failed me.'
'What a lovely, glorious, heavenly night!' said the girl, stepping out on the broad walk which wound amid the odorous orange-trees, still kept in leaf and flower by profuse watering. 'What a shame that one should have to go to bed! I feel too excited to sleep. That is why you fortunate men smoke, I suppose? It calms the excitable nervous system, if you ever suffer in that way.'
'Ask Jack,' said Mr. Atherstone; 'he is more delicately organised. I suppose I like smoking, because I do it a good deal. It is a contemplative, reflective practice, possessing at the same time a sedative effect. It prevents intemperate cerebration. It arrests the wheels of thought, which are otherwise apt to go round and round when there's nothing for them to do – mills with no corn to grind.'
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