American Graffiti. Margo Thompson

Чтение книги онлайн.

СКАЧАТЬ (New York: Regan Books, 2001), 11; Jack Stewart, “Subway Graffiti: An Aesthetic Study of Graffiti on the Subway System of New York City, 1970–1978” (Ph.D. Dissertation, New York University, 1989), 452.

25

Interview with DAZE, 26 July 2006.

26

Cooper and Chalfant, 50.

27

Witten and White, 19.

28

Ivor L. Miller, Aerosol Kingdom: Subway Painters in New York City (Jackson, MS: University Press of Mississippi, 2002), 125; Stewart, 470–2; Richard Goldstein, “The Fire Down Below: In Praise of Graffiti,” Village Voice, 24–30 December 1980, 55–8.

29

Interviews with LADY PINK, 28 July 2006 and ZEPHYR.

30

.

31

.

32

Interview with DAZE, 26 July 2006.

33

Miller, 107.

34

Miller, 13.

35

Graffiti Art. Artistes américains et français (Paris: Acte II, 1991), 71.

36

Miller, 87.

37

Mizrahi, 10.

38

Miller, 85.

39

.

40

Interview with DAZE by David Hirsh for American Graffiti Museum. DAZE clipping file, Museum of the City of New York. Austin, 56.

41

Austin, 56.

42

Stewart, 444, 455.

43

Peter Schjeldahl, “Graffiti Goes Legit – but the ‘Show-off’ Ebullience Remains,” New York Times, 16 September 1973, 27.

44

Cooper and Chalfant, 90–3.

45

Cooper and Chalfant, 28.

46

Austin, 47–55.

47

Austin, 183–5.

48

Miller, 189. Emphasis in original.

49

Austin, 111–13.

50

Cooper and Chalfant, 22.

51

Austin, 114.

52

Austin, 173.

53

Witten and White, 64–5.

54

Miller, 87.

55

Miller, 84.

56

Miller, 86.

57

Miller, 131.

58

Cooper and Chalfant, 32.

59

Witten and White, 111.

60

Stewart, 444, 455.

61

Stewart, 447.

62

David Villorente and Todd James, Mascots and Mugs: The Characters and Cartoons of Subway Graffiti (New York: Testify Books, 2007), 31.

63

Stewart, 448–50.

64

Grace Glueck, “Gallery View: On Canvas, Yes, But Still Eyesores,” The New York Times, 25 December 1983, H22.

65

Richard Goldstein, “The Fire Down Below,” 55.

66

Interview with BLADE, 25 July 2006.

67

All quotations from Nicolas A. Moufarrege, “Lightning Strikes (Not Once but Twice): An Interview with Graffiti Artists,” Arts 57, no. 3 (November 1982), 90–2.

68

Interview with Carlo McCormick, 27 July 2006.

69

Edit DeAk, “Train as Book,” Artforum 21 (May 1983), 91.

70

Hoekstra, 190.

71

CRASH, lecture at the Brooklyn Museum, 1 July 2006. Podcast.

72

Villorente and James, 69.

73

Villorente and James, 69.

74

Graffiti Art. Artistes américains et français, 71.

75

Museum Boijmans Van Beuningen, Graffiti (Rotterdam: Museum Boijmans Van Beuningen, 1983), 38.

76

Hoekstra, 266.

77

Witten and White, 11, 18–19.

78

Stewart, 408; Witten and White, 18–19.

79

Guy Trebay, “Getting Up: Dondi and the Late, Great Art of Graffiti,” The Village Voice, 4 May 1999, 39.

80

Miller, 123.

81

Cooper and Chalfant, 70–1.

82

Austin, 154–7.

83

Cooper and Chalfant, 32–7.

84

Hoekstra, ed., 134; Futura 2000, “Futura Speaks,” available from. Accessed 20 May 2006.

85

Hoekstra, ed., 134; Futura 2000, “Futura Speaks”; Michael T. Kaufman, “An Underground Graffitist Pleads from Hospital: Stop the Spraying,” New York Times, 18 October 1973, 49.

86

Interview with ZEPHYR, 4 November 2006.

87

Hoekstra, ed., 134.

88

Interview with ZEPHYR, 4 November 2006.

89

Miller, 192n2.

90

FUTURA quoted in Miller, 120.

91

Goldstein, “The Fire Down Below,” 55; Hoekstra, ed., 135. Carlo McCormick surmises that it was the Kandinsky retrospective at the Guggenheim in 1982 that FUTURA saw, and that he visited it with Kiely Jenkins, a downtown artist. (Interview with Carlo McCormick, 27 July 2006.)

92

Interview with ZEPHYR, 4 November 2006.

93

Interview with ZEPHYR, 4 November 2006.

94

Austin, 189.

95

Interview with ZEPHYR, 4 November 2006.

96

Miller, 192n1.

97

Interview with ZEPHYR, 4 November 2006.

98

Mizrahi, 11.

99

Interview with ZEPHYR, 4 November 2006.

100

Interview with ZEPHYR, 4 November 2006; interview with DAZE, 25 January 2008.

101

Cooper, Hip-Hop Files, 142.

102

Interview with ZEPHYR, 4 November 2006.

103

Witten and White, 158.

104

Interview with CRASH, 27 December 2006. Most of the Studio 1980 paintings remain in the possession of the Esses family.

105

Interview with LADY PINK, 5 June 2006.

106

Interview with ZEPHYR, 4 November 2006.

107

Hoekstra, ed., 177.

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