Celebrated Women Travellers of the Nineteenth Century. Adams William Henry Davenport

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СКАЧАТЬ conical mounds of earth, about sixty feet high, stood conspicuous – watch towers, where sentinels are stationed day and night. Their outlines, sharply marked against the sky, produce a curious and striking effect amidst the profound solitude. The sight of these Cossacks, with muskets shouldered, pacing up and down the small platform on the summit of each eminence, conveyed to the spectator's mind a knowledge of the rapid advance which Russian civilization had made into this remote region.

      It was mid-October, but vegetation still retained its freshness. The steep mountain sides were covered with rich greenswards, which afforded abundant pasture for the scattered flocks of goats. Their keepers, clothed in sheepskins, and carrying, instead of the traditional crook, long guns slung across their shoulders, with two or three powder and ball cases at their waists, seemed in strange contrast to the pastoral sentiment of the landscape. Gigantic eagles, roused from their eyries, swept with heavy wing from crag to crag, the monarchs of these solitudes. Here our travellers really looked out upon those features of the Caspian wilderness on which their imaginations had so often dwelt.

      Of the Circassian inhabitants of this mountain region, before they were completely subjugated by the despotism of the white Czar, Madame de Hell furnishes a graphic account. Bred amid the sights and sounds of war they went always well armed, carrying a rifle, a sabre, a long dagger, which they wore in front, and a pistol in the belt. Their picturesque costume consisted of tight pantaloons, and a short tunic, which was belted round the waist, and had cartridge pockets worked on the breast; a round laced cap, encircled with a black or white border of long-wooled sheepskin, formed their head-gear. In cold or rainy weather, they wore a bashlik, or hood, and a bourka, or cloak, of impervious felt. They were bold and skilful riders, and their horses, though small, were remarkable for spirit and endurance. It is well known that a Circassian horseman would cover twenty-five or even thirty leagues of ground in a night. When pursued by the Russians, they would leap the most rapid torrents. If their steeds were young, and unaccustomed to such perilous exploits, they would gallop them up to the brink of the ravine, cover the head with their bourkas, and then dash, almost always without mishap, down precipices from twenty to fifty feet in depth.

      It is unnecessary to dwell on their address in the use of fire-arms and of their two-edged daggers. Armed only with the latter weapon, they were often known, during their long and heroic struggle for independence, to leap their horses over the Muscovite bayonets, stab the soldiers, and break up and put to flight their serried battalions. When surrounded in their forts or villages, and shut out from all hope of escape, they frequently sacrificed their wives and children – like the Jews in the last agonies of their war with Rome – set fire to their dwellings, and perished heroically in the flames. With true Oriental devotedness they stand by their dead and wounded to the last extremity, and fight with the most dogged courage to prevent them from falling into the hands of the enemy.

      Madame de Hell is not disposed to endorse the reputation for beauty which so many writers have agreed in bestowing upon the Circassian women. She considers them even inferior, physically, to the men. "It is true," she says, "we were unable to visit any of the great centres of population, or to travel amongst the independent tribes, but we saw several aouls on the banks of the Kouban, and were entertained in a princely family, and nowhere did we meet with any of those surpassing beauties whom more fortunate travellers have celebrated." What she did observe in those daughters of the mountains was the elegance of their shape and the natural grace of their movements. A Circassian woman is never awkward. Dressed in rags or in brocade, she never fails to assume, spontaneously and without thought of display, the most graceful and picturesque attitudes. "In this respect," says Madame de Hell, "she is unquestionably superior to the highest efforts of fascination which Parisian art can achieve."

      A visit to the family of a Circassian prince "at home" is thus narrated by our travellers:

      The dwelling was a wretched mud hut, in front of which, on a mat, lay the prince in his shirt, and barefooted. He received his visitors very hospitably, and after the usual courtesies proceeded to make his toilette. He sent for his finest garments and costliest "leg gear," girded on his weapons, and then led the way into his "interior," which was as bare and unfurnished as any Connemara peasant's cabin, the only objects visible being a saddle, a few vessels, and a divan covered with reed matting. His guests having rested for a few minutes, the prince introduced them to his wife and daughter, who had been apprised of their arrival, and were anxious to see them.

      These ladies occupied a hut of their own, consisting, like the prince's, of a single room. They rose at the entrance of their visitors, and saluted them with much grace; then, motioning them to be seated, the mother sat down in the Turkish fashion on her divan, while her daughter reclined against the couch on which the strangers had taken their places. They, when the reception was over, remarked with surprise that the prince had not crossed the threshold, but had simply put his head in at the door to answer their questions and converse with his wife. The explanation afforded was, that a Circassian officer cannot, consistently with honour, enter his wife's apartment during the day, and it seems that in all families with the slightest pretension to distinction this rule is rigorously observed.

      A greater appearance of comfort was observable in the princess's apartment than in her husband's, as might well be the case. It contained two large divans, the silk cushions of which were gay with gold and silver embroidery, carpets of painted felt, several trunks, and a very pretty work-basket. A small Russian mirror and the prince's armorial trophies formed the decoration of the walls. But the floor was not boarded, the walls were rough plastered, and the only provision for light and air were two little holes furnished with shutters. The princess, a woman apparently between five-and-thirty and forty years of age, was by no means fitted to sustain the Circassian reputation for beauty. Her dress had a character of its own: under a brocaded pelisse, with short sleeves and laced seams, she wore a silk chemise, which displayed more of the bosom than European notions of decorum would approve. A velvet cap, trimmed with silver, smooth plaits of hair, cut heart-shape on the forehead, a white veil falling from the top of the head and covering over the bosom, and finally, a red shawl thrown carelessly over the lap —voilà tout! As for the daughter, she was charming. She wore a white robe fastened round the waist by a red kazavek. Her features were delicate; she had a complexion of exquisite fairness, revealing the play of "the pure and eloquent blood" which "spoke in her cheek, and so distinctly wrought that one might almost say her body thought;" and a profusion of glossy raven tresses escaped from under her cap.

      Beyond all praise was the geniality of the two ladies. About the country of their visitors, their calling, and the objects of their journey, they put a thousand questions. The European costume, and especially the straw hats, interested them greatly. Yet there was a certain air of coldness and impassiveness about them, and not once did the princess smile, until a long curtain accidentally fell, and shut her out for a moment from her guests. After a short but rapid conversation the visitors asked the princess's permission to take her portrait and sketch the interior of her abode. She offered no objection. When the drawings were finished, a collation was served, consisting of fruits and cheese-cakes. In the evening, the strangers took their leave, and, on coming out of the hut, they found all the inhabitants of the aoul assembled to witness their departure and do them honour.

      We must resume our narrative of Madame de Hell's journey. On their way to Stavropol, they experienced a mountain-storm, one of the grandest and most terrible they had ever witnessed. The roar of the thunder, repeated by every echo in cavern and ravine, mingled with the groaning and jarring of the great trees, with the loud gusts of the furious wind, with all those mysterious voices of the tempest which come we know not whence, but deeply stir the heart, and have so potent a harmony and such a sublimity and force of sound that the least superstitious mind involuntarily awaits some supernatural manifestation, some message from the other world. We have ourselves listened to a storm in a Highland glen – the wind sweeping down the rugged declivities with terrible impetuosity, and the thunder-peals reverberating from peak to peak, while the clouds

      "From many a horrid rift abortive poured

      Fierce rain with lightning mixed, water with fire,"

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