Название: Round the Wonderful World
Автор: Mitton Geraldine Edith
Издательство: Public Domain
Жанр: Книги о Путешествиях
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We are getting very hungry indeed! Six hours more! How are we going to stand it?
Hurrah! A bit of luck! The American has been along the corridor and come across some friends who are getting out at the next station. They have presented him with the remains of a lunch-basket supplied by their hotel, and he is generously willing to share it with us. Never was prize-packet opened with greater eagerness; suppose it should only contain enough for one?
Amid the white wrappings of the open pannier we find slices of tongue, rolls of bread, chicken legs, hard-boiled eggs, and a bottle of soda-water!
Never did food taste better! We sit gnawing the chicken bones and blessing the American!
Meantime the sun falls and a splendour you never yet have imagined fills the air. Streaks of flaming colour shoot athwart the sky, bursting up behind the tufted palms; the eastern sky catches the reflection and shows softest blues and pinkest pinks in contrast. A veil of amber light hangs like a curtain overhead and changes to orange and again to apricot as the afterglow sweeps the sky before darkness falls like the curtain on a scene at the theatre.
CHAPTER VI
A MIGHTY MAN
Our beds face the windows, which open like high glass doors, French fashion; before retiring we set them wide, and close outside the long shutters made of slats of wood. In the morning we are awakened suddenly, almost at the same instant, by a red flame glowing between the slats as fire glows between the bars of a grate. Springing from our curtains we fling open the shutters, expecting to see a great conflagration, and behold, it is the sunrise!
The sun does not greet us in such boisterous fashion in England! Here it fills the sky with a blood-red radiance and lights up the palm groves in the garden below, where a mighty congregation of small birds are shrieking out their joy to greet the god of morning. There is an intensity in it all, in the flaming sky, and in the thrill of the birds' clarion that sends exhilaration into our veins and makes us feel it is good to be alive!
It is not long before we are out and around the garden – and what a garden! Strange coffee-coloured men in blue garments like smock frocks, with baggy blue trousers caught tightly round their ankles, appear and disappear noiselessly, their bare brown feet making no sound on the sanded paths. There is something unreal about it all, something that makes one think of the Arabian Nights and an enchanted garden. The hotel is called "The Winter Palace," and in England we should associate such a name with a vast artificially warmed glasshouse filled with broad-leaved plants of dark green; here, right overhead, is a tall bush covered with masses of sulphur-coloured flowers, shaped like tiny trumpets, hanging in festoons against a sky of glorious blue. Through plumed palms we catch glimpses of the spreading fingers of a deep red poinsettia; there is a pink frilled flower shooting toward the sky, so decorative that it looks exactly like those made of crinkled paper for decorations; this is the well-known oleander. The grass is so vividly green that it seems as if the greenness sprang away from the blades; as we draw near to it we see that it is not all matted together and interwoven, as is our grass, but is composed of separate blades, each one apart and upright, all together standing like a regiment of soldiers. It has to be sown every year freshly, for no roots can survive the long drought. Close by is a lawn of bare earth, and a boy of about your age, with a thin pathetic brown face, runs round and round it, shouting and waving a flapper to keep off the birds from the newly sown seed.
We are just going to plunge into a grove of trees – some acacias with leaves like delicate ferns, and others eucalyptus with long narrow leaves looking like frosted silver – when we find they are growing in a swamp, with the earth banked up all round to keep the water in!
Other flowers, familiar to us in England, such as roses, look rather pale and washed-out here in contrast with the flaming beauty of richest mauve and brightest orange worn by those which are at home in a hot country. As the sun gets strong we hear the drone of a swarm of great creatures like prodigious wasps with legs like stilts, which fly around the sweet-scented blooms. In ancient inscriptions this wasp, or hornet, was used as the sign of Northern or Lower Egypt. Across the flower-beds run miniature canals of stone, by means of which the water from the life-giving river is carried all over the ground, so that it can be easily watered; a very large part of the time of the blue-bloused gardeners is spent in watering. A garden which was watered from the sky would be a miracle to them.
We come back again to the hotel and pass through to the other or front entrance, where we catch sight of the majestic Nile, which we could not see in the darkness of our arrival last night. Standing on a high terrace, bounded by a parapet covered with riotous masses of magenta bougainvillea, we see the turquoise-blue river, flecked with boats carrying high, white, three-cornered sails; on the other side rise calm hills of orange-yellow. We shall visit those hills, for in them are buried some of the mightiest kings of Egypt, and the wild fastnesses form a truly royal burial-place, grander than any ordinary mausoleum or cemetery could ever be. On both sides of the river at one time stood the royal city of Thebes, one of the best known of all the capitals of Egypt which sprang up from time to time in its agelong history.
If ever you "do" the ix. book of the Iliad in your schoolwork, you will find that Homer speaks of Thebes as having one hundred gates and possessing twenty thousand war-chariots! It extended for about nine miles along the river-bank.
After breakfast our first plunge into sight-seeing is a visit to the temple of Luxor, which faces the river just five minutes' walk along the street from the hotel. This is the very first Egyptian temple we have examined and it is astonishing how much we can learn from it. That mighty row of columns, larger and higher than any cathedral pillars you have ever seen, makes us feel like midgets. Standing close together the columns spring right into the clear sky, as there is no roof left. Not so very long ago they were covered up to the capitals in sand and débris. The poorer Egyptians had built their mud huts in and around them for generations, and when one hut crumbled away another was put up on the top of it, and thus the level of the accumulated earth grew higher and higher. Then some learned Frenchmen saw the wonder of the buried temple and bought the people out, persuading them to go elsewhere, and they gradually cleared away the rubbish until the original beauty of the temple was visible again. Even now, high up on all sides, you can see the depth of the earth surrounding it like cliffs, and on the top are squalid huts with dirty children and fluffy impudent goats and shrill-voiced, black-clad women, living their daily lives and looking down into the temple.
The ancient Egyptian writing was by signs – a bird meant one thing, a flower another, and a serpent another, and so on, but for a long time the meaning of it had been forgotten, and it was impossible for anyone to read these wonderful signs. But at the very end of the eighteenth century a great stone was found which had upon it an inscription written in Greek and in hieroglyphics, as the sign-writing was called, and also in another writing which used to be employed by the priests, and from this, before many years had passed, clever men were able to understand the language of signs and read the inscriptions on the temples, which told who had built them and much else. This stone was called the Rosetta Stone, after the place where it was found. It is now in the British Museum.
This was long before Luxor was unearthed, and the inscriptions were deciphered as they came to light; by their help it was found that the temple had been built chiefly by two kings, Amenhetep iii. and Rameses ii. who came after him, though not immediately. Rameses added to the existing work and carried it on. So far as we know all this was between three and four thousand years ago. In a village in England people are proud if they can point to any part of their parish church and say, "This is Norman work," and yet the Normans only came over to England less than nine hundred years ago! Go back more than three times that, and try to realise СКАЧАТЬ