Miracle Gold: A Novel (Vol. 1 of 3). Dowling Richard
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Название: Miracle Gold: A Novel (Vol. 1 of 3)

Автор: Dowling Richard

Издательство: Public Domain

Жанр: Зарубежная классика

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СКАЧАТЬ I must finish my great work. When I have put the last touches to it I shall sell it for a large sum, and retire from business, and live here with you, mother, at my ease."

      "And when, my dear son, do you think the great clock will be finished? Tell me all about it. It is the only thing in the world I am jealous of. Tell me how it gets on. Have you added any new wonders to it? When will you be done with it?"

      The fright had by this time died out of Edith's heart. She now understood who the owners of the voices were, why the speakers seemed so near. Oscar Leigh was talking to his mother in the dining-room. They both believed she was in deep sleep and could not hear, or they forgot the thinness of the substance separating them. Between the dining-room and where she sat was only the slight panel of a folding door. This room, now a sleeping apartment, had once been the breakfast-parlour. She had not in the daytime noticed that the two rooms were divided only by folding doors. If she had the alternative, she would have got up and left the room. But she had no alternative. She would much rather not hear the words, the voices of these two people. If she coughed, or made a noise, she would but attract attention to herself, bring some one, perhaps, knocking at her door. Nothing could be more undesirable than a visitor, or inquiries at her door. If she coughed, to show the speakers that she was awake, Mrs. Leigh, or he, might knock and speak to her. Mrs. Leigh might, on some plea, ask to see her, ask to be allowed to roll her invalid chair into the room, and then she would find the tenant of it dressed for out of doors, the bed untossed, the floor littered with the scattered contents of her trunk, the wet bedraggled clothes and boots she had taken off. There was nothing for her to do but to remain perfectly still. She was not listening, in the mean or hateful sense of the word. She did not want to overhear, but she could not help hearing. She could not cover her ears, for that would shut out all sound, and the use of hearing was essential to her own safety, her own protection, situated as she found herself. Leigh had given her to understand he was a mechanician. He was telling his mother of his work. He was about to give her particulars of a clock upon which he was engaged. Let them talk on about this clock. It was nothing to her. She was interested intensely in the passage of time, but in no clock. She did not want to hear of an hour-measurer, but of the hour-maker. She cared nothing for man's divisions of time: she prayed with all her heart for a sight of God's time-marker, the sun.

      CHAPTER III

      AN OFFER OF MARRIAGE

      "Soon, soon, mother. I shall be finished soon. I cannot tell exactly when, but not very far off. I see the end of my labours, the reward of all my study, the fruit of all my life," said the voice of the hunchbacked dwarf.

      There was a pause in the speech. "Hah," breathed Leigh, in loud inspiration. Then there was a snuffing sound, and another loud inspiration. "Hah! that is refreshing-most refreshing. Will you have some, mother? Do. You won't? Very well. What was I saying?"

      The strong, subtle vapour of eau-de-cologne penetrated through the slits and joints of the folding-doors, and floated past Edith towards the open windows.

      "About the clock," said Mrs. Leigh. "You were going to tell me what new wonders you have added to it, and when the crowning wonder of all was to be fixed."

      "What?" cried the voice of the dwarf, loudly, harshly, angrily. "What do you know of the crowning wonder? Tell me, woman, at once!" His tone was violent, imperious, threatening.

      "Oscar! Oscar! What is the matter? What do you mean by calling me 'woman'? Oscar, my son, are you ill? What is the matter? Why do you look at me in that way? You are crushing my hand. What is the matter, Oscar, my own boy?" The woman's accents were full of alarm.

      "Agh! Agh! Pardon me. Agh! Pardon me, my dear mother. Agh!" he coughed violently, hoarsely. "The spirit of the eau-de-cologne must have gone down my throat and caught my breath. I am quite right now. Pray excuse me, mother. What was I saying?"

      "Something about the clock, dear. But, Oscar, do not mind telling me about it now. You seem not well. Perhaps you had better rest yourself. You can explain about the clock to-morrow."

      "Oh, ay, the clock. Of course. I am quite well, mother. You need not be uneasy about me. What was I going to tell you about the clock?"

      "You were going to tell me-I do not know really what. I asked you when it would be completed. That is my chief anxiety, for then you will be always here-always here, near me, my dear son."

      "Certainly; when I sell my unrivalled clock, I'll give up living in London and come down here to you, mother, and become a private gentleman."

      "But why can't you come down and stop here always, my Oscar? Surely your clock could be brought to Millway, and back to London again when 'tis finished?" The voice of the woman was caressing, pleading. "I have not very long to live, Oscar. Might not I have you near me that little time?" The tone was tremulous and pathetic.

      "Dear, dear mother," he said softly, tenderly. "I cannot-I cannot move the clock. You forget how large it is. I have told you over and over again it would half fill this room. Besides, I have other business in London I cannot leave just now. I will come as soon as ever I can. You may take my word for that. Let us say no more on that subject at present. I was going to explain to you about my marvellous clock. Let me see. What have I already told you?"

      "Oh, it was too wonderful to remember. Tell me over again."

      "Very well. To begin with, it will, of course, measure time first of all. That is the principal and easiest thing to contrive. It will show the year, the month, the day of the month, the day of the week, the hour of the day, the minute of the hour, the second of the minute, the tenth of the second. All these will be shown on one dial."

      "That much alone puzzles and astonishes me. It will be the most useful clock in the world."

      "So far that is all easy, and would not make it even a very remarkable clock, mother. It will take account of leap year, and be constructed to run till the year ten thousand of the Christian era."

      "When once wound up?"

      "Oh no, you simple mother. It will have to be wound up every week."

      "But will not the machinery wear out?"

      "Yes, the metal and the stones will wear out and rust out before eight thousand years. But the principle will have eight thousand years of vitality in it. Steel and brass and rubies yield to friction and time, but a principle lives for ever if it is a true principle-"

      "And a good principle," interrupted the voice of the old woman, piously.

      "Good or bad, if it is true it will last," said the voice of the hunchback, harshly. Then he went on in more gentle and even tones. "On another face it will tell the time of high water in fifty great maritime cities. There will be four thousand Figures of Time, figures of all the great men of the past, each bearing a symbol of his greatest work, or thought, or achievement, and each appearing on the anniversary of his death, thus there will be from eight to twenty figures visible each day, and that day will be the anniversary of the one on which each of the men died years ago."

      "Four thousand figures! Why, it will cost a fortune!"

      "Four thousand historic figures each presented on the anniversary of death! I am at work on the figures of those who died on the 22nd of August just now. They are very interesting to me, and one of them is the most interesting of all, the most interesting of all the four thousand figures."

      "And who died on the 22nd of August, Oscar? Whose is the figure that interests you most of all, my son?"

      "Richard Plantagenet of Gloucester," fiercely.

      "Eh?" in a tone of intense pain.

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