A History of Pendennis. Volume 1. His fortunes and misfortunes, his friends and his greatest enemy. Thackeray William Makepeace

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СКАЧАТЬ Tobias (Goll) from the hut]. He cries, "O, how refreshing, after seven long weeks, to feel these warm sunbeams once again. Thanks, bounteous heaven, for the joy I taste!" He presses his cap between his hands, looks up and prays. The Stranger eyes him attentively.

      Francis to the Stranger. "This old man's share of earthly happiness can be but little. Yet mark how grateful he is for his portion of it."

      Bingley. "Because though old, he is but a child in the leading-string of hope." (He looks steadily at Foker, who, however, continues to suck the top of his stick in an unconcerned manner.)

      Francis. "Hope is the nurse of life."

      Bingley. "And her cradle – is the grave."

      The stranger uttered this with the moan of a bassoon in agony, and fixed his eyes on Pendennis so steadily, that the poor lad was quite put out of countenance. He thought the whole house must be looking at him; and cast his eyes down. As soon as ever he raised them Bingley's were at him again. All through the scene the manager played at him. When he was about to do a good action, and sent off Francis with his book, so that that domestic should not witness the deed of benevolence which he meditated, Bingley marked the page carefully, so that he might continue the perusal of the volume off the stage if he liked. But all was done in the direct face of Pendennis, whom the manager was bent upon subjugating. How relieved the lad was when the scene ended, and Foker, tapping with his cane, cried out, "Bravo Bingley!"

      "Give him a hand, Pendennis; you know every chap likes a hand," Mr. Foker said; and the good-natured young gentleman, and Pendennis laughing, and the dragoons in the opposite box, began clapping hands to the best of their power.

      A chamber in Wintersen Castle closed over Tobias's hut and the Stranger and his boots; and servants appeared bustling about with chairs and tables – "That's Hicks and Miss Thackthwaite," whispered Foker. "Pretty girl, ain't she, Pendennis? But stop – hurray – bravo! here's the Fotheringay."

      The pit thrilled and thumped its umbrellas; a volley of applause was fired from the gallery: the dragoon officers and Foker clapped their hands furiously: you would have thought the house was full, so loud were their plaudits. The red face and ragged whiskers of Mr. Costigan were seen peering from the side-scene. Pen's eyes opened wide and bright, as Mrs. Haller entered with a downcast look, then rallying at the sound of the applause, swept the house with a grateful glance, and, folding her hands across her breast, sank down in a magnificent courtesy. More applause, more umbrellas; Pen this time, flaming with wine and enthusiasm, clapped hands and sang "bravo" louder than all. Mrs. Haller saw him, and every body else, and old Mr. Bows, the little first fiddler of the orchestra (which was this night increased by a detachment of the band of the Dragoons, by the kind permission of Colonel Swallowtail), looked up from the desk where he was perched, with his crutch beside him, and smiled at the enthusiasm of the lad.

      Those who have only seen Miss Fotheringay in later days, since her marriage and introduction into London life, have little idea how beautiful a creature she was at the time when our friend Pen first set eyes on her: and I warn my reader, as beforehand, that the pencil which illustrates this work (and can draw an ugly face tolerably well, but is sadly put out when it tries to delineate a beauty) can give no sort of notion of her. She was of the tallest of women, and at her then age of six-and-twenty – for six-and-twenty she was, though she vows she was only nineteen – in the prime and fullness of her beauty. Her forehead was vast, and her black hair waved over it with a natural ripple (that beauties of late days have tried to imitate with the help of the crimping-irons) and was confined in shining and voluminous braids at the back of a neck such as you see on the shoulders of the Louvre Venus – that delight of gods and men. Her eyes, when she lifted them up to gaze on you, and ere she dropped their purple deep-fringed lids, shone with tenderness and mystery unfathomable. Love and Genius seemed to look out from them and then retire coyly, as if ashamed to have been seen at the lattice. Who could have had such a commanding brow but a woman of high intellect? She never laughed (indeed her teeth were not good), but a smile of endless tenderness and sweetness played round her beautiful lips, and in the dimples of her cheeks and her lovely chin. Her nose defied description in those days. Her ears were like two little pearl shells, which the ear-rings she wore (though the handsomest properties in the theater) only insulted. She was dressed in long flowing robes of black, which she managed and swept to and fro with wonderful grace, and out of the folds of which you only saw her sandals occasionally; they were of rather a large size; but Pen thought them as ravishing as the slippers of Cinderella. But it was her hand and arm that this magnificent creature most excelled in, and somehow you could never see her but through them. They surrounded her. When she folded them over her bosom in resignation; when she dropped them in mute agony, or raised them in superb command; when in sportive gayety her hands fluttered and waved before her, like – what shall we say? – like the snowy doves before the chariot of Venus – it was with these arms and hands that she beckoned, repelled, entreated, embraced, her admirers – no single one, for she was armed with her own virtue, and with her father's valor, whose sword would have leapt from its scabbard at any insult offered to his child – but the whole house; which rose to her, as the phrase was, as she courtesied and bowed, and charmed it.

      Thus she stood for a minute – complete and beautiful – as Pen stared at her. "I say, Pen, isn't she a stunner?" asked Mr. Foker.

      "Hush!" Pen said. "She's speaking."

      She began her business in a deep sweet voice. Those who know the play of the "Stranger," are aware that the remarks made by the various characters are not valuable in themselves, either for their sound sense, their novelty of observation, or their poetic fancy. In fact, if a man were to say it was a stupid play he would not be far wrong. Nobody ever talked so. If we meet idiots in life, as will happen, it is a great mercy that they do not use such absurdly fine words. The Stranger's talk is sham, like the book he reads, and the hair he wears, and the bank he sits on, and the diamond ring he makes play with – but, in the midst of the balderdash, there runs that reality of love, children, and forgiveness of wrong, which will be listened to wherever it is preached, and sets all the world sympathizing.

      With what smothered sorrow, with what gushing pathos, Mrs. Haller delivered her part! At first, when as Count Wintersen's housekeeper, and preparing for his Excellency's arrival, she has to give orders about the beds and furniture, and the dinner, &c., to be got ready, she did so with the calm agony of despair. But when she could get rid of the stupid servants and give vent to her feelings to the pit and the house, she overflowed to each individual as if he were her particular confidant, and she was crying out her griefs on his shoulder: the little fiddler in the orchestra (whom she did not seem to watch, though he followed her ceaselessly) twitched, twisted, nodded, pointed about, and when she came to the favorite passage "I have a William, too, if he be still alive – Ah, yes, if he be still alive. His little sisters, too! Why, Fancy, dost thou rack me so? Why dost thou image my poor children fainting in sickness, and crying to – to – their mum-um-other," – when she came to this passage little Bows buried his face in his blue cotton handkerchief, after crying out "Bravo."

      All the house was affected. Foker, for his part, taking out a large yellow bandanna, wept piteously. As for Pen, he was gone too far for that. He followed the woman about and about – when she was off the stage, it and the house were blank; the lights and the red officers reeled wildly before his sight. He watched her at the side-scene – where she stood waiting to come on the stage, and where her father took off her shawl; when the reconciliation arrived, and she flung herself down on Mr. Bingley's shoulders, while the children clung to their knees, and the countess (Mrs. Bingley) and Baron Steinforth (performed with great liveliness and spirit by Garbetts) – while the rest of the characters formed a group round them, Pen's hot eyes only saw Fotheringay, Fotheringay. The curtain fell upon him like a pall. He did not hear a word of what Bingley said, who came forward to announce the play for the next evening, and who took the tumultuous applause, as usual, for himself. Pen was not even distinctly aware that the house was calling for Miss Fotheringay, nor did the manager seem СКАЧАТЬ