The Twelve-Mile Straight. Eleanor Henderson
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Название: The Twelve-Mile Straight

Автор: Eleanor Henderson

Издательство: HarperCollins

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isbn: 9780008158712

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СКАЧАТЬ done fell for the wrong white girl.”

      He’d been lucky while he was alive, Ezra said, he’d been treated too good, put up in that shack without paying a penny. Besides, the boss gave them a pint of liquor every harvest, and his daughter, at Christmas, she made them pies.

       FOUR

       Logo Missing

      THERE WERE FOURTEEN BOOKS IN THE BIG HOUSE. THE THREE Bibles, including the babies’. The family Bible, marked with the birthdays and deaths of Jessa as well as Ketty, was kept on the mantel, where it collected the yellow light of the fire, and from which Elma read a passage aloud at the table each night. There was a book of fairy tales by the brothers Grimm. A book of poems by Edgar Allan Poe, a gift from Elma’s schoolteacher, Miss Armistead. The Farmers’ Almanac (each January the old edition went out to the privy). And a children’s encyclopedia, in eight illustrated volumes, called The Book of Knowledge, which Juke had bought for Elma’s birthday from the rolling store when it was a good year for cotton. If Nan hid a volume of the encyclopedia inside her corn-shuck mattress, nobody missed it, least of all Juke.

      In a house full of secrets, one of the first was between Nan and Elma. The winter Nan was six and Elma was ten, their throats began to ache in the middle of the night. Juke looked in Nan’s mouth and saw her throat was coated with what looked like gray putty. He thought it was a clump of clay she’d eaten. Then he looked in Elma’s mouth and saw hers was the same. The next morning he drove them into town, to Dr. Rawls’s office, and the doctor said it wasn’t dirt but diphtheria. Juke carried Elma into her exam room, then carried them both into the colored room so Elma could talk for Nan. “She’s got the chills.”

      “How do you know?” asked the doctor.

      Elma shrugged. “She told me.”

      They had their own way of talking, even then, their own system of signs. Elma knew how to watch Nan and guess what she meant, like a game of charades. Elma guessed, and Nan nodded. It was that first time when they were quarantined in a shack behind the house that Elma taught her to read. She’d put on a bonnet, because that’s what her schoolteacher Miss Armistead wore, and if Elma couldn’t be a farmer like her daddy, she wanted to be a schoolteacher. Nan would trace the letters in her tablet with a pencil, repeating each one in her head. No one bothered with them there. Nan’s mother, Ketty, who couldn’t read herself, passed them their meals through the window, and when spring came and Juke looked again into their mouths and declared them cured, he burned the shack to the ground, the tablet with it, but the letters stayed in Nan’s head. They were three months in the shack, and three months Elma was out of school.

      So while Elma read Juke the morning news, or a letter from his people in Carolina, Nan played as dumb as he was. She had no tongue to prove herself, and in this her silence kept her safe. She hung the wash. She shook the dirt from the peanuts. She cooked and canned and patched the holes in Juke’s overalls where his knees had worn through. She waited for her father to return. She waited and she waited. She looked out at the road and listened for the automobile he would arrive in. In the daylight, it mattered little that she could read and Juke couldn’t, but there were certain nights when it helped to know she could open The Book of Knowledge and go away for a while, get lost in Antarctica, or in Paris, France, or Baltimore, Maryland, the place her father lived, a place that seemed just as magical and just as far as the pyramids. In this way the words on the page paved a gentle road to sleep. She’d nibble on the white clay she kept on a pantry shelf in an old coffee tin her mother had used for the same purpose. Ketty said it was natural, just as chewing cured tobacco leaves was natural—it was God’s own bounty and it made a day go down easier.

      It was on those nights, the nights when Juke came for her, that having no tongue was a mixed blessing. If she’d had a tongue, she could have said no. But would a word have stopped him? Was it better to have no tongue if a tongue was no protection?

      The first time he took her to the still was the night they buried her mother. It was just for the gin then. Juke said she was ready for a man’s drink. The log cabin was off to the west of the house, beyond the corn, just up the bank from the creek and not fifty feet from the road, but hidden from sight by long-skirted pines and thick-waisted oaks and the Spanish moss that looked to Nan like witch’s hair. She had heard Elma say before that her daddy was out at the still—some nights he even slept there—but she couldn’t imagine what it was for, or what it looked like, only knew that she washed his tumblers and that they weren’t for tea. She had seen the cabin only once, when a trail of blackberry bushes brought her there, like bread crumbs to a gingerbread house.

      That night, he sat her down on an old stool made from a pine stump. The cabin was dark, lit only with a candle; Elma was in the big house, asleep. The air was musty, close; it smelled of a sweetness she’d never smelled before. He offered her a sip from his mason jar, and the sweetness filled her nose and her mouth, burning all the way up to her eyes, which filled with tears. The gin dribbled down her chin, as sometimes happened. Juke laughed a not unkind laugh. She did too, and the sound was big in her ears.

      The second time, he showed her how the still worked, let her touch the cooking pot, the thumper keg, the condenser that was cool to the touch. He let her play on the barrels. She hopped from one to another like a cat. He watched her while he whittled away on a piece of pine. He carved her a little wooden cat. “You just a curious little cat, ain’t you?”

      The third time, he had her sit on the mattress, this one filled with Spanish moss, which he slept on when he had a big batch going. Under the mattress he kept a twelve-gauge shotgun, which he took out and stroked with a square of wash leather in the light of the candle. “Know who gave me this gun?” he said.

      Nan shook her head.

      “Your daddy.”

      She wanted to reach out and touch it, but she didn’t. It was an object she’d seen a thousand times, as plain as his tin of tobacco, but now it shone with a new brightness.

      “You remember your daddy?”

      Again she shook her head. She did remember him, she thought she did. She sometimes dreamt of the tickle of his mustache and the smell of his corncob pipe. But it was easier to say no.

      “Damn shame he left,” he said, shaking his head. “Ain’t no man who can leave a child. I wouldn’t never leave you like that.” He reached under her and slipped the gun back under the mattress. “Even Elma never been out here,” he said. “Even Elma I don’t ’low to have no man’s drink.” And it was true she felt a little special—her momma dead, her daddy gone, and the boss man paying her attention—even as she held her nightdress tight around her hips. The gin pumped warm through her heart.

      The fourth time, he told her to lie down, weren’t she tired from that gin and the late hour? He told her to close her eyes. He told her to put out her hand. She did as she was told. In her palm he placed what felt like a marble, and when she opened her eyes she saw that it was a pearl. “It belonged to your momma. Must have lost it while she was cleaning the big house.” He wanted Nan to have it, for luck. It was smooth and white with a bluish sheen, like the skin that formed at the top of a bucket of milk, a tiny hole pierced through either side. Nan held it in her hand until she was back in her own room, and then she hid it too, in her corn-shuck mattress.

      The fifth time, he lay down beside her. He stroked her braids, which had gone wiry. Such pretty hair, he said, but weren’t she lonesome, СКАЧАТЬ