The Drowning of Arthur Braxton. Caroline Smailes
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Название: The Drowning of Arthur Braxton

Автор: Caroline Smailes

Издательство: HarperCollins

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isbn: 9780007479399

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СКАЧАТЬ so much of this novel is so personal to her own experience. It’s real, or at least elements of it must be and they are brought together in a package which I know could not have been delivered better by anybody else.

      One of the things that spoke to me most is Braxton’s honest depiction of teenage boys. Let’s face it: teenage boys are, for want of a better word, yucky. They’re often portrayed in quite a sanitised way in YA books, but Arthur’s internal monologue is unflinchingly potty-mouthed and sex-obsessed. Caroline has, whether she likes this element of Arthur’s character or not, captured the male teenage condition like no other YA writer. But despite his filthy psychobabble, Arthur is always sympathetic, a good kid confused by puberty, the pressures of patriarchal society and, ultimately, his desperation to fit in.

      And then there’s Laurel: the novel’s secondary protagonist. From the title of the book you wouldn’t even know she exists, but there’s nothing I can say to capture how much love I have for her character. Her story is one of heartbreak and loss and pain, but it is perfect. She is perfect.

      I think the reason why I (and so many other readers) have found Arthur and Laurel so compelling is simple. It’s because Caroline truly understands young people. When I wandered into the aforementioned Highbury Fields, bandanered and bewildered, she did not look down on me. She did not prejudge me because I had a business strategy based on cake. She had faith in me, and she trusted my creative vision, even though I was 20 years old and nervous. She understood. And that’s why Arthur and Laurel are so real. Because Caroline understands the power of speaking truthfully to her readers. Her stories and characters reek of reality; they stink of anecdote and experience. In a world where celebrities are desperate to hide imperfection; where artists and writers scramble to be seen as being on some higher realm of consciousness where they alone have insight, she is real. She speaks to us, and she listens. This is so important. This is why she deserves your time and attention.

      The essential message of The Drowning of Arthur Braxton is (to me) that people seek happiness in things that will never fulfil them. In power and fear, booze and sex, popularity, money and change. It is Arthur, and Arthur alone who seeks that which can save you: love, helping others and facing your fears. It’s a message that the world needs desperately, and it is for this reason that I need you to read this book; it is for this reason that I’m making this novel into a film. I love this story. I loved it when I devoured it in 4 hours on an aeroplane. I loved it the seventeenth time I redrafted my script. And I love it now, imploring you to read it. So what are you waiting for? Your life’s about to be changed forever!

      READ! THIS! BOOK!

      Luke Cutforth

      Director, The Drowning of Arthur Braxton

Laurel

       A Tiny Bow and Arrow:

      I’ll say, ‘Why don’t you just kill me?’

      And I’ll mean it. I’ll wish he would.

      He’ll say, ‘No point, you’re going to die within the year anyway.’

      And I’ll say, ‘What?’

      And he’ll say, ‘Dead, within a year.’

      But right now I’m running, sweating like that fat bloke who drinks cans of Diamond White in the bus stop – down the road, around the corner, over the sand dunes and onto the beach.

      ’Cause it was Mum who first told me about the advert. She’d been queuing to buy a pound of mince from the butcher and spotted it on the corkboard. I’d just that second walked in from school when my mum handed me the advert, said it’d be a nice little job for me and something that I could squeeze in between school and looking after my little brothers.

      ‘You never took it down from the corkboard?’ I asked.

      ‘I didn’t want no other bugger getting it,’ Mum said, then we laughed.

      The advert’s for a part-time job, for someone to take the money off folk wanting to see the water-healers at The Oracle, the public baths on the seafront. ‘Apply in person’, and Mum said that I’d best hurry. And ’cause I’m a good girl and ’cause I always do what I’m told, I’m running like a mental over the sand and sweating like that fat bloke, to try and get this job.

      The Oracle had been a community swimming baths, had been around for years, then it closed down and started being derelict. The local council had put it up for sale and that’s when some out-of-town folk bought it. They said that the Males 1st Class pool was built over a spring that was full of magic water. It’s the same water that does that holy well up the hill, the one all them religious poorly folk from all over the world travel to. They reckoned the water had healing powers, I mean there’s people who’ll swear the water made their diseases disappear. None of us local folk knew the spring went under the Males 1st Class pool, but those out-of-town folk did and they bagged themselves a right bargain. That’s when the swimming baths changed its name and started charging loads of money for folk to go in.

      Apparently, someone was once cured of being fat and that’s why every local lass pays their weekly subs to have a float. I’ve never been in before, but Mum and her friends are regulars. There’s three water-healers who work there. They’re local celebrities; they never pay for nowt in the shops, mainly because everyone thinks they’ll be cursed if they’re ever anything but ridiculously nice when the water-healers are around. They’re like those baddies in the second Superman movie, those three that were banished from Krypton in the big mirror prison that shattered, letting them come to Earth via the Moon and be proper terrifying. It’s our Bill’s favourite-ever film, so I must have watched it at least a million times. Well Ursa, the female baddie, looks exactly like one of the water-healers, the one who goes by the name of Madame Pythia, and then there’s Martin Savage, the main male water-healer, who’s a bit like General Zod, the one who liked to say ‘Kneeeel before Zod’ in the film. The other one, the one that would be Non, is an old man, known as Silver. He’s said to be quite nice. He refuses to give bad news when he picks up some psychic energy mid-heal; instead he bursts out crying and tells the poor customer to run for their lives.

      If I’m honest, I’m a bit scared of The Oracle and the water-healers, I mean I’ve heard stories from Mum about all these local people who’ve had their now torn apart ’cause the water-healers have told them that they have nowt good in their future, that their futures are set to be proper rubbish and they can’t ever be healed. Me, I’d prefer not to know. All I want in my future is to work hard for the next two years and then to get into college, maybe even go to university and train to be a teacher. I’d like to be one of them teachers that makes a difference, ’cause they ‘proper understand’ kiddies. I don’t want some nutter putting their hands on me and telling me I can’t be healed and my dreams won’t be coming true and I’m best off jumping off the pier. My English teacher says I’ve the brains and I’m used to being around kids, what with being the oldest of seven kids by four different waste-of-space dads, ’cause even though Mum’s proper useless at picking nice blokes, she’s proper perfect at getting pregnant.

      So, I’m running through the sand and up the steps onto the seafront. I can see The Oracle. It’s a massive mansion of a building that’s all orange and yellow like a bumblebee that’s transformed into a building, but really we all know it’s still a bumblebee. There’s fancy stained-glass windows and a clock tower that chimes СКАЧАТЬ