The Hunting of the Snark - With the Original High Resolution Illustrations of Henry Holiday: The Impossible Voyage of an Improbable Crew to Find an Inconceivable Creature or an Agony in Eight Fits. Lewis Carroll
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       Lewis Carroll

      The Hunting of the Snark - With the Original High Resolution Illustrations of Henry Holiday

       The Impossible Voyage of an Improbable Crew to Find an Inconceivable Creature or an Agony in Eight Fits

       Illustrated by Henry Holiday

      e-artnow, 2021EAN 4064066444303

       Preface

       Fit the First: The Landing

       Fit the Second: The Bellman’s Speech

       Fit the Third: The Baker’s Tale

       Fit the fourth: The Hunting

       Fit the Fifth: The Beaver’s Lesson

       Fit the Sixth: The Barrister’s Dream

       Fit the Seventh: The Banker’s Fate

       Fit the Eighth: The Vanishing

      Preface

      Table of Contents

      If — and the thing is wildly possible — the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.4)

      “Then the bowsprit got mixed with the rudder sometimes.”

      In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History — I will take the more prosaic course of simply explaining how it happened.

      As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce “slithy toves.” The “i” in “slithy” is long, as in “writhe”; and “toves” is pronounced so as to rhyme with “groves.” Again, the first “o” in “borogoves” is pronounced like the “o” in “borrow.” I have heard people try to give it the sound of the “o” in “worry. Such is Human Perversity.

      This also seems a fitting occasion to notice the other hard words in that poem. Humpty-Dumpty’s theory, of two meanings packed into one word like a portmanteau, seems to me the right explanation for all.

      For instance, take the two words “fuming” and “furious.” Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards “fuming,” you will say “fuming-furious;” if they turn, by even a hair’s breadth, towards “furious,” you will say “furious-fuming;” but if you have the rarest of gifts, a perfectly balanced mind, you will say “frumious.”

      Supposing that, when Pistol uttered the well-known words —

      “Under which king, Bezonian? Speak or die!”

      Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out “Rilchiam!”

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