Mystery of the Yellow Room (The first detective Joseph Rouletabille novel and one of the first locked room mystery crime fiction novels). Гастон Леру

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      “The work of the dramatic author may interfere,” he said, after a slight hesitation, “with that of the magistrate, especially in a province where one’s labours are little more than routine.”

      “Oh, you may rely on my discretion!” cried Rouletabille.

      The train was in motion.

      “We have started!” said the examining magistrate, surprised at seeing us still in the carriage.

      “Yes, Monsieur,—truth has started,” said Rouletabile, smiling amiably,—“on its way to the Chateau du Glandier. A fine case, Monsieur de Marquet,—a fine case!”

      “An obscure—incredible, unfathomable, inexplicable affair—and there is only one thing I fear, Monsieur Rouletabille,—that the journalists will be trying to explain it.”

      My friend felt this a rap on his knuckles.

      “Yes,” he said simply, “that is to be feared. They meddle in everything. As for my interest, monsieur, I only referred to it by mere chance,—the mere chance of finding myself in the same train with you, and in the same compartment of the same carriage.”

      “Where are you going, then?” asked Monsieur de Marquet.

      “To the Chateau du Glandier,” replied Rouletabille, without turning.

      “You’ll not get in, Monsieur Rouletabille!”

      “Will you prevent me?” said my friend, already prepared to fight.

      “Not I!—I like the press and journalists too well to be in any way disagreeable to them; but Monsieur Stangerson has given orders for his door to be closed against everybody, and it is well guarded. Not a journalist was able to pass through the gate of the Glandier yesterday.”

      Monsieur de Marquet compressed his lips and seemed ready to relapse into obstinate silence. He only relaxed a little when Rouletabille no longer left him in ignorance of the fact that we were going to the Glandier for the purpose of shaking hands with an “old and intimate friend,” Monsieur Robert Darzac—a man whom Rouletabille had perhaps seen once in his life.

      “Poor Robert!” continued the young reporter, “this dreadful affair may be his death,—he is so deeply in love with Mademoiselle Stangerson.”

      “His sufferings are truly painful to witness,” escaped like a regret from the lips of Monsieur de Marquet.

      “But it is to be hoped that Mademoiselle Stangerson’s life will be saved.”

      “Let us hope so. Her father told me yesterday that, if she does not recover, it will not be long before he joins her in the grave. What an incalculable loss to science his death would be!”

      “The wound on her temple is serious, is it not?”

      “Evidently; but, by a wonderful chance, it has not proved mortal. The blow was given with great force.”

      “Then it was not with the revolver she was wounded,” said Rouletabille, glancing at me in triumph.

      Monsieur de Marquet appeared greatly embarrassed.

      “I didn’t say anything—I don’t want to say anything—I will not say anything,” he said. And he turned towards his Registrar as if he no longer knew us.

      But Rouletabille was not to be so easily shaken off. He moved nearer to the examining magistrate and, drawing a copy of the “Matin” from his pocket, he showed it to him and said:

      “There is one thing, Monsieur, which I may enquire of you without committing an indiscretion. You have, of course, seen the account given in the ‘Matin’? It is absurd, is it not?”

      “Not in the slightest, Monsieur.”

      “What! The Yellow Room has but one barred window—the bars of which have not been moved—and only one door, which had to be broken open—and the assassin was not found!”

      “That’s so, monsieur,—that’s so. That’s how the matter stands.”

      Rouletabille said no more but plunged into thought. A quarter of an hour thus passed.

      Coming back to himself again he said, addressing the magistrate:

      “How did Mademoiselle Stangerson wear her hair on that evening?”

      “I don’t know,” replied Monsieur de Marquet.

      “That’s a very important point,” said Rouletabille. “Her hair was done up in bands, wasn’t it? I feel sure that on that evening, the evening of the crime, she had her hair arranged in bands.”

      “Then you are mistaken, Monsieur Rouletabille,” replied the magistrate; “Mademoiselle Stangerson that evening had her hair drawn up in a knot on the top of her head,—her usual way of arranging it—her forehead completely uncovered. I can assure you, for we have carefully examined the wound. There was no blood on the hair, and the arrangement of it has not been disturbed since the crime was committed.”

      “You are sure! You are sure that, on the night of the crime, she had not her hair in bands?”

      “Quite sure,” the magistrate continued, smiling, “because I remember the Doctor saying to me, while he was examining the wound, ‘It is a great pity Mademoiselle Stangerson was in the habit of drawing her hair back from her forehead. If she had worn it in bands, the blow she received on the temple would have been weakened.’ It seems strange to me that you should attach so much importance to this point.”

      “Oh! if she had not her hair in bands, I give it up,” said Rouletabille, with a despairing gesture.

      “And was the wound on her temple a bad one?” he asked presently.

      “Terrible.”

      “With what weapon was it made?”

      “That is a secret of the investigation.”

      “Have you found the weapon—whatever it was?”

      The magistrate did not answer.

      “And the wound in the throat?”

      Here the examining magistrate readily confirmed the decision of the doctor that, if the murderer had pressed her throat a few seconds longer, Mademoiselle Stangerson would have died of strangulation.

      “The affair as reported in the ‘Matin,’” said Rouletabille eagerly, “seems to me more and more inexplicable. Can you tell me, Monsieur, how many openings there are in the pavilion? I mean doors and windows.”

      “There are five,” replied Monsieur de Marquet, after having coughed once or twice, but no longer resisting the desire he felt to talk of the whole of the incredible mystery of the affair he was investigating. “There are five, of which the door of the vestibule is the only entrance to the pavilion,—a door always automatically closed, which cannot be opened, either from the outer or inside, except with the two special keys which are never out of the possession of either Daddy СКАЧАТЬ