Название: The Refugees
Автор: Arthur Conan Doyle
Издательство: Иностранный паблик на Литресе
Жанр: Зарубежная классика
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Strong as was the likeness between the three faces, each with the curving Bourbon nose, the large full eye, and the thick Hapsburg under-lip, their common heritage from Anne of Austria, there was still a vast difference of temperament and character stamped upon their features. The king was now in his six-and-fortieth year, and the cropped black head was already thinning a little on the top, and shading away to gray over the temples. He still, however, retained much of the beauty of his youth, tempered by the dignity and sternness which increased with his years. His dark eyes were full of expression, and his clear-cut features were the delight of the sculptor and the painter. His firm and yet sensitive mouth and his thick, well-arched brows gave an air of authority and power to his face, while the more subdued expression which was habitual to his brother marked the man whose whole life had been spent in one long exercise of deference and self-effacement. The dauphin, on the other hand, with a more regular face than his father, had none of that quick play of feature when excited, or that kingly serenity when composed, which had made a shrewd observer say that Louis, if he were not the greatest monarch that ever lived, was at least the best fitted to act the part.
Behind the king's son and the king's brother there entered a little group of notables and of officials whom duty had called to this daily ceremony. There was the grand master of the robes, the first lord of the bed-chamber, the Duc du Maine, a pale youth clad in black velvet, limping heavily with his left leg, and his little brother, the young Comte de Toulouse, both of them the illegitimate sons of Madame de Montespan and the king. Behind them, again, was the first valet of the wardrobe, followed by Fagon, the first physician, Telier, the head surgeon, and three pages in scarlet and gold who bore the royal clothes. Such were the partakers in the family entry, the highest honour which the court of France could aspire to.
Bontems had poured on the king's hands a few drops of spirits of wine, catching them again in a silver dish; and the first lord of the bedchamber had presented the bowl of holy water with which he made the sign of the cross, muttering to himself the short office of the Holy Ghost. Then, with a nod to his brother and a short word of greeting to the dauphin and to the Due du Maine, he swung his legs over the side of the bed and sat in his long silken night-dress, his little white feet dangling from beneath it – a perilous position for any man to assume, were it not that he had so heart-felt a sense of his own dignity that he could not realise that under any circumstances it might be compromised in the eyes of others. So he sat, the master of France, yet the slave to every puff of wind, for a wandering draught had set him shivering and shaking. Monsieur de St. Quentin, the noble barber, flung a purple dressing-gown over the royal shoulders, and placed a long many-curled court wig upon his head, while Bontems drew on his red stockings and laid before him his slippers of embroidered velvet. The monarch thrust his feet into them, tied his dressing-gown, and passed out to the fireplace, where he settled himself down in his easy-chair, holding out his thin delicate hands towards the blazing logs, while the others stood round in a semicircle, waiting for the grand lever which was to follow.
"How is this, messieurs?" the king asked suddenly, glancing round him with a petulant face. "I am conscious of a smell of scent. Surely none of you would venture to bring perfume into the presence, knowing, as you must all do, how offensive it is to me."
The little group glanced from one to the other with protestations of innocence. The faithful Bontems, however, with his stealthy step, had passed along behind them, and had detected the offender.
"My lord of Toulouse, the smell comes from you," he said.
The Comte de Toulouse, a little ruddy-cheeked lad, flushed up at the detection.
"If you please, sire, it is possible that Mademoiselle de Grammont may have wet my coat with her casting-bottle when we all played together at Marly yesterday," he stammered. "I had not observed it, but if it offends your Majesty – "
"Take it away! take it away!" cried the king. "Pah! it chokes and stifles me! Open the lower casement, Bontems. No; never heed, now that he is gone. Monsieur de St. Quentin, is not this our shaving morning?"
"Yes, sire; all is ready."
"Then why not proceed? It is three minutes after the accustomed time. To work, sir; and you, Bontems, give word for the grand lever."
It was obvious that the king was not in a very good humour that morning. He darted little quick questioning glances at his brother and at his sons, but whatever complaint or sarcasm may have trembled upon his lips, was effectually stifled by De St. Quentin's ministrations. With the nonchalance born of long custom, the official covered the royal chin with soap, drew the razor swiftly round it, and sponged over the surface with spirits of wine. A nobleman then helped to draw on the king's black velvet haut-de-chausses, a second assisted in arranging them, while a third drew the night-gown over the shoulders, and handed the royal shirt, which had been warming before the fire. His diamond-buckled shoes, his gaiters, and his scarlet inner vest were successively fastened by noble courtiers, each keenly jealous of his own privilege, and over the vest was placed the blue ribbon with the cross of the Holy Ghost in diamonds, and that of St. Louis tied with red. To one to whom the sight was new, it might have seemed strange to see the little man, listless, passive, with his eyes fixed thoughtfully on the burning logs, while this group of men, each with a historic name, bustled round him, adding a touch here and a touch there, like a knot of children with a favourite doll. The black undercoat was drawn on, the cravat of rich lace adjusted, the loose overcoat secured, two handkerchiefs of costly point carried forward upon an enamelled saucer, and thrust by separate officials into each side pocket, the silver and ebony cane laid to hand, and the monarch was ready for the labours of the day.
During the half-hour or so which had been occupied in this manner there had been a constant opening and closing of the chamber door, and a muttering of names from the captain of the guard to the attendant in charge, and from the attendant in charge to the first gentleman of the chamber, ending always in the admission of some new visitor. Each as he entered bowed profoundly three times, as a salute to majesty, and then attached himself to his own little clique or coterie, to gossip in a low voice over the news, the weather, and the plans of the day. Gradually the numbers increased, until by the time the king's frugal first breakfast of bread and twice watered wine had been carried in, the large square chamber was quite filled with a throng of men many of whom had helped to make the epoch the most illustrious of French history. Here, close by the king, was the harsh but energetic Louvois, all-powerful now since the death of his rival Colbert, discussing a question of military organisation with two officers, the one a tall and stately soldier, the other a strange little figure, undersized and misshapen, but bearing the insignia of a marshal of France, and owning a name which was of evil omen over the Dutch frontier, for Luxembourg was looked upon already as the successor of Conde, even as his companion Vauban was of Turenne. Beside them, a small white-haired clerical with a kindly face, Pere la Chaise, confessor to the king, was whispering his views upon Jansenism to the portly Bossuet, the eloquent Bishop of Meaux, and to the tall thin young Abbe de Fenelon, who listened with a clouded brow, for it was suspected that his own opinions were tainted with the heresy in question. There, too, was Le Brun, the painter, discussing art in a small circle which contained his fellow-workers Verrio and Laguerre, the architects Blondel and Le Notre, and sculptors Girardon, Puget, Desjardins, and Coysevox, whose works had done so much to beautify the new palace of the king. Close to the door, Racine, with his handsome face wreathed in smiles, was chatting with the poet Boileau and the architect Mansard, the three laughing and jesting with the freedom which was natural to the favourite servants of the king, the only subjects who might walk unannounced and without ceremony into and out of his chamber.
"What is amiss with him this morning?" asked Boileau in СКАЧАТЬ