Tales of Louisiana Life. Kate Chopin

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      "They all well, yonda?" she asked, haltingly, "my popa? my moma? the chil'en?" Grégoire knew no more of the Baptiste Choupic family than the post beside him. Nevertheless he answered: "They all right well, 'Tite Reine, but they mighty lonesome of you."

      "My popa, he got a putty good crop this yea'?"

      "He made right smart o' cotton fo' Bayou Pierre."

      "He done haul it to the relroad?"

      "No, he ain't quite finish pickin'."

      "I hope they all ent sole 'Putty Girl'?" she inquired solicitously.

      "Well, I should say not! Yo' pa says they ain't anotha piece o' hossflesh in the pa'ish he'd want to swap fo' 'Putty Girl.'" She turned to him with vague but fleeting amazement—"Putty Girl" was a cow!

      The autumn night was heavy about them. The black forest seemed to have drawn nearer; its shadowy depths were filled with the gruesome noises that inhabit a southern forest at night time.

      "Ain't you 'fraid sometimes yere, 'Tite Reine?" Grégoire asked, as he felt a light shiver run through him at the weirdness of the scene.

      "No," she answered promptly, "I ent 'fred o' nothin' 'cep' Bud."

      "Then he treats you mean? I thought so!"

      "Mista Grégoire," drawing close to him and whispering in his face, "Bud's killin' me." He clasped her arm, holding her near him, while an expression of profound pity escaped him. "Nobody don' know, 'cep' Unc' Mort'mer," she went on. "I tell you, he beats me; my back an' arms—you ought to see—it's all blue. He would 'a' choke' me to death one day w'en he was drunk, if Unc' Mort'mer had n' make 'im lef go—with his axe ov' his head." Grégoire glanced back over his shoulder toward the room where the man lay sleeping. He was wondering if it would really be a criminal act to go then and there and shoot the top of Bud Aiken's head off. He himself would hardly have considered it a crime, but he was not sure of how others might regard the act.

      "That's w'y I wake you up, to tell you," she continued. "Then sometime' he plague me mos' crazy; he tell me't ent no preacher, it's a Texas drummer w'at marry him an' me; an' w'en I don' know w'at way to turn no mo', he say no, it's a Meth'dis' archbishop, an' keep on laughin' 'bout me, an' I don' know w'at the truth!"

      Then again, she told how Bud had induced her to mount the vicious little mustang "Buckeye," knowing that the little brute would n't carry a woman; and how it had amused him to witness her distress and terror when she was thrown to the ground.

      "If I would know how to read an' write, an' had some pencil an' paper, it's long 'go I would wrote to my popa. But it's no pos'-office, it's no relroad—nothin' in Sabine. An' you know, Mista Grégoire, Bud say he's goin' carry me yonda to Vernon, an' fu'ther off yet—'way yonda, an' he's goin' turn me loose. Oh, don' leave me yere, Mista Grégoire! don' leave me behine you!" she entreated, breaking once more into sobs.

      "'Tite Reine," he answered, "do you think I'm such a low-down scound'el as to leave you yere with that"—He finished the sentence mentally, not wishing to offend the ears of 'Tite Reine.

      They talked on a good while after that. She would not return to the room where her husband lay; the nearness of a friend had already emboldened her to inward revolt. Grégoire induced her to lie down and rest upon the quilt that she had given to him for a bed. She did so, and broken down by fatigue was soon fast asleep.

      He stayed seated on the edge of the gallery and began to smoke cigarettes which he rolled himself of perique tobacco. He might have gone in and shared Bud Aiken's bed, but preferred to stay there near 'Tite Reine. He watched the two horses, tramping slowly about the lot, cropping the dewy wet tufts of grass.

      Grégoire smoked on. He only stopped when the moon sank down behind the pine-trees, and the long deep shadow reached out and enveloped him. Then he could no longer see and follow the filmy smoke from his cigarette, and he threw it away. Sleep was pressing heavily upon him. He stretched himself full length upon the rough bare boards of the gallery and slept until day-break.

      Bud Aiken's satisfaction was very genuine when he learned that Grégoire proposed spending the day and another night with him. He had already recognized in the young creole a spirit not altogether uncongenial to his own.

      'Tite Reine cooked breakfast for them. She made coffee; of course there was no milk to add to it, but there was sugar. From a meal bag that stood in the corner of the room she took a measure of meal, and with it made a pone of corn bread. She fried slices of salt pork. Then Bud sent her into the field to pick cotton with old Uncle Mortimer. The negro's cabin was the counterpart of their own, but stood quite a distance away hidden in the woods. He and Aiken worked the crop on shares.

      Early in the day Bud produced a grimy pack of cards from behind a parcel of sugar on the shelf. Grégoire threw the cards into the fire and replaced them with a spic and span new "deck" that he took from his saddle-bags. He also brought forth from the same receptacle a bottle of whiskey, which he presented to his host, saying that he himself had no further use for it, as he had "sworn off" since day before yesterday, when he had made a fool of himself in Cloutierville.

      They sat at the pine table smoking and playing cards all the morning, only desisting when 'Tite Reine came to serve them with the gumbo-filé that she had come out of the field to cook at noon. She could afford to treat a guest to chicken gumbo, for she owned a half dozen chickens that Uncle Mortimer had presented to her at various times. There were only two spoons, and 'Tite Reine had to wait till the men had finished before eating her soup. She waited for Grégoire's spoon, though her husband was the first to get through. It was a very childish whim.

      In the afternoon she picked cotton again; and the men played cards, smoked, and Bud drank.

      It was a very long time since Bud Aiken had enjoyed himself so well, and since he had encountered so sympathetic and appreciative a listener to the story of his eventful career. The story of 'Tite Reine's fall from the horse he told with much spirit, mimicking quite skillfully the way in which she had complained of never being permitted "to teck a li'le pleasure," whereupon he had kindly suggested horseback riding. Grégoire enjoyed the story amazingly, which encouraged Aiken to relate many more of a similar character. As the afternoon wore on, all formality of address between the two had disappeared: they were "Bud" and "Grégoire" to each other, and Grégoire had delighted Aiken's soul by promising to spend a week with him. 'Tite Reine was also touched by the spirit of recklessness in the air; it moved her to fry two chickens for supper. She fried them deliciously in bacon fat. After supper she again arranged Grégoire's bed out on the gallery.

      The night fell calm and beautiful, with the delicious odor of the pines floating upon the air. But the three did not sit up to enjoy it. Before the stroke of nine, Aiken had already fallen upon his bed unconscious of everything about him in the heavy drunken sleep that would hold him fast through the night. It even clutched him more relentlessly than usual, thanks to Grégoire's free gift of whiskey.

      The sun was high when he awoke. He lifted his voice and called imperiously for 'Tite Reine, wondering that the coffee-pot was not on the hearth, and marveling still more that he did not hear her voice in quick response with its, "I'm comin', Bud. Yere I come." He called again and again. Then he arose and looked out through the back door to see if she were picking cotton in the field, but she was not there. He dragged himself to the front entrance. Grégoire's bed was still on the gallery, but the young fellow was nowhere to be seen.

      Uncle Mortimer had come into the yard, not to cut wood this time, but to pick up the axe which was his own property, and lift it to his shoulder.

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