The Greatest Adventures of Arsène Lupin (Boxed-Set). Морис Леблан

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СКАЧАТЬ you open this letter, whatever happens, whatever you may hear, do not move, do not utter one cry. Otherwise you are doomed."

      I am not a coward, and, quite as well as another, I can face real danger, or smile at the visionary perils of imagination. But, let me repeat, I was in an anomalous condition of mind, with my nerves set on edge by the events of the evening. Besides, was there not, in my present situation, something startling and mysterious, calculated to disturb the most courageous spirit?

      My feverish fingers clutched the sheet of paper, and I read and re-read those threatening words: "Do not move, do not utter one cry. Otherwise, you are doomed."

      "Nonsense!" I thought. "It is a joke; the work of some cheerful idiot."

      I was about to laugh—a good loud laugh. Who prevented me? What haunting fear compressed my throat?

      At least, I would blow out the candle. No, I could not do it. "Do not move, or you are doomed," were the words he had written.

      These auto-suggestions are frequently more imperious than the most positive realities; but why should I struggle against them? I had simply to close my eyes. I did so.

      At that moment, I heard a slight noise, followed by crackling sounds, proceeding from a large room used by me as a library. A small room or antechamber was situated between the library and my bedchamber.

      The approach of an actual danger greatly excited me, and I felt a desire to get up, seize my revolver, and rush into the library. I did not rise; I saw one of the curtains of the left window move. There was no doubt about it: the curtain had moved. It was still moving. And I saw—oh! I saw quite distinctly—in the narrow space between the curtains and the window, a human form; a bulky mass that prevented the curtains from hanging straight. And it is equally certain that the man saw me through the large meshes of the curtain. Then, I understood the situation. His mission was to guard me while the others carried away their booty. Should I rise and seize my revolver? Impossible! He was there! At the least movement, at the least cry, I was doomed.

      Then came a terrific noise that shook the house; this was followed by lighter sounds, two or three together, like those of a hammer that rebounded. At least, that was the impression formed in my confused brain. These were mingled with other sounds, thus creating a veritable uproar which proved that the intruders were not only bold, but felt themselves secure from interruption.

      They were right. I did not move. Was it cowardice? No, rather weakness, a total inability to move any portion of my body, combined with discretion; for why should I struggle? Behind that man, there were ten others who would come to his assistance. Should I risk my life to save a few tapestries and bibelots?

      Throughout the night, my torture endured. Insufferable torture, terrible anguish! The noises had stopped, but I was in constant fear of their renewal. And the man! The man who was guarding me, weapon in hand. My fearful eyes remained cast in his direction. And my heart beat! And a profuse perspiration oozed from every pore of my body!

      Suddenly, I experienced an immense relief; a milk-wagon, whose sound was familiar to me, passed along the boulevard; and, at the same time, I had an impression that the light of a new day was trying to steal through the closed window-blinds.

      At last, daylight penetrated the room; other vehicles passed along the boulevard; and all the phantoms of the night vanished. Then I put one arm out of the bed, slowly and cautiously. My eyes were fixed upon the curtain, locating the exact spot at which I must fire; I made an exact calculation of the movements I must make; then, quickly, I seized my revolver and fired.

      I leaped from my bed with a cry of deliverance, and rushed to the window. The bullet had passed through the curtain and the window-glass, but it had not touched the man—for the very good reason that there was none there. Nobody! Thus, during the entire night, I had been hypnotized by a fold of the curtain. And, during that time, the malefactors....Furiously, with an enthusiasm that nothing could have stopped, I turned the key, opened the door, crossed the antechamber, opened another door, and rushed into the library. But amazement stopped me on the threshold, panting, astounded, more astonished than I had been by the absence of the man. All the things that I supposed had been stolen, furniture, books, pictures, old tapestries, everything was in its proper place.

      It was incredible. I could not believe my eyes. Notwithstanding that uproar, those noises of removal....I made a tour, I inspected the walls, I made a mental inventory of all the familiar objects. Nothing was missing. And, what was more disconcerting, there was no clue to the intruders, not a sign, not a chair disturbed, not the trace of a footstep.

      "Well! Well!" I said to myself, pressing my hands on my bewildered head, "surely I am not crazy! I hear something!"

      Inch by inch, I made a careful examination of the room. It was in vain. Unless I could consider this as a discovery: Under a small Persian rug, I found a card—an ordinary playing card. It was the seven of hearts; it was like any other seven of hearts in French playing-cards, with this slight but curious exception: The extreme point of each of the seven red spots or hearts was pierced by a hole, round and regular as if made with the point of an awl.

      Nothing more. A card and a letter found in a book. But was not that sufficient to affirm that I had not been the plaything of a dream?

      Throughout the day, I continued my searches in the library. It was a large room, much too large for the requirements of such a house, and the decoration of which attested the bizarre taste of its founder. The floor was a mosaic of multicolored stones, formed into large symmetrical designs. The walls were covered with a similar mosaic, arranged in panels, Pompeiian allegories, Byzantine compositions, frescoes of the Middle Ages. A Bacchus bestriding a cask. An emperor wearing a gold crown, a flowing beard, and holding a sword in his right hand.

      Quite high, after the style of an artist's studio, there was a large window—the only one in the room. That window being always open at night, it was probable that the men had entered through it, by the aid of a ladder. But, again, there was no evidence. The bottom of the ladder would have left some marks in the soft earth beneath the window; but there were none. Nor were there any traces of footsteps in any part of the yard.

      I had no idea of informing the police, because the facts I had before me were so absurd and inconsistent. They would laugh at me. However, as I was then a reporter on the staff of the `Gil Blas,' I wrote a lengthy account of my adventure and it was published in the paper on the second day thereafter. The article attracted some attention, but no one took it seriously. They regarded it as a work of fiction rather than a story of real life. The Saint-Martins rallied me. But Daspry, who took an interest in such matters, came to see me, made a study of the affair, but reached no conclusion.

      A few mornings later, the door-bell rang, and Antoine came to inform me that a gentleman desired to see me. He would not give his name. I directed Antoine to show him up. He was a man of about forty years of age with a very dark complexion, lively features, and whose correct dress, slightly frayed, proclaimed a taste that contrasted strangely with his rather vulgar manners. Without any preamble, he said to me—in a rough voice that confirmed my suspicion as to his social position:

      "Monsieur, whilst in a café, I picked up a copy of the `Gil Blas,' and read your article. It interested me very much.

      "Thank you."

      "And here I am."

      "Ah!"

      "Yes, to talk to you. Are all the facts related by you quite correct?"

      "Absolutely so."

      "Well, in that case, I can, perhaps, give you some information."

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