Italy; with sketches of Spain and Portugal. William Beckford

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LETTER II.

       Table of Contents

      Visit to the cabinets of pictures in Antwerp.—Monsieur Van Lencren’s collection.—The Canon Knyff’s house and gallery of paintings.—The Canon himself.—His domestic felicity.—Revisit the cathedral.—Grand service in honour of St. John the Baptist.—Mynheer Van den Bosch, the organist’s astonishing flashes of execution.—Evening service in the cathedral.—Magical effect of the music of Jomelli.—Blighted avenues.—Slow travelling.—Enter the United Provinces.—Level scenery.—Chinese prospects.—Reach Meerdyke.—Arrival at the Hague.

      Antwerp, 23rd June, 1780.

      AFTER breakfast this morning I began my pilgrimage to all the cabinets of pictures in Antwerp. First, I went to Monsieur Van Lencren’s, who possesses a suite of apartments, lined, from the base to the cornice, with the rarest productions of the Flemish school. Heaven forbid I should enter into a detail of their niceties! I might as well count the dew-drops upon the most spangled of Van Huysum’s flower-pieces, or the pimples on their possessor’s countenance; a very good sort of man, indeed; but from whom I was not at all sorry to be delivered.

      My joy was, however, of short duration, as a few minutes brought me into the court-yard of the Canon Knyff’s habitation; a snug abode, well furnished with ample fauteuils and orthodox couches. After viewing the rooms on the first floor, we mounted an easy staircase, and entered an ante-chamber, which they who delight in the imitations of art rather than of nature, in the likenesses of joint stools and the portraits of tankards, would esteem most capitally adorned: but it must be confessed, that amongst these uninteresting performances are dispersed a few striking Berghems and agreeable Polembergs. In the gallery adjoining, two or three Rosa de Tivolis merit observation; and a large Teniers, representing the Hermit St. Anthony surrounded by a malicious set of imps and leering devilesses, is well calculated to display the whimsical buffoonery of a Dutch imagination.

      I was enjoying this strange medley, when the canon made his appearance; and a most prepossessing figure he has, according to Flemish ideas. In my humble opinion, his reverence looked a little muddled or so; and, to be sure, the description I afterwards heard of his style of living favours not a little my surmises. This worthy dignitary, what with his private fortune and the good things of the church, enjoys a spanking revenue, which he contrives to get rid of in the joys of the table and the encouragement of the pencil.

      His servants, perhaps, assist not a little in the expenditure of so comfortable an income; the canon being upon a very social footing with them all. At four o’clock in the afternoon, a select party attend him in his coach to an ale-house about a league from the city; where a table, well spread with jugs of beer and handsome cheeses, waits their arrival. After enjoying this rural fare, the same equipage conducts them back again, by all accounts, much faster than they came; which may well be conceived, as the coachman is one of the brightest wits of the entertainment.

      My compliments, alas! were not much appreciated, you may suppose, by this jovial personage. I said a few favourable words of Polemberg, and offered up a small tribute of praise to the memory of Berghem; but, as I could not prevail upon Mynheer Knyff to expand, I made one of my best bows, and left him to the enjoyment of his domestic felicity.

      In my way home, I looked into another cabinet, the greatest ornament of which was a most sublime thistle by Snyders, of the heroic size, and so faithfully imitated that I dare say no Ass could see it unmoved. At length, it was lawful to return home; and as I positively refused visiting any more cabinets in the afternoon, I sent for a harpsichord of Rucker, and played myself quite out of the Netherlands.

      It was late before I finished my musical excursion, and I took advantage of this dusky moment to revisit the cathedral. A flight of starlings had just pitched on one of the pinnacles of the tower, whose faint chirpings were the only sounds that broke the evening stillness. Not a human form appeared at any of the windows around; no footsteps were audible in the opening before the grand entrance; and during the half hour I spent in walking to and fro, one solitary Franciscan was the only creature that accosted me. From him I learned that a grand service was to be performed next day in honour of St. John the Baptist, and the best music in Flanders would be called forth on the occasion, so I determined to stay one day longer at Antwerp.

      Having taken this resolution, I availed myself of a special invitation from Mynheer Van den Bosch, the first organist of the place, and sat next to him in his lofty perch during the celebration of high mass. The service ended, I strayed about the aisles, and examined the innumerable chapels which decorate them, whilst Mynheer Van den Bosch thundered and lightened away upon his huge organ with fifty stops.

      When the first flashes of execution had a little subsided, I took an opportunity of surveying the celebrated Descent from the Cross. This has ever been esteemed the master-piece of Rubens, which, large as it is, they pretend here that Old Lewis Baboon[2] offered to cover with gold. A swingeing St. Christopher, fording a brook with a child on his shoulders, cannot fail of attracting attention. This colossal personage is painted on the folding-doors which defend the grand effort of art just mentioned from vulgar eyes; and here Rubens has selected a very proper subject to display the gigantic boldness of his pencil.

      After I had most dutifully surveyed all his productions in this church, I walked half over Antwerp in quest of St. John’s relics, which were moving about in procession. If my eyes were not much regaled by the saint’s magnificence, my ears were greatly affected in the evening by the music which sang forth his praises. The cathedral was crowded with devotees, and perfumed with incense. A motet, in the lofty style of Jomelli, performed with taste and feeling, transported me to Italian climates; and I grieved, when a cessation dissolved the charm, to think that I had still so many tramontane regions to pass before I could in effect reach that classic country. Finding it was in vain to expect preternatural interposition, and perceiving no conscious angel or Loretto-vehicle waiting in some dark consecrated corner to bear me away, I humbly returned to my hotel.

      Monday, June 26th.—We were again upon the pavé, rattling and jumbling along between clipped hedges and blighted avenues. The plagues of Egypt have been renewed, one might almost imagine, in this country, by the appearance of the oak trees: not a leaf have the insects spared. After having had the displeasure of seeing no other objects for several hours but these blasted rows, the scene changed to vast tracts of level country, buried in sand and smothered with heath; the particular character of which I had but too good an opportunity of intimately knowing, as a tortoise might have kept pace with us without being once out of breath.

      Towards evening, we entered the dominions of the United Provinces, and had all their glory of canals, treck-schuyts, and windmills, before us. The minute neatness of the villages, their red roofs, and the lively green of the willows which shade them, corresponded with the ideas I had formed of Chinese prospects; a resemblance which was not diminished upon viewing on every side the level scenery of enamelled meadows, with stripes of clear water across them, and innumerable barges СКАЧАТЬ