Neurological Disorders in Famous Artists - Part 4. Группа авторов
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СКАЧАТЬ Fernand Léger is the most striking counter-example to the silence of the painters during the First World War.

      Having begun their painting, started their statue, glimpsed their creation, sketched their project, they left everything there to be nothing but soldiers.

      Paul Ginisty, 1916

      Acknowledgments

      We gratefully acknowledge Lucie Bernard for her help in the English version of the text.

      References

      Braque G: Pensées et réflexions sur la peinture. Nord-Sud 1917;10:3–5.

      Cendrars B: La Main coupée. “La Pléiade” Œuvres autobiographiques complètes I. Paris, Gallimard, 2013.

      Cyrulnik B: Le Murmure des fantômes. Paris, Odile Jacob, 2003.

      Danchev A: Georges Braque. Le défi silencieux. Paris, Hazan, 2013.

      Dayot A: Nos artistes au front (les morts, les blessés, les prisonniers, les disparus). L’Art et les Artistes 1915;2:38–48.

      Flament A: Jours de guerre. Le monde illustré, May 5, 1917, p 278.

      Florisoone M: Gustave Pimienta, sa vie, son œuvre. Paris, Institut de France, 1986.

      Guyon O: Comment un accident permit au peintre Lemordant de recouvrer la vue. Le Journal, May 17, 1935, p 3.

      Lanthony P: Les yeux des peintres. Paris, L’âge d’homme, 1999.

      Léger F: Une correspondance de guerre. Paris, Les cahiers du Musée national d’art moderne, 1997.

      Maingon C: Mains coupées sur paupières closes. Mutilations subies et sublimées des artistes dans la Grande Guerre. Mont-Saint-Aignan, Presses Universitaires de Rouen-Le Havre, in press.

      Maingon C: Apollons blessés de guerre et la Samothrace. Vicissitudes d’une autre avant-garde artistique; in Stauder T, Seybert G (eds): Heroic Misery. The First World War in the Intellectual, Literary and Artistic Memory of the European Cultures. Frankfurt, Peter Lang, 2014, pp 1425–1450.

      Peinte J: J.J. Lemordant et son œuvre. La France mutilée, December 17, 1922, p 3.

      Tatu L, Bogousslavsky, J Boller F: Phantoms in artists: the lost limbs of Blaise Cendrars, Arthur Rimbaud, and Paul Wittgenstein. J Hist Neurosci 2014;23:355–366.

      Tatu L, Bogousslavsky J: World War I psychoneuroses: hysteria is going to war; in Tatu L, Bogousslavsky J (eds): War Neurology. Basel, Karger, 2016, pp 155–167.

      Claire Maingon

      University of Normandy, GRHis EA 3831

      Département d’Histoire

      1, rue Lavoisier, FR–76821 Mont Saint Aignan Cedex (France)

      E-Mail [email protected]

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