The Patrician. John Galsworthy

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      The young man sat unmoving; the glow of the fire had caught his face, so that a spirit seemed clinging round his lips, gleaming out of his eyes. Suddenly he said:

      “Do you believe that, Mrs. Noel?”

      For answer Audrey Noel smiled, then rose and went over to the window.

      “Look at my dear toad! It comes here every evening!” On a flagstone of the verandah, in the centre of the stream of lamplight, sat a little golden toad. As Miltoun came to look, it waddled to one side, and vanished.

      “How peaceful your garden is!” he said; then taking her hand, he very gently raised it to his lips, and followed his opponent out into the darkness.

      Truly peace brooded over that garden. The Night seemed listening—all lights out, all hearts at rest. It watched, with a little white star for every tree, and roof, and slumbering tired flower, as a mother watches her sleeping child, leaning above him and counting with her love every hair of his head, and all his tiny tremors.

      Argument seemed child's babble indeed under the smile of Night. And the face of the woman, left alone at her window, was a little like the face of this warm, sweet night. It was sensitive, harmonious; and its harmony was not, as in some faces, cold—but seemed to tremble and glow and flutter, as though it were a spirit which had found its place of resting.

      In her garden,—all velvety grey, with black shadows beneath the yew-trees, the white flowers alone seemed to be awake, and to look at her wistfully. The trees stood dark and still. Not even the night birds stirred. Alone, the little stream down in the bottom raised its voice, privileged when day voices were hushed.

      It was not in Audrey Noel to deny herself to any spirit that was abroad; to repel was an art she did not practise. But this night, though the Spirit of Peace hovered so near, she did not seem to know it. Her hands trembled, her cheeks were burning; her breast heaved, and sighs fluttered from her lips, just parted.

CHAPTER V

       Table of Contents

      Eustace Cardoc, Viscount Miltoun, had lived a very lonely life, since he first began to understand the peculiarities of existence. With the exception of Clifton, his grandmother's 'majordomo,' he made, as a small child, no intimate friend. His nurses, governesses, tutors, by their own confession did not understand him, finding that he took himself with unnecessary seriousness; a little afraid, too, of one whom they discovered to be capable of pushing things to the point of enduring pain in silence. Much of that early time was passed at Ravensham, for he had always been Lady Casterley's favourite grandchild. She recognized in him the purposeful austerity which had somehow been omitted from the composition of her daughter. But only to Clifton, then a man of fifty with a great gravity and long black whiskers, did Eustace relieve his soul. “I tell you this, Clifton,” he would say, sitting on the sideboard, or the arm of the big chair in Clifton's room, or wandering amongst the raspberries, “because you are my friend.”

      And Clifton, with his head a little on one side, and a sort of wise concern at his 'friend's' confidences, which were sometimes of an embarrassing description, would answer now and then: “Of course, my lord,” but more often: “Of course, my dear.”

      There was in this friendship something fine and suitable, neither of these 'friends' taking or suffering liberties, and both being interested in pigeons, which they would stand watching with a remarkable attention.

      In course of time, following the tradition of his family, Eustace went to Harrow. He was there five years—always one of those boys a little out at wrists and ankles, who may be seen slouching, solitary, along the pavement to their own haunts, rather dusty, and with one shoulder slightly raised above the other, from the habit of carrying something beneath one arm. Saved from being thought a 'smug,' by his title, his lack of any conspicuous scholastic ability, his obvious independence of what was thought of him, and a sarcastic tongue, which no one was eager to encounter, he remained the ugly duckling who refused to paddle properly in the green ponds of Public School tradition. He played games so badly that in sheer self-defence his fellows permitted him to play without them. Of 'fives' they made an exception, for in this he attained much proficiency, owing to a certain windmill-like quality of limb. He was noted too for daring chemical experiments, of which he usually had one or two brewing, surreptitiously at first, and afterwards by special permission of his house-master, on the principle that if a room must smell, it had better smell openly. He made few friendships, but these were lasting.

      His Latin was so poor, and his Greek verse so vile, that all had been surprised when towards the finish of his career he showed a very considerable power of writing and speaking his own language. He left school without a pang. But when in the train he saw the old Hill and the old spire on the top of it fading away from him, a lump rose in his throat, he swallowed violently two or three times, and, thrusting himself far back into the carriage corner, appeared to sleep.

      At Oxford, he was happier, but still comparatively lonely; remaining, so long as custom permitted, in lodgings outside his College, and clinging thereafter to remote, panelled rooms high up, overlooking the gardens and a portion of the city wall. It was at Oxford that he first developed that passion for self-discipline which afterwards distinguished him. He took up rowing; and, though thoroughly unsuited by nature to this pastime, secured himself a place in his College 'torpid.' At the end of a race he was usually supported from his stretcher in a state of extreme extenuation, due to having pulled the last quarter of the course entirely with his spirit. The same craving for self-discipline guided him in the choice of Schools; he went out in 'Greats,' for which, owing to his indifferent mastery of Greek and Latin, he was the least fitted. With enormous labour he took a very good degree. He carried off besides, the highest distinctions of the University for English Essays. The ordinary circles of College life knew nothing of him. Not once in the whole course of his University career, was he the better for wine. He, did not hunt; he never talked of women, and none talked of women in his presence. But now and then he was visited by those gusts which come to the ascetic, when all life seemed suddenly caught up and devoured by a flame burning night and day, and going out mercifully, he knew not why, like a blown candle. However unsocial in the proper sense of the word, he by no means lacked company in these Oxford days. He knew many, both dons and undergraduates. His long stride, and determined absence of direction, had severely tried all those who could stomach so slow a pastime as walking for the sake of talking. The country knew him—though he never knew the country—from Abingdon to Bablock Hythe. His name stood high, too, at the Union, where he made his mark during his first term in a debate on a 'Censorship of Literature' which he advocated with gloom, pertinacity, and a certain youthful brilliance that might well have carried the day, had not an Irishman got up and pointed out the danger hanging over the Old Testament. To that he had retorted: “Better, sir, it should run a risk than have no risk to run.” From which moment he was notable.

      He stayed up four years, and went down with a sense of bewilderment and loss. The matured verdict of Oxford on this child of hers, was “Eustace Miltoun! Ah! Queer bird! Will make his mark!”

      He had about this time an interview with his father which confirmed the impression each had formed of the other. It took place in the library at Monkland Court, on a late November afternoon.

      The light of eight candles in thin silver candlesticks, four on either side of the carved stone hearth, illumined that room. Their gentle radiance penetrated but a little way into the great dark space lined with books, panelled and floored with black oak, where the acrid fragrance of leather and dried roseleaves seemed to drench the very soul with the aroma of the past. Above the huge fireplace, СКАЧАТЬ