The Irrational Knot. Bernard Shaw

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СКАЧАТЬ Conolly, who had been putting on his overcoat, picked the program deftly from his sister's fingers, and left the room. She, after damning him very heartily, returned to the glass, and continued dressing, taking her tea at intervals until she was ready to go out, when she sent for a cab, and bade the driver convey her to the Bijou Theatre, Soho.

      Conolly, on arriving at the Wandsworth Town Hall, was directed to a committee room, which served as green-room on this occasion. He was greeted by a clean shaven young clergyman who protested that he was glad to see him there, but did not offer his hand. Conolly thanked him briefly, and went without further ceremony to the table, and was about to place his hat and overcoat on a heap of similar garments, when, observing that there were some hooks along the wall, he immediately crossed over and hung up his things on them, thereby producing an underbred effect of being more prudent and observant than the rest. Then he looked at his program, and calculated how soon his turn to sing would come. Then he unrolled his music, and placed two copies of Le Vallon ready to his hand upon the table. Having made these arrangements with a self-possession that quite disconcerted the clergyman, he turned to examine the rest of the company.

      His first glance was arrested by the beauty of a young lady with light brown hair and gentle grey eyes, who sat near the fire. Beside her, on a lower chair, was a small, lean, and very restless young woman with keen dark eyes staring defiantly from a worn face. These two were attended by a jovial young gentleman with curly auburn hair, who was twanging a banjo, and occasionally provoking an exclamation of annoyance from the restless girl by requesting her opinion of his progress in tuning the instrument. Near them stood a tall man, dark and handsome. He seemed unused to his present circumstances, and contemptuous, not of the company nor the object for which they were assembled, but in the abstract, as if habitual contempt were part of his nature.

      The clergyman, who had just conducted to the platform an elderly professor in a shabby frock coat, followed by three well-washed children, each of whom carried a concertina, now returned and sat down beside a middle-aged lady, who made herself conspicuous by using a gold framed eyeglass so as to convey an impression that she was an exceedingly keen observer.

      "It is fortunate that the evening is so fine," said the clergyman to her.

      "Yes, is it not, Mr. Lind?"

      "My throat is always affected by bad weather, Mrs. Leith Fairfax. I shall be so handicapped by the inevitable comparison of my elocution with yours, that I am glad the weather is favorable to me, though the comparison is not."

      "No," said Mrs. Fairfax, with decision. "I am not in the least an orator. I can repeat a poem: that is all. Oh! I hope I have not broken my glasses." They had slipped from her nose to the floor. Conolly picked them up and straightened them with one turn of his fingers.

      "No harm done, madam," said he, with a certain elocutionary correctness, and rather in the strong voice of the workshop than the subdued one of the drawing-room, handing the glasses to her ceremoniously as he spoke.

      "Thank you. You are very kind, very kind indeed."

      Conolly bowed, and turned again toward the other group.

      "Who is that?" whispered Mrs. Fairfax to the clergyman.

      "Some young man who attracted the attention of the Countess by his singing. He is only a workman."

      "Indeed! Where did she hear him sing?"

      "In her son's laboratory, I believe. He came there to put up some electrical machinery, and sang into a telephone for their amusement. You know how fond Lord Jasper is of mechanics. Jasper declares that he is a genius as an electrician. Indeed it was he, rather than the Countess, who thought of getting him to sing for us."

      "How very interesting! I saw that he was clever when he spoke to me. There is so much in trifles—in byplay, Mr. Lind. Now, his manner of picking up my glass had his entire history in it. You will also see it in the solid development of his head. That young man deserves to be encouraged."

      "You are very generous, Mrs. Leith Fairfax. It would not be well to encourage him too much, however. You must recollect that he is not used to society. Injudicious encouragement might perhaps lead him to forget his real place in it."

      "I do not agree with you, Mr. Lind. You do not read human nature as I do. You know that I am an expert. I see men as he sees a telegraph instrument, quite uninfluenced by personal feeling."

      "True, Mrs. Leith Fairfax. But the heart is deceitful above all things and des—at least I should say—er. That is, you will admit that the finest perception may err in its estimate of the inscrutable work of the Almighty."

      "Doubtless. But really, Mr. Lind, human beings are so shallow! I assure you there is nothing at all inscrutable about them to a trained analyst of character. It may be a gift, perhaps; but people's minds are to me only little machines made up of superficial motives."

      "I say," said the young gentleman with the banjo, interrupting them: "have you got a copy of 'Rose softly blooming' there?"

      "I!" said Mrs. Fairfax. "No, certainly not."

      "Then it's all up with the concert. We have forgotten Marian's music; and there is nothing for Nelly—I beg pardon, I mean Miss McQuinch—to play from. She is above playing by ear."

      "I cannot play by ear," said the restless young lady, angrily.

      "If you will sing 'Coal black Rose' instead, Marian, I can accompany you on the banjo, and back you up in the chorus. The Wandsworthers—if they survive the concertinas—will applaud the change as one man."

      "It is so unkind to joke about it," said the beautiful young lady. "What shall I do? If somebody will vamp an accompaniment, I can get on very well without any music. But if I try to play for myself I shall break down."

      Conolly here stepped aside, and beckoned to the clergyman.

      "That young man wants to speak to you," whispered Mrs. Fairfax.

      "Oh, indeed. Thank you," said the Rev. Mr. Lind, stiffly. "I suppose I had better see what he requires."

      "I suppose you had," said Mrs. Fairfax, with some impatience.

      "I dont wish to intrude where I have no business," said Conolly quietly to the clergyman; "but I can play that lady's accompaniment, if she will allow me."

      The clergyman was too much afraid of Conolly by this time—he did not know why—to demur. "I am sure she will not object," he said, pretending to be relieved by the offer. "Your services will be most acceptable. Excuse me for one moment, whilst I inform Miss Lind."

      He crossed the room to the lady, and said in a lower tone, "I think I have succeeded in arranging the matter, Marian. That man says he will play for you."

      "I hope he can play," said Marian doubtfully. "Who is he?"

      "It is Conolly. Jasper's man."

      Miss Lind's eyes lighted. "Is that he?" she whispered, glancing curiously across the room at him. "Bring him and introduce him to us."

      "Is that necessary?" said the tall man, without lowering his voice sufficiently to prevent Conolly from hearing him. The clergyman hesitated.

      "It is quite necessary: I do not know what he must think of us already," said Marian, ashamed, СКАЧАТЬ