Trailin'!. Max Brand
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Название: Trailin'!

Автор: Max Brand

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664630728

isbn:

СКАЧАТЬ sir, that I should so nearly fall out with the finest father that walks the earth."

      The eyes of the grey man half closed and a semblance of a smile touched those stiff, stern lips; one of the great work-broken hands went up and rested on the fingers of his son.

      "And there'll be no more of this infernal Western nonsense that you're always reverting to? No more of this horse-and-gun-and-hell-bent-away stuff?"

      "I suppose not," said Anthony heavily.

      "Well, Anthony, sit down and tell me about tonight."

      The son obeyed, and finally said, with difficulty: "I didn't go to the

       Morrison supper."

      A sudden cloud of white rose from the bowl of Woodbury's pipe.

      "But I thought—"

      "That it was a big event? It was—a fine thing for me to get a bid to; but I went to the Wild West show instead. Sir, I know it was childish, but—I couldn't help it! I saw the posters; I thought of the horse-breaking, the guns, the swing and snap and dash of galloping men, the taint of sweating horses—and by God, sir, I couldn't stay away! Are you angry?"

      It was more than anger; it was almost fear that widened the eye of

       Woodbury as he stared at his son. He said at last, controlling himself:

       "But I have your word; you've given up the thought of this Western

       life?"

      "Yes," answered Anthony, with a touch of despair, "I have given it up, I suppose. But, oh, sir—" He stopped, hopeless.

      "And what else happened?"

      "Nothing to speak of."

      "After you come home you don't usually change your clothes merely for the pleasure of sitting with me here."

      "Nothing escapes you, does it?" muttered Anthony.

      "In your set, Anthony, that's what they'd call an improper question."

      "I could ask you any number of questions, sir, for that matter."

      "Well?"

      "That room over there, for instance, which you always keep locked. Am I never to have a look at it?"

      He indicated a door which opened from the library.

      "I hope not."

      "You say that with a good deal of feeling. But there's one thing more that I have a right to hear about. My mother! Why do you never tell me of her?"

      The big man stirred and the chair groaned beneath him.

      "Because it tortures me to speak of her, Anthony," said the husky voice.

       "Tortures me, lad!"

      "I let the locked room go," said Anthony firmly, "but my mother—she is different. Why, sir, I don't even know how she looked! Dad, it's my right!"

      "Is it? By God, you have a right to know exactly what I choose to tell you—no more!"

      He rose, strode across the room with ponderous steps, drew aside the curtains which covered the view of the garden below, and stared for a time into the night. When he turned he found that Anthony had risen—a slender, erect figure. His voice was as quiet as his anger, but an inward quality made it as thrilling as the hoarse boom of his father.

      "On that point I stick. I must know something about her."

      "Must?"

      "In spite of your anger. That locked room is yours; this house and everything in it is yours; but my mother—she was as much mine as yours, and I'll hear more about her—who she was, what she looked like, where she lived—"

      The sharply indrawn breath of John Woodbury cut him short.

      "She died in giving birth to you, Anthony."

      "Dear God! She died for me?"

      And in the silence which came over the two men it seemed as if another presence were in the room. John Woodbury stood at the fire-place with bowed head, and Anthony shaded his eyes and stared at the floor until he caught a glimpse of the other and went gently to him.

      He said: "I'm sorrier than a lot of words could tell you. Will you sit down, sir, and let me tell you how I came to press home the question?"

      "If you want to have it that way."

      They resumed their chairs.

       Table of Contents

      ANTHONY IS LEFT IN THE DARK

      "It will explain why I changed my clothes after I came home. You see, toward the end of the show a lot of the cowboys rode in. The ringmaster was announcing that they could ride anything that walked on four feet and wore a skin, when up jumped an oldish fellow in a box opposite mine and shouted that he had a horse which none of them could mount. He offered five hundred dollars to the man who could back him; and made it good by going out of the building and coming back inside of five minutes with two men leading a great stallion, the ugliest piece of horseflesh I've ever seen.

      "As they worked the brute down the arena, it caught sight of my white shirt, I suppose, for it made a dive at me, reared up, and smashed its forehoofs against the barrier. By Jove, a regular maneater! Brought my heart into my mouth to see the big devil raging, and I began to yearn to get astride him and to—well, just fight to see which of us would come out on top. You know?"

      The big man moistened his lips; he was strangely excited.

      "So you climbed into the arena and rode the horse?"

      "Exactly! I knew you'd understand! After I'd ridden the horse to a standstill and climbed off, a good many people gathered around me. One of them was a big man, about your size. In fact, now that I look back at it, he was a good deal like you in more ways than one; looked as if time had hardened him without making him brittle. He came to me and said: 'Excuse me, son, but you look sort of familiar to me. Mind telling me who your mother was?' What could I answer to a—"

      A shadow fell across Anthony from the rising height of his father. As he looked up he saw John Woodbury glance sharply, first toward the French windows and then at the door of the secret room.

      "Was that all, Anthony?"

      "Yes, about all."

      "I want to be alone."

      The habit of automatic obedience made Anthony rise in spite of the questions which were storming at his lips.

      "Good-night, sir."

      "Good-night, my boy."

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