Evolution, Old & New. Samuel Butler

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СКАЧАТЬ but who had under force of circumstances little by little in the course of many generations learned to swim, either from having lived near a lake, and having learnt the art owing to its fishing habits, or from wading about in shallow pools by the sea-side at low water, and finding itself sometimes a little out of its depth and just managing to scramble over the intermediate yard or so between it and safety—such a bird did not probably conceive the idea of swimming on the water and set itself to learn to do so, and then conceive the idea of webbed feet and set itself to get webbed feet. The bird found itself in some small difficulty, out of which it either saw, or at any rate found that it could extricate itself by striking out vigorously with its feet and extending its toes as far as ever it could; it thus began to learn the art of swimming and conceived the idea of swimming synchronously, or nearly so; or perhaps wishing to get over a yard or two of deep water, and trying to do so without being at the trouble of rising to fly, it would splash and struggle its way over the water, and thus practically swim, though without much perception of what it had been doing. Finding that no harm had come to it, the bird would do the same again, and again; it would thus presently lose fear, and would be able to act more calmly; then it would begin to find out that it could swim a little, and if its food lay much in the water so that it would be of great advantage to it to be able to alight and rest without being forced to return to land, it would begin to make a practice of swimming. It would now discover that it could swim the more easily according as its feet presented a more extended surface to the water; it would therefore keep its toes extended whenever it swam, and as far as in it lay, would make the most of whatever skin was already at the base of its toes. After very many generations it would become web-footed, if doing as above described should have been found continuously convenient, so that the bird should have continuously used the skin about its toes as much as possible in this direction.

      For there is a margin in every organic structure (and perhaps more than we imagine in things inorganic also), which will admit of references, as it were, side notes, and glosses upon the original text. It is on this margin that we may err or wander—the greatness of a mistake depending rather upon the extent of the departure from the original text, than on the direction that the departure takes. A little error on the bad side is more pardonable, and less likely to hurt the organism than a too great departure upon the right one. This is a fundamental proposition in any true system of ethics, the question what is too much or too sudden being decided by much the same higgling as settles the price of butter in a country market, and being as invisible as the link which connects the last moment of desire with the first of power and performance, and with the material result achieved.

It is on this margin that the fulcrum is to be found, whereby we obtain the little purchase over our structure, that enables us to achieve great results if we use it steadily, with judgment, and with neither too little effort nor too much. It is by employing this that those who have a fancy to move their ears or toes without moving other organs learn to do so. There is a man at the Agricultural Hall now playing the violin with his toes, and playing it, as I am told, sufficiently well. The eye of the sailor, the wrist of the conjuror, the toe of the professional medium, are all found capable of development to an astonishing degree, even in a single lifetime; but in every case success has been attained by the simple process of making the best of whatever power a man has had at any given time, and by being on the look out to take advantage of accident, and even of misfortune. If a man would learn to paint, he must not theorize concerning art, nor think much what he would do beforehand, but he must do something—it does not matter what, except that it should be whatever at the moment will come handiest and easiest to him; and he must do that something as well as he can. This will presently open the door for something else, and a way will show itself which no conceivable amount of searching would have discovered, but which yet could never have been discovered by sitting still and taking no pains at all. "Dans l'animal," says Buffon, "il y a moins de jugement que de sentiment."[25]

      It may appear as though this were blowing hot and cold with the same breath, inasmuch as I am insisting that important modifications of structure have been always purposive; and at the same time am denying that the creature modified has had any purpose in the greater part of all those actions which have at length modified both structure and instinct. Thus I say that a bird learns to swim without having any purpose of learning to swim before it set itself to make those movements which have resulted in its being able to do so. At the same time I maintain that it has only learned to swim by trying to swim, and this involves the very purpose which I have just denied. The reconciliation of these two apparently irreconcilable contentions must be found in the consideration that the bird was not the less trying to swim, merely because it did not know the name we have chosen to give to the art which it was trying to master, nor yet how great were the resources of that art. A person, who knew all about swimming, if from some bank he could watch our supposed bird's first attempt to scramble over a short space of deep water, would at once declare that the bird was trying to swim—if not actually swimming. Provided then that there is a very little perception of, and prescience concerning, the means whereby the next desired end may be attained, it matters not how little in advance that end may be of present desires or faculties; it is still reached through purpose, and must be called purposive. Again, no matter how many of these small steps be taken, nor how absolute was the want of purpose or prescience concerning any but the one being actually taken at any given moment, this does not bar the result from having been arrived at through design and purpose. If each one of the small steps is purposive the result is purposive, though there was never purpose extended over more than one, two, or perhaps at most three, steps at a time.

      Returning to the art of painting for an example, are we to say that the proficiency which such a student as was supposed above will certainly attain, is not due to design, merely because it was not until he had already become three parts excellent that he knew the full purport of all that he had been doing? When he began he had but vague notions of what he would do. He had a wish to learn to represent nature, but the line into which he has settled down has probably proved very different from that which he proposed to himself originally. Because he has taken advantage of his accidents, is it, therefore, one whit the less true that his success is the result of his desires and his design? The 'Times' pointed out not long ago that the theory which now associates meteors and comets in the most unmistakable manner, was suggested by one accident, and confirmed by another. But the writer added well that "such accidents happen only to the zealous student of nature's secrets." In the same way the bird that is taking to the habit of swimming, and of making the most of whatever skin it already has between its toes, will have doubtless to thank accidents for no small part of its progress; but they will be such accidents as could never have happened to, or been taken advantage of by any creature which was not zealously trying to make the most of itself—and between such accidents as this, and design, the line is hard to draw; for if we go deep enough we shall find that most of our design resolves itself into as it were a shaking of the bag to see what will come out that will suit our purpose, and yet at the same time that most of our shaking of the bag resolves itself into a design that the bag shall contain only such and such things, or thereabouts.

      Again, the fact that animals are no longer conscious of design and purpose in much that they do, but act unreflectingly, and as we sometimes say concerning ourselves "automatically" or "mechanically"—that they have no idea whatever of the steps whereby they have travelled to their present state, and show no sign of doubt about what must have been at one time the subject of all manner of doubts, difficulties, and discussions—that whatever sign of reflection they now exhibit is to be found only in case of some novel feature or difficulty presenting itself; these facts do not bar that the results achieved should be attributed to an inception in reason, design, and purpose, no matter how rapidly and as we call it instinctively, the creatures may now act.

      For if we look closely at such an invention as the steam engine in its latest and most complicated developments, about which there can be no dispute but that they are achievements of reason, purpose, and design, we shall find them present us with examples of all those features the presence of which in the handiwork of animals is too often held to bar reason and purpose from having had any share therein.

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