Название: The Red House
Автор: Эдит Несбит
Издательство: Bookwire
Жанр: Документальная литература
isbn: 4064066436278
isbn:
“Yes.”
The birds woke us in the morning; such an orchestra as I had never even imagined. Sleep seemed fled forever. It was I who went down to light the fire for breakfast. It was good to fling back the shutters and window-sashes, and to lean out through the drifted net of green jasmine leaves and taste the fresh sweets of the morning.
Presently Chloe came and leaned beside me. The whole world seemed blue and green and gold; the trees and the grass sparkling in the dewy sunshine, and on the bright turf the long, black, tree shadows.
“I never saw shadows like these,” Chloe breathed; “they're quite different to the evening ones. And there's no one next door! Oh, it is very good!” The birds sang, the sun shone softly, the swan in the moat spread wide wings, preening his white feathers. A purple haze covered the hills. It was indeed “very good.” The wood began to crackle. I looked at my watch. Five o'clock.
“We must always get up at half-past four,” Chloe said. “I had no idea anything could be so beautiful. Think of the poor silly people who only get up at eight.”
I thought of them, and I knew that very soon we should once more be numbered among that pitiable band.
But I said nothing. We cleared away the breakfast and made our room tidy, and every now and then she would stop to clap her hands—once there were two flat-irons and a duster in them—and to say:
“Oh, isn't it perfect? Isn't it amusing and interesting and thrilling, and everything anything can possibly be?”
We arranged a scheme of disentanglement, and applied it to our goods. Chloe dived into the mass and came up with treasures, which under her directions I bore to the situations she indicated. But many things seemed homeless, and the command, “Oh, I don't know—anywhere—on the kitchen-table,” grew so frequent that the kitchen-table groaned beneath its load, and even the tall dressers showed signs of repletion.
But we got one room clear—the white parlor, Chloe called it. It was really half panelled in oak—painted, of course, by some vandal middle-Victorian hand—but still charming, with its carved garlands and flourishes, its high mantelpiece and odd corners. We swept it; we put down our best carpet and hearth-rug; we brought in our oak gate-table and our polished beechwood chairs with the rush seats, and the corner cupboard, and the little bow-legged oak sideboard; we put some green Flemish pots on the mantel-piece. Chloe ran out and came back with half a dozen late tulips, and when she had set them on the table in a jar of Chinese willow-pattern (hand-work, none of your transfers), why, then we had a “room ready,” a refuge, as Chloe said.
We also carted the remaining chaos into the kitchen.
“Because I give that up,” she said; “we can't get that clear for ages.” So pictures and curtains, and all the things that take time to their fixing, were carried away. And the swept hall looked large and beautiful, especially when we had cleaned the red and white of the marble inlaid floor with a wet broom and a pail of water.
As I rubbed the broom vigorously over a discolored square of the marble, I was suddenly conscious of a guilty feeling. Analyzed, the sensation frightened me. I was becoming interested in these details. And I had not once thought about my work, though to-morrow was the day for my article in the Weekly Wilderness. It had never even entered my head to dream that I could ever be interested in cleaning a floor. Yet here I was calling joyously to Chloe, deep in a packing-case in the kitchen:
“It's coming the same color as the other.”
“It won't be when it's dry,” she said, “but I've found the corkscrew and the lamps. One of them is wrong way up and full of paraffine. At least it was. It's anywhere you like now.”
I carried my pail and broom into the kitchen.
“My dear,” I said, “have you found my shaving-brush?”
“Why?” she asked. “Do you want to put it down on the parlor mantel-piece?”
The very thought appalled me, and the fact that it did so appalled me still more deeply.
I pointed out that a shaving-brush is useful for other purposes than for putting down on things, and presently we found it involved in a pair of lace curtains.
We had lunch in the garden.
And then Yolande's furniture suddenly loomed at our gates. We had wholly forgotten it. The white parlor had to be reorganized to accommodate her oak settle. The piano we boldly ordered into the drawing-room, where it lived out long days of lonely grandeur. Her furniture was really charming—Chippendale chairs and a Sheraton bureau, pictures by the dozen and lovely crocks by the score. The men who moved her things had linen jackets, and they were not scented like Charley. They actually put things where we wanted them. We stood by in humble amazement. But when they asked where they should hang the pictures, we looked at each other, almost speechless with wonder and gratitude. They hung the pictures, they asked for a broom, and, if ours had not been wet, they would have swept up the dust their careful feet had not been able to help bringing in. They dusted the furniture, and asked if there was anything else they could do. I said there was not, and felt in my pocket for silver, far more than I could afford. But Chloe said:
“Oh yes! How kind of you! Do please ask every one you know if they know of a servant. We haven't one, and you see—”
They saw. They promised all things; they took my silver and went.
And that very evening a trim young woman came “about the situation,” accepted it, went off to fetch her box, and never returned. Perhaps she saw the ghost as she went out. We never knew.
Next day I sat down with my type-writer in the parlor. Chloe went to London to ransack the registry-offices, so that there was no one to do house-work. Therefore, when I had done my article—it was on “The Pleasures of Home,” I remember—I tidied the place up a little. Happening to find the black-leading apparatus in the bread-pan, I tried my hand at polishing the parlor-grate. It is much less easy than one would suppose, and I barked my knuckles against the bars. Then I cleaned some windows. I knew, from Cranford, that this was done with newspapers. The middles of the panes were easy, the corners inaccessible and irritating. Then I got tea ready and filled the lamps. I experienced all the sensations of an explorer in an unknown and ravishing country. All this was new and extraordinarily fascinating. I chopped wood and filled a box with it, ready for the morning. I also chopped my finger, and decided that I had done enough house-work for the moment. Then I remembered my article. I had forgotten to post it, and the post was gone when I got to the village. I had to walk to Blackheath to catch the late mail—four miles there and back. When I got home Chloe was sitting on the door-step with a perfect stranger.
“We've been here hours,” she said. “How could you go off like that? This is Ellen—she is coming to live with us.”
I could see in Ellen's eye that she was not so sure of this. When Ellen saw the kitchen, with its indescribable complications of domestic matter, she blenched, and I knew the worst. We all turned to, however, and tidied the kitchen superfically, arranged Ellen's bedroom, assisted her to prepare supper, went to bed worn out, and came down in the morning to find Ellen gone. She was not wholly bad; she had some kind impulses. She had lighted the fire and put on the kettle before leaving. But we were a little late that morning, and all the water had boiled away. When I filled the kettle at the tap it cracked, and Chloe said it was always the way, and snatched the kettle out of my hand, and boiled the water for tea in a saucepan that had had cabbage in it. So, after breakfast, СКАЧАТЬ