The Philosophy of Fine Art. Georg Wilhelm Friedrich Hegel
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Название: The Philosophy of Fine Art

Автор: Georg Wilhelm Friedrich Hegel

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 4064066395896

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СКАЧАТЬ it is singularity in its truth; it is the universal nexus which shuts itself up with itself in its particulars. As the highest example of this property of the notion we would refer back to what we have already, if in a summary way, said about the essential activity of Spirit.

      Through this infinite capacity of return upon itself the notion is already, by virtue of its intrinsic wealth, totality. It finds the unity of itself in the being of another, and for this reason possesses a free activity, being, however, negation as self-determination, not as the alien limitation of its own substance through something other than itself. But regarded as such totality the notion is already in potential possession of all phenomenal reality, and is that which mediates and restores the unity of the Idea. And whoever ventures to think that in the Idea we have presented to us something totally different and apart from the notion, has as little knowledge of the nature of the Idea as he has of the notion. At the same time there is, no doubt, a difference between the notion and the Idea, and it is this: in the former the particularization is only an abstract particularization, for this reason that in the notion the determinate relations are alone coherent in its transparent medium, that is to say, in its unity and ideal universality. The notion, therefore, itself remains subject to the one-sidedness of its particular material, and is hampered with the defect that although in its own nature it is a totality, yet it is only in the aspect of it as unity and universality that it is entitled to free self-development. But inasmuch as this defect in its completeness is foreign to its own essential form, the process of its activity is to remove it. It negates itself as this very ideal unity and universality and allows that which is enclosed in the barren chamber of ideal subjectivity to flow forth freely into real and substantive objectivity. In other words, the notion through its own activity posits itself as objective reality.

      (c) This totality is the Idea. The Idea is not simply the ideal unity and subjectivity of the notion. It is quite as much its true and objective reality; it is, however, an objectivity which does not confront the notion as an opposing factor, but is rather that in which the notion itself is self-determined. In whichever aspect we contemplate the notion, whether as subjective to our apprehension, or as objectively real, the Idea it manifests is a totality. But it is more than this. It is the unity which for ever is mediating between and bringing into more perfected harmony the two totalities. Only as thus apprehended is the Idea truth and indeed all truth.

      2. All that exists, then, has only truth in so far as it is a definite existence of the Idea. For the Idea is alone the truly real. The truth of the phenomenal is not derived from the fact that its particular existence is of an inward or external character, and as such is in a general sense reality; it is so wholly in virtue of the fact that such reality is adequate to the notion. Then alone is determinate existence real and true. And the truth, to which we here refer, is not a subjective interpretation of it, namely, that a particular existence is accordant with my own conception of it. It is truth in the objective sense that the reality of the Ego, or of any external object, action, or circumstance actually contributes to the realization of the notion. If this identity is not established the existence remains purely phenomenal. Instead of the objectification of the notion in its completeness what obtains is purely a detached aspect of it; and with regard to this, whatever self-subsistence it may appear to have in opposition to the unity and universality of the notion, such can only work to its final confusion by setting it in hostility to the true notion itself. Our conclusion, therefore, is that only the reality which adequately expresses the notion is truly reality, and the reason it is so is that therein the Idea manifests itself as existence.

      3. We have maintained that beauty is Idea. It follows that beauty and truth are, in one aspect of them, identical. In other words, beauty must itself in its intrinsic being be true. A closer investigation will further show to us that truth must be distinguished from beauty.