Название: 1001 Afternoons in Chicago
Автор: Ben Hecht
Издательство: Bookwire
Жанр: Социология
isbn: 4064066397098
isbn:
Snowing outside. And quiet. Everybody at work. Funny about that. Tommy O'Connor was the only free man in the city. There was nobody felt like him right now—nobody. Where would he be exactly this time a week from now? If he could only look ahead and see himself at four o'clock next Monday afternoon. But he was free now. No breaking his neck on the end of a rope. If worst came to worst—if worst came to worst—O'Connor's fingers took a grip on the gun in his pocket. They were hunting him. Up and down the streets everywhere. Racing around in taxis, with rifles sticking out of the windows. Well, why didn't they come into this street? All they had to do was figure out: Here's the street Tommy O'Connor is hiding in. And that looks like the house. And then somebody would yell out: "There he is! Behind that window! That's him!" Why didn't this happen?
* * * * *
Christmas, maybe, he'd call on the folks. No. Rube stuff. A million coppers would be watching the house. But he might drop them a letter. Too bad he didn't have any paper, or he might write a lot of letters. To the chief of police and all the head hunters. Some more rube stuff, that. They could tell by the postmark what part of the city he was hiding in and they'd be on him with a whoop.
Funny how he had landed in this room. No plans, no place in particular to head for. That was the best way. Like he'd figured it out and it turned out perfect. Grab the first auto and ride like hell and keep on changing autos and riding around and around in the streets and crawling deeper into the city until the trail was all twisted and he was buried. But he ought to shave his mustache off. Hell. What for? If they came whooping into the street they'd find him, mustache or no mustache. But what if he wanted to buy some papers?
It was getting darker now. The snow was letting up. Just dribbling. Better if it would snow a lot. Then he could sit and have something to watch—snow falling on the street and turning things white. That was on account of his headache he was thinking that way. Eats might help, but he wasn't hungry. Scared? No. Just waiting. Hunters winding in and out like the snow that was falling. People were funny. They got a big thrill out of hunting a live man who was free in the streets.
He'd be walking some day. Strolling around the streets free as any of them. Maybe not in town. Some other town. Take a walk down State Street. Drop in at a movie. Kid stuff. Walk over to Mac's saloon and kind of casually say "Hello, fellows." And walk out again. God, they'd never hang him. If the worst came to the worst—if the worst came to the worst—but they'd never hang him.
* * * * *
Dark now. But the guys hunting him weren't going to sleep. Lights were going on in the windows. Better light up the room. People might notice a dark window. But a lighted one would look all right. It was not snowing any more. Just cold.
Well, he'd go out in a while. Stretch his legs and buy the papers and give them a reading. And then take a walk. Just walk around and take in the streets and see if there was anybody he knew. No. Rube stuff, that. Better stick where he was.
Lucky Tommy walked around in the room. The drawn window blind held his eye. Wagons were passing. What for? Yes, and there was a noise. Like people coming. Turn out the light, then. He'd take a look.
Tommy O'Connor peeled back the blind carefully. Dark. Lights in windows. Some guys on the corner. Hunting him? Sure. And they were coming his way. Straight down the street. They were looking up. What for? A gun crept out of Tommy O'Connor's pocket. He pressed himself carefully against the wall. He waited. The minutes grew long. But this was the hunt closing in. They were coming. Black figures of men floating casually down the street. All right—let them come.
Lucky Tommy O'Connor's eyes stared rigidly out of the smeared window at a vague flurry of figures that seemed to be coming, coming his way.
MR. WINKELBERG
There was never a man as irritating as Winkelberg. He was an encyclopedia of misfortune. Everything which can happen to a man had happened to him. He had lost his family, his money and his health. He was, in short, a man completely broken—tall, thin, with a cadaverous face, out of which shone two huge, lusterless eyes. He walked with an angular crawl that reminded one of the emaciated flies one sees at the beginning of winter dragging themselves perversely along as if struggling across an illimitable expanse of flypaper.
It was one of Winkelberg's worst habits to appear at unexpected moments. But perhaps any appearances poor Winkelberg might have made would have had this irritating quality of unexpectedness. One was never looking forward to Winkelberg, and thus the sight of his wan, determined smile, his lusterless eyes and his tenacious crawl was invariably an uncomfortable surprise.
* * * * *
I will be frank. It was Winkelberg's misfortune which first attracted me. I listened to his story avidly. He talked in slow words and there was intelligence in the man. He was able to perceive himself not only as a pain-racked, starving human, but he glimpsed with his large, tired eyes his relation to things outside himself. I remember he said, and without emotion: "There is nobody to blame. Not even myself. And if I cannot blame myself how can I blame the world? The city is like that. I am no good. I am done. Something worn out and useless. People try to take care of the useless ones and they would like to. There are institutions. I was kicked out of two of them. They said I was a faker. Somehow I don't appeal to charitably inclined people."
Later I understood why. It was because of the man's smile—a feeble, tenacious grimace that seemed to be offering a sardonic reproof. It could never have been mistaken for a courageous smile. The secret of its aggravating quality was this: In it Winkelberg accused himself of his uselessness, his feebleness, his poverty. It was as if he were regarding himself continually through the annoyed eyes of others and addressing himself with the words of others: "You, Winkelberg, get out of here. You're a nuisance. You make me uncomfortable because you're poor and diseased and full of gloom. Get out. I don't want you around. Why the devil don't you die?"
And the aggravating thing was that people looked at Winkelberg's smile as into a mirror. They saw in it a reflection of their own attitude toward the man. They felt that Winkelberg understood what they thought of him. And they didn't like that. They didn't like to feel that Winkelberg was aware that deep inside their minds they were always asking: "Why doesn't this Winkelberg die and have it over with?" Because that made them out as cruel, heartless people, not much different in their attitude toward their fellow men from predatory animals in their attitude toward fellow predatory animals. And somehow, although they really felt that way toward Winkelberg, they preferred not to believe it. But Winkelberg's smile was a mirror which would not let them escape this truth. And eventually Winkelberg's smile became for them one of those curious mirrors which exaggerate images grotesquely. Charitably inclined people, as well as all other kinds of inclined people, prefer their Winkelbergs more egoistic. They prefer that unfortunate ones be engrossed in their misfortunes and not go around wearing sardonic, philosophical smiles.
* * * * *
Winkelberg dragged along for a year. He was past fifty. Each time I saw him I was certain I would never see him again. I was certain he would die—drop dead while crawling across his flypaper. But he would appear. I would pretend to be vastly busy. He would sit and wait. He never asked alms. СКАЧАТЬ