Название: Curiosities of Literature (Vol. 1-3)
Автор: Disraeli Isaac
Издательство: Bookwire
Жанр: Языкознание
isbn: 4064066387785
isbn:
But this controversy concerning Aristotle and the school divinity was even prolonged. A professor in the College at Naples published in 1688 four volumes of peripatetic philosophy, to establish the principles of Aristotle. The work was exploded, and he wrote an abusive treatise under the nom de guerre of Benedetto Aletino. A man of letters, Constantino Grimaldi, replied. Aletino rejoined; he wrote letters, an apology for the letters, and would have written more for Aristotle than Aristotle himself perhaps would have done. However, Grimaldi was no ordinary antagonist, and not to be outwearied. He had not only the best of the argument, but he was resolved to tell the world so, as long as the world would listen. Whether he killed off Father Benedictus, the first author, is not affirmed; but the latter died during the controversy. Grimaldi, however, afterwards pursued his ghost, and buffeted the father in his grave. This enraged the University of Naples; and the Jesuits, to a man, denounced Grimaldi to Pope Benedict XIII. and to the Viceroy of Naples. On this the Pope issued a bull prohibiting the reading of Grimaldi's works, or keeping them, under pain of excommunication; and the viceroy, more active than the bull, caused all the copies which were found in the author's house to be thrown into the sea! The author with tears in his eyes beheld his expatriated volumes, hopeless that their voyage would have been successful. However, all the little family of the Grimaldis were not drowned—for a storm arose, and happily drove ashore many of the floating copies, and these falling into charitable hands, the heretical opinions of poor Grimaldi against Aristotle and school divinity were still read by those who were not out-terrified by the Pope's bulls. The salted passages were still at hand, and quoted with a double zest against the Jesuits!
We now turn to writers whose controversy was kindled only by subjects of polite literature. The particulars form a curious picture of the taste of the age.
"There is," says Joseph Scaliger, that great critic and reviler, "an art of abuse or slandering, of which those that are ignorant may be said to defame others much less than they show a willingness to defame."
"Literary wars," says Bayle, "are sometimes as lasting as they are terrible." A disputation between two great scholars was so interminably violent, that it lasted thirty years! He humorously compares its duration to the German war which lasted as long.
Baillet, when he refuted the sentiments of a certain author always did it without naming him; but when he found any observation which, he deemed commendable, he quoted his name. Bayle observes, that "this is an excess of politeness, prejudicial to that freedom which should ever exist in the republic of letters; that it should be allowed always to name those whom we refute; and that it is sufficient for this purpose that we banish asperity, malice, and indecency."
After these preliminary observations, I shall bring forward various examples where this excellent advice is by no means regarded.
Erasmus produced a dialogue, in which he ridiculed those scholars who were servile imitators of Cicero; so servile, that they would employ no expression but what was found in the works of that writer; everything with them was Ciceronianised. This dialogue is written with great humour. Julius Cæsar Scaliger, the father, who was then unknown to the world, had been long looking for some occasion to distinguish himself; he now wrote a defence of Cicero, but which in fact was one continued invective against Erasmus: he there treats the latter as illiterate, a drunkard, an impostor, an apostate, a hangman, a demon hot from hell! The same Scaliger, acting on the same principle of distinguishing himself at the cost of others, attacked Cardan's best work De Subtilitate: his criticism did not appear till seven years after the first edition of the work, and then he obstinately stuck to that edition, though Cardan had corrected it in subsequent ones; but this Scaliger chose, that he might have a wider field for his attack. After this, a rumour spread that Cardan had died of vexation from Julius Cæsar's invincible pen; then Scaliger pretended to feel all the regret possible for a man he had killed, and whom he now praised: however, his regret had as little foundation as his triumph; for Cardan outlived Scaliger many years, and valued his criticisms too cheaply to have suffered them to have disturbed his quiet. All this does not exceed the Invectives of Poggius, who has thus entitled several literary libels composed against some of his adversaries, Laurentius Valla, Philelphus, &c., who returned the poisoned chalice to his own lips; declamations of scurrility, obscenity, and calumny!
Scioppius was a worthy successor of the Scaligers: his favourite expression was, that he had trodden down his adversary.
Scioppius was a critic, as skilful as Salmasius or Scaliger, but still more learned in the language of abuse. This cynic was the Attila of authors. He boasted that he had occasioned the deaths of Casaubon and Scaliger. Detested and dreaded as the public scourge, Scioppius, at the close of his life, was fearful he should find no retreat in which he might be secure.
The great Casaubon employs the dialect of St. Giles's in his furious attacks on the learned Dalechamps, the Latin translator of Athenæus. To this great physician he stood more deeply indebted than he chose to confess; and to conceal the claims of this literary creditor, he called out Vesanum! Insanum! Tiresiam! &c. It was the fashion of that day with the ferocious heroes of the literary republic, to overwhelm each other with invectives, and to consider that their own grandeur consisted in the magnitude of their volumes; and their triumphs in reducing their brother giants into puny dwarfs. In science, Linnæus had a dread of controversy—conqueror or conquered we cannot escape without disgrace! Mathiolus would have been the great man of his day, had he not meddled with such matters. Who is gratified by "the mad Cornarus," or "the flayed Fox?" titles which Fuchsius and Cornarus, two eminent botanists, have bestowed on each other. Some who were too fond of controversy, as they grew wiser, have refused to take up the gauntlet.
The heat and acrimony of verbal critics have exceeded description. Their stigmas and anathemas have been long known to bear no proportion to the offences against which they have been directed. "God confound you," cried one grammarian to another, "for your theory of impersonal verbs!" There was a long and terrible controversy formerly, whether the Florentine dialect was to prevail over the others. The academy was put to great trouble, and the Anti-Cruscans were often on the point of annulling this supremacy; una mordace scritura was applied to one of these literary canons; and in a letter of those times the following paragraph appears:—"Pescetti is preparing to give a second answer to Beni, which will not please him; I now believe the prophecy of Cavalier Tedeschi will be verified, and that this controversy, begun with pens, will end СКАЧАТЬ