The YouTube Formula. Derral Eves
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Название: The YouTube Formula

Автор: Derral Eves

Издательство: John Wiley & Sons Limited

Жанр: Маркетинг, PR, реклама

Серия:

isbn: 9781119716037

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СКАЧАТЬ so YouTube could catch infractions.

      In 2007, while the big copyright problem was simmering down, YouTube added two features that would make a similarly huge impact on its future. These features would be problematic in some ways, but also they would significantly change advertising and how creators could make a living from YouTube. Which features could be this consequential? (1) In‐video advertisements and (2) the Partner Program.

      Advertisements on YouTube have evolved a lot over time. They used to be display ads or they appeared underneath the content, but with these changes, ads would pop up right in the content where the viewer was looking. And now the creator of that content could be compensated via ad revenue sharing. This is how the YouTube Partner Program began. Creators became super motivated to make good content that would get more viewers watching, because now, more views equaled more money. Creators and businesses really wanted to be YouTube Partners!

      Let's not forget the first member in the YouTube ecosystem here: the viewer. This new ad sharing program created a big problem with viewer satisfaction. People began spending less time on YouTube because of the in‐your‐face ads and because of clickbaiting that hinted at what they were looking for but actually didn't satisfy that end at all in the content itself. In short, viewers felt tricked and unsatisfied.

      In addition, many YouTube viewers got angry at these “sell‐out” creators who ran ads in conjunction with their content. They even went so far as to join channel boycott movements against creators. Seeing ads today is just part of the online experience, but back then, it was such a big deal that it interrupted the ecosystem.

      As you can see, the integration of the Partner Program further complicated YouTube's delicate ecosystem. Keeping advertisers happy was an obvious priority because that's where the money came from, but YouTube also had to keep creators and viewers happy to achieve this, and the task was proving to be extremely difficult. Creators wanted their fair share in ad revenue without being labeled a sell‐out, and viewers wanted to watch content without feeling tricked or sitting through ads on every video.

      Let's pause here for a minute. Before we run away with all the problems the Partner Program created, I want to emphasize how monumental its existence was. Google had pioneered advertisement revenue sharing with its AdSense program, and they implemented that program with YouTube. They took it to another level going from display ads to video ads, because video ads were more effective. They could charge advertisers more money for video ads, so YouTube made more money this way. Because YouTube didn't create their own website content, they had to incentivize creators to make good content that would get people coming to the platform.

      YouTube said, more or less, “Hey folks, if you make good content that viewers will come and watch on our website, we'll share some of the advertisement money we get with you.”

      And creators were like, “Wait, really? You mean I can get compensated for my hobby? Potentially earning enough that I can replace my boring nine‐to‐five income doing something I actually like, and can make more money doing? Well, then I'm going to make the best darn videos you ever saw!” And the gold rush was on. The channel owners grabbed their pickaxes, installed sluice gates, and started panning for gold.

      So many creators, businesses, and advertisers saw the potential for massive payout with ad sharing, and they wanted in. The risk was that they might not actually make any money if they didn't get viewers, but the opportunity was worth the risk, and it paid off big for so many of them. This was a genius move by YouTube! They were enlisting a worldwide army of creators to do the grunt work to get visitors to their website for a piece of the revenue. Channel owners were ready to compete against each other for a chunk of the gold.

      Advertising companies could get into this market very inexpensively. They could track their market, get a lot of eyes on their product quickly without expensive campaigns, and they could do it for literally a fraction of traditional marketing cost. A lot of big brands and businesses gave it a snooty pass because they just didn't realize what they were missing in the beginning. They were too good for it.

      My good friend Jeffrey Harmon was a student in that class, and he told Dr. Bob that he thought they could sell the product online with a YouTube video. He took on the tongue cleaner project with the promise of Dr. Bob's personal motorcycle as payment for the campaign. Jeffrey and some creative friends made their YouTube video for just a few hundred dollars, and it went viral. People wanted to know where they could buy Orabrush in their own locations, and distributors started to pay attention.

      An ad campaign like this had never been done on YouTube, but Jeffrey saw its potential. “We took a product from zero sales anywhere to worldwide distribution,” Jeffrey told me. “And we didn't do it with traditional marketing. It was 100% YouTube. We couldn't have made it happen any other way.” Orabrush became a multimillion‐dollar brand that is sold in more than two dozen countries in 30,000‐plus stores.

      For the record, Orabrush's YouTube channel has more than 38 million video views to date. For a tongue brush. Orabrush was acquired by DenTek in 2015.

      Another friend of mine, Shay Carl Butler, began his YouTube career way back in 2006 and was one of the original Partners, so if anyone has a good handle on how the program began and how it has changed ever since, it would be him. “The YouTube Partner Program was so exciting in the beginning, and everyone who knew about it wanted a piece,” Shay СКАЧАТЬ