The Complete Travelogues of Mark Twain - 5 Books in One Edition. Mark Twain

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      [I measure all lakes by Tahoe, partly because I am far more familiar with it than with any other, and partly because I have such a high admiration for it and such a world of pleasant recollections of it, that it is very nearly impossible for me to speak of lakes and not mention it.]

      In the early morning one watches the silent battle of dawn and darkness upon the waters of Tahoe with a placid interest; but when the shadows sulk away and one by one the hidden beauties of the shore unfold themselves in the full splendor of noon; when the still surface is belted like a rainbow with broad bars of blue and green and white, half the distance from circumference to centre; when, in the lazy summer afternoon, he lies in a boat, far out to where the dead blue of the deep water begins, and smokes the pipe of peace and idly winks at the distant crags and patches of snow from under his cap-brim; when the boat drifts shoreward to the white water, and he lolls over the gunwale and gazes by the hour down through the crystal depths and notes the colors of the pebbles and reviews the finny armies gliding in procession a hundred feet below; when at night he sees moon and stars, mountain ridges feathered with pines, jutting white capes, bold promontories, grand sweeps of rugged scenery topped with bald, glimmering peaks, all magnificently pictured in the polished mirror of the lake, in richest, softest detail, the tranquil interest that was born with the morning deepens and deepens, by sure degrees, till it culminates at last in resistless fascination!

      It is solitude, for birds and squirrels on the shore and fishes in the water are all the creatures that are near to make it otherwise, but it is not the sort of solitude to make one dreary. Come to Galilee for that. If these unpeopled deserts, these rusty mounds of barrenness, that never, never, never do shake the glare from their harsh outlines, and fade and faint into vague perspective; that melancholy ruin of Capernaum; this stupid village of Tiberias, slumbering under its six funereal plumes of palms; yonder desolate declivity where the swine of the miracle ran down into the sea, and doubtless thought it was better to swallow a devil or two and get drowned into the bargain than have to live longer in such a place; this cloudless, blistering sky; this solemn, sailless, tintless lake, reposing within its rim of yellow hills and low, steep banks, and looking just as expressionless and unpoetical (when we leave its sublime history out of the question,) as any metropolitan reservoir in Christendom — if these things are not food for rock me to sleep, mother, none exist, I think.

      But I should not offer the evidence for the prosecution and leave the defense unheard. Wm. C. Grimes deposes as follows: —

      “We had taken ship to go over to the other side. The sea was not more than six miles wide. Of the beauty of the scene, however, I can not say enough, nor can I imagine where those travelers carried their eyes who have described the scenery of the lake as tame or uninteresting. The first great characteristic of it is the deep basin in which it lies. This is from three to four hundred feet deep on all sides except at the lower end, and the sharp slope of the banks, which are all of the richest green, is broken and diversified by the wadys and watercourses which work their way down through the sides of the basin, forming dark chasms or light sunny valleys. Near Tiberias these banks are rocky, and ancient sepulchres open in them, with their doors toward the water. They selected grand spots, as did the Egyptians of old, for burial places, as if they designed that when the voice of God should reach the sleepers, they should walk forth and open their eyes on scenes of glorious beauty. On the east, the wild and desolate mountains contrast finely with the deep blue lake; and toward the north, sublime and majestic, Hermon looks down on the sea, lifting his white crown to heaven with the pride of a hill that has seen the departing footsteps of a hundred generations. On the northeast shore of the sea was a single tree, and this is the only tree of any size visible from the water of the lake, except a few lonely palms in the city of Tiberias, and by its solitary position attracts more attention than would a forest. The whole appearance of the scene is precisely what we would expect and desire the scenery of Genessaret to be, grand beauty, but quiet calm. The very mountains are calm.”

      It is an ingeniously written description, and well calculated to deceive. But if the paint and the ribbons and the flowers be stripped from it, a skeleton will be found beneath.

      So stripped, there remains a lake six miles wide and neutral in color; with steep green banks, unrelieved by shrubbery; at one end bare, unsightly rocks, with (almost invisible) holes in them of no consequence to the picture; eastward, “wild and desolate mountains;” (low, desolate hills, he should have said;) in the north, a mountain called Hermon, with snow on it; peculiarity of the picture, “calmness;” its prominent feature, one tree.

      No ingenuity could make such a picture beautiful — to one’s actual vision.

      I claim the right to correct misstatements, and have so corrected the color of the water in the above recapitulation. The waters of Genessaret are of an exceedingly mild blue, even from a high elevation and a distance of five miles. Close at hand (the witness was sailing on the lake,) it is hardly proper to call them blue at all, much less “deep” blue. I wish to state, also, not as a correction, but as matter of opinion, that Mount Hermon is not a striking or picturesque mountain by any means, being too near the height of its immediate neighbors to be so. That is all. I do not object to the witness dragging a mountain forty-five miles to help the scenery under consideration, because it is entirely proper to do it, and besides, the picture needs it.

      “C. W. E.,” (of “Life in the Holy Land,”) deposes as follows: —

      “A beautiful sea lies unbosomed among the Galilean hills, in the midst of that land once possessed by Zebulon and Naphtali, Asher and Dan. The azure of the sky penetrates the depths of the lake, and the waters are sweet and cool. On the west, stretch broad fertile plains; on the north the rocky shores rise step by step until in the far distance tower the snowy heights of Hermon; on the east through a misty veil are seen the high plains of Perea, which stretch away in rugged mountains leading the mind by varied paths toward Jerusalem the Holy. Flowers bloom in this terrestrial paradise, once beautiful and verdant with waving trees; singing birds enchant the ear; the turtle-dove soothes with its soft note; the crested lark sends up its song toward heaven, and the grave and stately stork inspires the mind with thought, and leads it on to meditation and repose. Life here was once idyllic, charming; here were once no rich, no poor, no high, no low. It was a world of ease, simplicity, and beauty; now it is a scene of desolation and misery.”

      This is not an ingenious picture. It is the worst I ever saw. It describes in elaborate detail what it terms a “terrestrial paradise,” and closes with the startling information that this paradise is “a scene of desolation and misery.”

      I have given two fair, average specimens of the character of the testimony offered by the majority of the writers who visit this region. One says, “Of the beauty of the scene I can not say enough,” and then proceeds to cover up with a woof of glittering sentences a thing which, when stripped for inspection, proves to be only an unobtrusive basin of water, some mountainous desolation, and one tree. The other, after a conscientious effort to build a terrestrial paradise out of the same materials, with the addition of a “grave and stately stork,” spoils it all by blundering upon the ghastly truth at the last.

      Nearly every book concerning Galilee and its lake describes the scenery as beautiful. No — not always so straightforward as that. Sometimes the impression intentionally conveyed is that it is beautiful, at the same time that the author is careful not to say that it is, in plain Saxon. But a careful analysis of these descriptions will show that the materials of which they are formed are not individually beautiful and can not be wrought into combinations that are beautiful. The veneration and the affection which some of these men felt for the scenes they were speaking of, heated their fancies and biased their judgment; but the pleasant falsities they wrote were full of honest sincerity, at any rate. Others wrote as they did, because they feared it would be unpopular to write otherwise. Others were hypocrites and deliberately meant to deceive. Any of them would say in a moment, if asked, that it was always right and always best to tell the truth. They would say that, СКАЧАТЬ