The Essential Writings of Marie Belloc Lowndes. Marie Belloc Lowndes

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СКАЧАТЬ 'Oh, but this is terrible!' Yes, Laura, love is terrible. It is not only cleansing, inspiring, and noble, it is terrible too. Why is it that you so misunderstand, misjudge, the one priceless gift, the only bit of Heaven, which God or Nature—I care not which—has given to man and woman?"

      She stopped reading for a moment, then forced herself to go on, and the next few lines of that strange, passionate secret letter, burnt themselves into her brain.

      She let the paper flutter down, and covered her face with her hands. Could she—should she believe what this man said?

      "What you, judging by your words to-day, take to be love is as little like that passion as a deep draught of pure cold water to a man dying of thirst is like the last glass of drugged beer imbibed by some poor sot already drunk."

      It was a horrible simile, and yet—yes, she felt that it was a true smile. For the first time Laura Pavely dimly apprehended the meaning of love in the same sense that Oliver Tropenell understood it.

      She took up the sheet of paper again, and with the tears falling down her cheeks, she read the postscript which was superposed, as it were, on to the first.

      "God bless you, my dear love, and grant you the peace which seems the only thing for which you crave."

      After giving a shamed, furtive look round the empty room, Laura Pavely pressed the letter to her lips, and then she threw it into the fire, and watched it vanish into brilliant flame, feeling as if a bit of her heart were being burnt with it.

      Slowly she got up and went to the door; opening it, she listened for a while.

      The whole household was asleep, but even so, she locked the door before coming back to her station by the fire.

      She put more coal on the now glowing embers, and then she took up another letter Oliver had written to her, a letter written from Paris just after he and her brother had left London together for that long holiday on the Continent. Outwardly it was a commonplace letter enough concerning a change in certain of her investments; but when she held it to the fire, between the black lines there again started into pulsing life another message, winged from his soul to hers....

      "Laura, I have sworn not to speak to you of love, and even in this letter which you will never see, I will not break my oath. But as I go in and out of the old Paris churches (where alone I find a certain measure of solace and peace), in the women whom I see there praying I often seem to discover something akin to your spiritual and physical perfection.

      "It is strange, considering the business on which I am engaged, that I should feel thus drawn to haunt these old, dim Paris churches, but there at least I can escape from Gillie, of Gillie who talks perpetually of Godfrey, your owner and your tyrant."

      And as she read these last words, there came a cold feeling over Laura's heart. She realised, for the first time, how Oliver had hated Godfrey.

      She read on:

      "Gillie does not understand the reverence in which I hold you. Sometimes when he speaks of you—of you and Godfrey—I feel as if some day I shall strike him on the mouth.

      "But he is your brother, Laura. According to the measure which is in the man he loves you, aye, and even reverences you too, in his fashion; but with this reverence is mingled a touch of pity, of contempt, that you should be what he calls 'good.'"

      Good? Laura looked up and stared into the now glowing fire. Good in a narrow, effortless sense she had always been, but to the man who was so little her owner, though so much at times her tyrant, she had been, almost from the very first, hard, and utterly lacking in sympathy.

      It was with relief that Laura burnt that letter.

      The notes Oliver Tropenell had written to her in London while he was conducting the investigation into Godfrey Pavely's disappearance, held, to her disappointment, no secret writing in between. But the letters she had received from him since her widowhood all had an invisible counterpart.

      The first was written on ship-board:

      "Laura, I am now free to speak to you of love. The world would say that I must wait in spirit as I have waited in body, but I know at what a cost has been bought the relief from the vow which I faithfully kept.

      "The past is dead, the future is my own. I look back, dear love, to the few moments we had by the great window in your drawing-room, when my mother was talking to Alice over by the fire. You were so gentle, so sweet, to me then. It was as if—God forgive me for my presumption—you were regretting my departure. Till that moment I had felt as if the man who had once called you wife stood between us, an angry, menacing shape. But he vanished then, in that house of which he had never been the real master. And since that day he has not haunted me as he haunted me during those long long days of waiting for the news I at once longed for and dreaded.

      "When I come back I shall not ask you to love me, I shall only humbly ask you to let me love you."

      Laura went to her writing-table and turned on the light. She moved as one walking in her sleep, for she was in an extraordinary state of spiritual and mental exaltation. She drew a sheet of paper towards her, and before burning the letter she still held in her hand, she copied out, not all, but a certain part of what had been written there in that invisible ink which only flashed into being when held up against a flame.

      Then she went back to the fire, and read the next letter—and the next. In a sense they were alike—alike in the measureless love, the almost anguished longing for her presence they expressed, and in their abhorrence, hatred, contempt for the man who had been her husband. It was as if Oliver, in spite of his confident words in the letter which had been written on shipboard, could not forget Godfrey—as if perpetually he felt the dead man's menacing presence to be there, between them.

      Laura was amazed, troubled, and yet at the same time profoundly stirred and excited by Oliver's retrospective jealousy. It seemed to prove to her as nothing else could have done how passionately, exclusively he loved her, and had always loved her.

      Though none of those about her were aware of it, the mistress of The Chase became henceforth a different woman. It was as though she had suddenly become alive where she had been dead, articulate instead of dumb.

      Each night, when the house was plunged in darkness and slumber, Laura would light three candles, and read the words of longing and of love which Oliver had written in between the formal lines of the last letter she had received from him. And then, when a new letter came, she would burn the one that had come before—the one whose contents she had already long known by heart.

      And as the spring wore into summer the thing that became, apart from her child, the only real thing in Laura Pavely's life, was her strong, secret link with this man who she knew was coming back to claim her, on whatever terms she chose to exact, as his own. And she fell into a deep, brooding peace—the peace of waiting. She was in no hurry to see Oliver again—indeed, she sometimes had a disturbing dread that his actual presence might destroy that amazing sense of nearness she now felt to him. Unconsciously her own letters to him became more intimate, more self-revealing; she wrote less of Alice, more of herself.

      The only uneaseful element in Laura Pavely's life now was Katty Winslow. The two women never met without Katty's making some mention of Godfrey. And once Laura, when walking away with Katty from Freshley Manor, where the two had met unexpectedly, was sharply disturbed by something Katty said.

      "I'm told Oliver Tropenell is coming back at or after Christmas. Somehow I always associate him with that awful time we had last СКАЧАТЬ