UNDER WESTERN EYES. Джозеф Конрад
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Название: UNDER WESTERN EYES

Автор: Джозеф Конрад

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788075839886

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СКАЧАТЬ this true light of femininity."

      The gaze of the dark spectacles in its glossy steadfastness gave his face an air of absolute conviction. Razumov felt a momentary shrinking before that closed door.

      "Penetration? Light," he stammered out. "Do you mean some sort of thought-reading?"

      Peter Ivanovitch seemed shocked.

      "I mean something utterly different," he retorted, with a faint, pitying smile.

      Razumov began to feel angry, very much against his wish.

      "This is very mysterious," he muttered through his teeth.

      "You don't object to being understood, to being guided?" queried the great feminist. Razumov exploded in a fierce whisper.

      "In what sense? Be pleased to understand that I am a serious person. Who do you take me for?"

      They looked at each other very closely. Razumov's temper was cooled by the impenetrable earnestness of the blue glasses meeting his stare. Peter Ivanovitch turned the handle at last.

      "You shall know directly," he said, pushing the door open.

      A low-pitched grating voice was heard within the room.

      "Enfin."

      In the doorway, his black-coated bulk blocking the view, Peter Ivanovitch boomed in a hearty tone with something boastful in it.

      "Yes. Here I am!"

      He glanced over his shoulder at Razumov, who waited for him to move on.

      "And I am bringing you a proved conspirator—a real one this time. Un vrai celui la."

      This pause in the doorway gave the "proved conspirator" time to make sure that his face did not betray his angry curiosity and his mental disgust.

      These sentiments stand confessed in Mr. Razumov's memorandum of his first interview with Madame de S—. The very words I use in my narrative are written where their sincerity cannot be suspected. The record, which could not have been meant for anyone's eyes but his own, was not, I think, the outcome of that strange impulse of indiscretion common to men who lead secret lives, and accounting for the invariable existence of "compromising documents" in all the plots and conspiracies of history. Mr. Razumov looked at it, I suppose, as a man looks at himself in a mirror, with wonder, perhaps with anguish, with anger or despair. Yes, as a threatened man may look fearfully at his own face in the glass, formulating to himself reassuring excuses for his appearance marked by the taint of some insidious hereditary disease.

      II

       Table of Contents

      The Egeria of the "Russian Mazzini" produced, at first view, a strong effect by the death-like immobility of an obviously painted face. The eyes appeared extraordinarily brilliant. The figure, in a close-fitting dress, admirably made, but by no means fresh, had an elegant stiffness. The rasping voice inviting him to sit down; the rigidity of the upright attitude with one arm extended along the back of the sofa, the white gleam of the big eyeballs setting off the black, fathomless stare of the enlarged pupils, impressed Razumov more than anything he had seen since his hasty and secret departure from St. Petersburg. A witch in Parisian clothes, he thought. A portent! He actually hesitated in his advance, and did not even comprehend, at first, what the rasping voice was saying.

      "Sit down. Draw your chair nearer me. There—"

      He sat down. At close quarters the rouged cheekbones, the wrinkles, the fine lines on each side of the vivid lips, astounded him. He was being received graciously, with a smile which made him think of a grinning skull.

      "We have been hearing about you for some time."

      He did not know what to say, and murmured some disconnected words. The grinning skull effect vanished.

      "And do you know that the general complaint is that you have shown yourself very reserved everywhere?"

      Razumov remained silent for a time, thinking of his answer.

      "I, don't you see, am a man of action," he said huskily, glancing upwards.

      Peter Ivanovitch stood in portentous expectant silence by the side of his chair. A slight feeling of nausea came over Razumov. What could be the relations of these two people to each other? She like a galvanized corpse out of some Hoffman's Tale—he the preacher of feminist gospel for all the world, and a super-revolutionist besides! This ancient, painted mummy with unfathomable eyes, and this burly, bull-necked, deferential...what was it? Witchcraft, fascination.... "It's for her money," he thought. "She has millions!"

      The walls, the floor of the room were bare like a barn. The few pieces of furniture had been discovered in the garrets and dragged down into service without having been properly dusted, even. It was the refuse the banker's widow had left behind her. The windows without curtains had an indigent, sleepless look. In two of them the dirty yellowy-white blinds had been pulled down. All this spoke, not of poverty, but of sordid penuriousness.

      The hoarse voice on the sofa uttered angrily—

      "You are looking round, Kirylo Sidorovitch. I have been shamefully robbed, positively ruined."

      A rattling laugh, which seemed beyond her control, interrupted her for a moment.

      "A slavish nature would find consolation in the fact that the principal robber was an exalted and almost a sacrosanct person—a Grand Duke, in fact. Do you understand, Mr. Razumov? A Grand Duke—No! You have no idea what thieves those people are! Downright thieves!"

      Her bosom heaved, but her left arm remained rigidly extended along the back of the couch.

      "You will only upset yourself," breathed out a deep voice, which, to Razumov's startled glance, seemed to proceed from under the steady spectacles of Peter Ivanovitch, rather than from his lips, which had hardly moved.

      "What of hat? I say thieves! Voleurs! Voleurs!"

      Razumov was quite confounded by this unexpected clamour, which had in it something of wailing and croaking, and more than a suspicion of hysteria.

      "Voleurs! Voleurs! Vol...."

      "No power on earth can rob you of your genius," shouted Peter Ivanovitch in an overpowering bass, but without stirring, without a gesture of any kind. A profound silence fell.

      Razumov remained outwardly impassive. "What is the meaning of this performance?" he was asking himself. But with a preliminary sound of bumping outside some door behind him, the lady companion, in a threadbare black skirt and frayed blouse, came in rapidly, walking on her heels, and carrying in both hands a big Russian samovar, obviously too heavy for her. Razumov made an instinctive movement to help, which startled her so much that she nearly dropped her hissing burden. She managed, however, to land it on the table, and looked so frightened that Razumov hastened to sit down. She produced then, from an adjacent room, four glass tumblers, a teapot, and a sugar-basin, on a black iron tray.

      The rasping voice asked from the sofa abruptly—

      "Les СКАЧАТЬ