Evelyn Innes. George Moore
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Название: Evelyn Innes

Автор: George Moore

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4064066244057

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СКАЧАТЬ without stopping; he has not been home. So, father, you will never be able to say again that your concerts are not appreciated."

      "Well, I don't think that you will be disappointed, Sir Owen. This is one of the most interesting programmes we have had. You remember Ferrabosco's pavane which you liked so much—"

      Margaret announced the arrival of Sir Owen's valet, and while Mr. Innes begged of Sir Owen not to put himself to the trouble of dressing, Owen wondered at his own folly in yielding to a sudden caprice to see the girl. However, he did not regret; she was a prettier girl than he had thought, and her welcome was the pleasantest thing that had happened to him for many a day.

      "My poor valet, I am afraid, is quite hors de combat. He was dreadfully ill while we were beating up against that gale, and the long train journey has about finished him. At Victoria he looked more dead than alive."

      Evelyn went out to see this pale victim of sea sickness and expedition. She offered him dinner and then tea, but he said he had had all he could eat at the refreshment bars, and struggled upstairs with the portmanteau of his too exigent master.

      A few of her guests had already arrived, and Evelyn was talking to Father Railston when Sir Owen came into the room.

      "I shall not want you again to-night," he said, turning towards the door to speak to his valet. "Don't sit up for me, and don't call me to-morrow before ten."

      She had not yet had time to speak to Owen of a dream which she had dreamed a few nights before, and in which she was much interested. She had seen him borne on the top of a huge wave, clinging to a piece of wreckage, alone in the solitary circle of the sea. But Owen, when he came downstairs dressed for the concert, looked no longer like a seafarer. He wore an embroidered waistcoat, his necktie was tied in a butterfly bow, and the three pearl studs, which she remembered, fastened the perfectly-fitting shirt. She was a little disappointed, and thought that she liked him better in the rough grey suit, with his hair tossed, just come out of his travelling cap. Now it was brushed about his ears, and it glistened as if from some application of brilliantine or other toilet essence. Now he was more prosaic, but he had been extraordinarily romantic when he ran in to see her, his grey travelling cap just snatched from his head. It was then she should have told him her dream. All this was a very faint impression, half humorous, half regretful, it passed, almost without her being aware of it, in the background of her mind. But she was keenly disappointed that he was not impressed by her dream, and was inclined to consider it in the light of a mere coincidence. In the first place, he hadn't been shipwrecked, and that she should dream of shipwreck was most natural since she knew that he had gone a-seafaring, and any gust of wind in the street was enough to excite the idea of a castaway in the unclosed cellular tissues of her brain. She did not answer, and he stood trying to force an answer from her, but she could not, nor did she wish to think that her dream was no more than a merely physiological phenomenon. But just at that moment Mr. Innes was waiting to speak to Sir Owen.

      He had a great deal to say on the subject of the disgraceful neglect of the present Royal Family in not publishing the works of their single artistic ancestor, Henry VIII. Up to the present time none of his numerous writings, except one anthem played in the Chapel at Windsor, was known; the pieces that were going to be played that evening lay in MS. in the British Museum, and had probably not been heard for two, maybe three hundred years. Encouraged by Sir Owen's sympathy, he referred again, in his speech to his audience, to the indifference of the present Royal Family to art, and he added that it was strange that he should be doing at Dowlands what the Queen or the Prince of Wales should have done long ago, namely, the publication of their ancestor's work with all the prestige that their editorship or their patronage could give it.

      "I must go," she said; "they are waiting for me."

      She took her place among the viol players and began playing; but she had forgotten to tune her instrument, and her father stopped the performance. She looked at him, a little frightened, and laughed at her mistake. The piece they were playing was by Henry VIII., a masterpiece, Mr. Innes had declared it to be, so, to stop the performance on account of Evelyn's viola da gamba, and then to hear her play worse than he had ever heard her play before, was very disappointing.

      "What is the matter? Aren't you well? I never heard you play so badly."

      He hoped that she would play better in the next piece, and he besought her with a look before he signed to the players to begin. She resolved not to think of Owen, and she played so well that the next piece was applauded. Except for her father's sake she cared very little how she played; she tried to play well to please him, but she was anxious to sing well—she was singing for herself and for Owen, which was the same thing—and she sang beautifully in the King's madrigal and the two songs accompanied by the lute—"I loathe what I did love," and "My lytell pretty one," both anonymous, composed in 1520, and discovered by Mr. Innes in the British Museum. The musical interest of these two songs was slight, and Owen reflected that all Mr. Innes's discoveries at the British Museum were not of equal importance. But she had sung divinely, and he thought how he should praise her at the end of the concert.

      Evelyn hoped he would tell her that she had sung better than she had sung on the fatal night of the party in Berkeley Square. This was what she wished him to say, and she wished it partly because she knew that that was what he would say. That party had not yet been spoken of, but she felt sure it would be, for it seemed a decisive point in their lives.

      She was not playing in the next two pieces—fantasies for treble and tenor viols—and she sat in the background, catching glimpses of Owen between the hands and the heads of the viol players, and over the rims of their, instruments. She sat apart, not hearing a note of the music, absorbed in herself, a little exaltation afloat in her brain, her flesh glowing as in the warmth of an inward fire, her whole instinct telling her that Owen had not come back for the red-haired woman; he had gone away for her, perhaps, but he had not come back for her—of that she was sure In spite of herself, the conviction was forced upon her that the future was for her. The red-haired lady was a past which he would tell her some day, and that day she knew to be not very far distant.

      The programme was divided into two parts, and after the first, there was a little interval during which tea and cake were handed round. Evelyn helped to hand them round, and when she held the cake tray to Owen, she raised her eyes and they looked at each other, and in that interval it almost seemed as if they kissed each other.

      They met again at the end of the concert, and she waited anxiously for him to speak. He told her, as she expected he would, that she had sung to-night much better than she had sung at his party. But they were surrounded by people seeking their coats and umbrellas; it was impossible to speak without being overheard; he had told her that she had sung to his satisfaction; that was sufficient, and they felt that all had been said, and that they understood each other perfectly.

      As she lay in bed, the thought came that he might write to her a letter asking her to meet him, to keep an appointment. But she would have to refuse, it would be wrong; but it was not wrong to think about it. He would be there before her; the moment he saw her coming his eyes would light up in a smile, and they would walk on together some little way without speaking. Then he would say, "Dearest, there will be a carriage waiting at the corner of the road"—and then? She could see his face and his tall, thin figure, she could picture it all so distinctly that it was almost the same as if it were happening. All he said, as well as all she said, kept pouring in upon her brain without a missing word, and she hugged herself in the delight of these imaginings, and the hours went by without weariness for her. She lay, her arms folded, thinking, thinking, seeing him through the darkness.

      He came to see them the following day. Her father was there all the time, but to hear and see him was almost enough for her. She seemed to lose sight of everything and to be engulfed in her own joy. When he had gone away she remembered the smile which had СКАЧАТЬ